Aufklärung - Vormärz - Revolution

8 publications

The Age of Revolution and Romanticism

This series publishes and promotes significant works concerned with a crucial period in European cultural and literary history: from the Enlightenment to the post-revolutionary era. The emphasis is on studies that transcend traditional boundaries between disciplines and that focus on interactions of literature, art, philosophy and politics. This series publishes and promotes significant works concerned with a crucial period in European cultural and literary history: from the Enlightenment to the post-revolutionary era. The emphasis is on studies that transcend traditional boundaries between disciplines and that focus on interactions of literature, art, philosophy and politics. This series publishes and promotes significant works concerned with a crucial period in European cultural and literary history: from the Enlightenment to the post-revolutionary era. The emphasis is on studies that transcend traditional boundaries between disciplines and that focus on interactions of literature, art, philosophy and politics.

32 publications

The Modernist Revolution in World Literature

ISSN: 1528-9672

In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series In the stormy time period approximately between the Paris Commune in 1871 and the revolutionary events in May 1968, or between the conclusion of the American Civil War and the withdrawal of American troops from Vietnam, the rise and fall of international modernism was crucial to all historical, political, and intellectual de-velopments around the world. By the time the United States had emerged from its military involvement in Indo-China, the modernist movement had given way to postmodernism. This series investigates the development of international modern-ism in the half century leading up to World War I and its disintegration in the fol-lowing fifty years. High modernism claimed that it represented a break with corrupt values of previous cultural traditions, but we now think that this very drive to “make it new” is itself derivative. What are the roots and characteristics of modernism? How did the philosophical and pedagogical system supporting modernism develop? Is mod-ernism, perhaps, not a liberating movement but a device to shield high culture from rising democratic vulgarization? What is the role of modernism in postcolonial struggles? Where does feminism fall in the modernist agenda? How do changing systems of patronage and the economy of art influence modernism as an enor-mously expanded reading public becomes augmented by cinema, radio, and televi-sion? Such questions on a worldwide stage, in the century approximately from 1870 to 1970, in all manifestations of literature, art, politics, and culture, represent the scope of this series

3 publications

Géopolitique et résolution des conflits / Geopolitics and Conflict Resolution

This series welcomes contributions seeking to analyse the geopolitical changes which have been such a prominent feature of the European and world arena since 1989. At the European level, there is a particular focus on post-Cold War conflicts along with the transformation which has occurred in relations between the European Union and major powers. At a world level, major upheavals have radically altered the ground rules for understanding conflicts and crises. They have also had far-reaching implications for the prevention, management and resolution of disputes. In this context, the series is open to theoretical and empirical studies which critically examine the international implications and progress of specific conflicts and peace processes. The scientific board of the «Geopolitics and Conflict Resolution» series is made up of the members of the Centre d'études des crises et des conflits internationaux of the Université catholique de Louvain (CECRI-UCL) and of the «EU-Russia» and «EU-China» Baillet Latour Chairs UCL-KUL. Cette collection accueille des travaux dont l’objectif est d’analyser les changements géopolitiques ayant marqué la scène européenne et mondiale depuis 1989. Au niveau européen, une attention particulière est consacrée aux conflits post-guerre froide ainsi qu’à la transformation des relations entre l’Union européenne et les grandes puissances. Au niveau mondial, d’intenses bouleversements ont radicalement modifié les grilles de lecture des crises et des conflits, qu’il s’agisse de la prévention, de la gestion ou de la résolution de ceux-ci. Dans cette perspective, la collection est ouverte aux réflexions théoriques et aux études empiriques portant sur le déroulement et les implications internationales de conflits et processus de paix spécifiques. La collection « Géopolitique et résolution des conflits » réunit dans son équipe éditoriale les membres du Centre d’études des crises et des conflits internationaux de l’Université catholique de Louvain (CECRI-UCL) et des Chaires Baillet Latour « Union européenne – Russie » et « Union européenne – Chine » UCL-KUL.

32 publications