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  • Feminism and the Social Sciences

    ISSN: 1070-549X

    1 publications

  • Feministische Forschungen

    ISSN: 1618-839X

    3 publications

  • Fem-Mobilities: Feminismos y Movilidades

    Contemporary migrations take place within the framework of varied geographical, social and symbolic mobilities with strong implications in terms of inequality and global stratification. Throughout history, women have always migrated, but their presence has been invisible or shown in a selective, partial and biased way (Morokvasic, 2011), which presents them more as dependents, sufferers and victims, than as protagonists of the migration. After decades of struggle for the development and implantation of feminist and gender studies in academia and the impact of the broad women's movement at a global level, today we are witnessing the consolidation of a "field" of studies, that of "gender and gender. migrations ». Feminist approaches have provided a set of concepts and categories of analysis that have contributed to restoring the agency of women in general, and in particular, the agency of migrant women. The diverse feminist perspectives allow us to understand how migrations politically, historically and contextually produce gender, the factors of production of political, economic and socio-cultural inequalities that affect the lives of migrant women, as well as the variety of their experiences, their positions and their identities. The FEM-MOBILITIES series is a space for the publication of works that focus on these feminist themes, approaches and perspectives on migration and refuge, with the aim of constituting a place for dialogue and debate, but also for constructive controversy around to the main axes of production of inequality and the ways to combat them. Las migraciones contemporáneas tienen lugar en el marco de movilidades geográficas, sociales y simbólicas variadas con fuertes implicaciones en términos de desigualdad y de estratificación global. A lo largo de la historia, las mujeres siempre han migrado, pero su presencia ha sido invisibilizada o mostrada de manera selectiva, parcial y sesgada (Morokvasic, 2011), lo que las presentan más como dependientes, sufrientes y víctimas, que como protagonistas de la migración. Tras décadas de lucha para el desarrollo e implantación de los estudios feministas y de género en la academia y de la incidencia del movimiento amplio de mujeres a nivel global, hoy asistimos a la consolidación de un «campo» de estudios, el de «género y migraciones». Los enfoques feministas han proporcionado un conjunto de conceptos y categorías de análisis que han contribuido a restituir en general la agencia de las mujeres, y en particular, la agencia de las mujeres migrantes. Las diversas perspectivas feministas nos permitan entender cómo las migraciones producen de manera política, histórica y contextual el género, los factores de producción de desigualdades políticas, económicas y socioculturales que inciden en la vida de las mujeres migrantes, así como la variedad de sus experiencias, sus posiciones y sus identidades. La serie FEM-MOBILITIES es un espacio para la publicación de obras que se centren en estos temas, enfoques y perspectivas feministas de las migraciones y el refugio con el objetivo de constituir un lugar de diálogo y de debate, pero también de controversia constructiva en torno a los principales ejes de producción de desigualdad y las formas de combatirlos.

    1 publications

  • Eruptions: New Feminism Across the Disciplines

    ISSN: 1091-8590

    This is a series of red-hot women's writing after the "isms." lt focuses on new cultural assemblages that are emerging from the deformation, breakout, ebullience, and discomfort of postmodern feminism. The series brings together a post-foundational generation of women's writing that, while still respectful of the idea of situated knowledge, does not rely on neat disciplinary distinctions and stable political coalitions. This writing transcends some of the more awkward textual performances of a first generation of "ferninism-meets-postmodernism" scholarship. lt has come to terms with its own body of knowledge as shifty, inflammatory, and ungovernable, The aim of the series is to make this cutting edge thinking more readily available to undergraduate and postgraduate students, researchers and new academics, and professional bodies and practitioners. Thus, we seek contributions from writers whose unruly scholastic projects are expressed in texts that are accessible and seductive to a wider academic readership. Proposals and/or manuscripts are invited from the domains of: "post" humanities, human movement studies, sexualities, media studies, literary criticism, information technologies, history of ideas, performing arts, gay and lesbian studies, cultural studies, post-colonial studies, pedagogics, social psychology, and the philosophy of science. We are particularly interested in publishing research and scholarship with international appeal from Australia, New Zealand, and the United Kingdom. This is a series of red-hot women's writing after the "isms." lt focuses on new cultural assemblages that are emerging from the deformation, breakout, ebullience, and discomfort of postmodern feminism. The series brings together a post-foundational generation of women's writing that, while still respectful of the idea of situated knowledge, does not rely on neat disciplinary distinctions and stable political coalitions. This writing transcends some of the more awkward textual performances of a first generation of "ferninism-meets-postmodernism" scholarship. lt has come to terms with its own body of knowledge as shifty, inflammatory, and ungovernable, The aim of the series is to make this cutting edge thinking more readily available to undergraduate and postgraduate students, researchers and new academics, and professional bodies and practitioners. Thus, we seek contributions from writers whose unruly scholastic projects are expressed in texts that are accessible and seductive to a wider academic readership. Proposals and/or manuscripts are invited from the domains of: "post" humanities, human movement studies, sexualities, media studies, literary criticism, information technologies, history of ideas, performing arts, gay and lesbian studies, cultural studies, post-colonial studies, pedagogics, social psychology, and the philosophy of science. We are particularly interested in publishing research and scholarship with international appeal from Australia, New Zealand, and the United Kingdom. This is a series of red-hot women's writing after the "isms." lt focuses on new cultural assemblages that are emerging from the deformation, breakout, ebullience, and discomfort of postmodern feminism. The series brings together a post-foundational generation of women's writing that, while still respectful of the idea of situated knowledge, does not rely on neat disciplinary distinctions and stable political coalitions. This writing transcends some of the more awkward textual performances of a first generation of "ferninism-meets-postmodernism" scholarship. lt has come to terms with its own body of knowledge as shifty, inflammatory, and ungovernable. The aim of the series is to make this cutting edge thinking more readily available to undergraduate and postgraduate students, researchers and new academics, and professional bodies and practitioners. Thus, we seek contributions from writers whose unruly scholastic projects are expressed in texts that are accessible and seductive to a wider academic readership. Proposals and/or manuscripts are invited from the domains of: "post" humanities, human movement studies, sexualities, media studies, literary criticism, information technologies, history of ideas, performing arts, gay and lesbian studies, cultural studies, post-colonial studies, pedagogics, social psychology, and the philosophy of science. We are particularly interested in publishing research and scholarship with international appeal from Australia, New Zealand, and the United Kingdom.

    16 publications

  • Title: Fairy tale interrupted

    Fairy tale interrupted

    Feminism, Masculinity, Wonder Cinema
    by Allison Craven (Author) 2017
    ©2017 Monographs
  • Title: Motherhood and Self-Realization in the Four Waves of American Feminism and Joyce Carol Oates's Recent Fiction
  • Title: Gay Men and Feminist Women in the Fight for Equality

    Gay Men and Feminist Women in the Fight for Equality

    “What Did You Do During the Second Wave, Daddy?”
    by D. Travers Scott (Author) 2020
    ©2020 Textbook
  • Title: Mistaken Identities

    Mistaken Identities

    The Second Wave of Controversy over «Political Correctness»
    by Cyril Levitt (Volume editor) Scott Davies (Volume editor) Neil McLaughlin (Volume editor)
    ©1999 Textbook
  • Title: Hashtag Feminisms

    Hashtag Feminisms

    Australian Media Feminists, Activism, and Digital Campaigns
    by Sarah Casey (Author) Juliet Watson (Author) 2023
    ©2023 Monographs
  • Title: Beyond «The Great Wave»

    Beyond «The Great Wave»

    The Japanese Landscape Print, 1727-1960
    by James King (Author)
    ©2010 Monographs
  • Title: Féminisme et multiculturalisme

    Féminisme et multiculturalisme

    Les paradoxes du débat
    by Gily Coene (Volume editor) Chia Longman (Volume editor) 2011
    ©2010 Edited Collection
  • Title: Pirate Waves

    Pirate Waves

    Polish Private Radio Broadcasting in the Period of Transformation 1989–1995
    by Urszula Doliwa (Author) 2022
    ©2022 Monographs
  • Title: Women's Autobiographies, Culture, Feminism

    Women's Autobiographies, Culture, Feminism

    by Kristi Siegel (Author)
    ©2000 Monographs
  • Title: The Outer Edge of the Wave

    The Outer Edge of the Wave

    American Frontiers in Las Vegas
    by Ingrid Eumann (Author)
    ©2005 Thesis
  • Title: Listening to the French New Wave

    Listening to the French New Wave

    The Film Music and Composers of Postwar French Art Cinema
    by Orlene Denice McMahon (Author) 2014
    ©2014 Monographs
  • Title: Etnografía y Feminismos

    Etnografía y Feminismos

    Restituyendo saberes y prácticas de investigación
    by Carmen Gregorio Gil (Volume editor) 2022
    Edited Collection
  • Title: Running off the Anger: British New Wave

    Running off the Anger: British New Wave

    by Anna Śliwińska (Author) 2019
    ©2019 Monographs
  • Title: Mediating Australian Feminism

    Mediating Australian Feminism

    Re-reading the" First Stone</I> Media Event
    by Anthea Taylor (Author)
    ©2008 Monographs
  • Title: Postnational Feminisms

    Postnational Feminisms

    Postcolonial Identities and Cosmopolitanism in the Works of Kamala Markandaya, Tsitsi Dangarembga, Ama Ata Aidoo, and Anita Desai
    by Hena Ahmad (Author)
    ©2010 Monographs
  • Title: Women, Feminism, and Pop Politics

    Women, Feminism, and Pop Politics

    From “Bitch” to “Badass” and Beyond
    ©2018 Textbook
  • Title: Fashioning Feminism in Cuba and Beyond

    Fashioning Feminism in Cuba and Beyond

    The Prose of Gertrudis Gómez de Avellaneda
    by Brigida M. Pastor (Author)
    ©2003 Monographs
  • Title: Home with Hip Hop Feminism

    Home with Hip Hop Feminism

    Performances in Communication and Culture
    by Aisha S. Durham (Author) 2010
    ©2014 Textbook
  • Title: Frank French Feminisms

    Frank French Feminisms

    Sex, Sexuality and the Body in the Work of Ernaux, Huston and Arcan
    by Polly Galis (Author) 2023
    ©2023 Monographs
  • Title: Black Feminism in Education

    Black Feminism in Education

    Black Women Speak Back, Up, and Out
    by Venus Evans-Winters (Volume editor) Bettina L. Love (Volume editor) 2014
    ©2015 Textbook
  • Title: Gesture in French Post-New Wave Cinema

    Gesture in French Post-New Wave Cinema

    by François Giraud (Author) 2023
    ©2023 Monographs
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