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  • Stage and Screen Studies

    ISSN: 1660-2560

    This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays.

    10 publications

  • Interdisciplinary Studies in Performance

    The series aims at presenting innovative cross-disciplinary and intercultural research in performance practice and theory. Its mission is to expand and enrich performance studies with new research in theatre, film, dance, ritual and art. It also draws on queer and gender studies, anthropology, linguistics, archeaology, ethnography, sociology, history, media and political sciences, and even medicine and biology. The series focuses on promoting groundbreaking methodologies and new directions in studying performative culture by scrutinizing its transformative and transgressive aspects. The series Interdisciplinary Studies in Performance publishes in English and German. Volumes may be monographs as well as thematic collections of papers by scholars from Poland and from abroad.

    37 publications

  • The Art and Science of Music Teaching and Performance

    Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education. Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education.

    2 publications

  • Title: Literature, Music, Theatre?

    Literature, Music, Theatre?

    The Performative Aspect of Rammstein’s Musical Activity
    by Agnieszka Bagińska (Author) 2022
    ©2022 Monographs
  • Title: Changing Performance

    Changing Performance

    Culture and Performance in the British Theatre since 1945
    by David Keith Peacock (Author)
    ©2007 Monographs
  • Title: Performance

    Performance

    Recasting the Political in Theatre and Beyond
    by Stephen Chinna (Author)
    ©2003 Monographs
  • Title: Staging the Post-Avant-Garde

    Staging the Post-Avant-Garde

    Italian Experimental Performance after 1970
    by Gabriella Giannachi (Author) Nick Kaye (Author)
    ©2002 Monographs
  • Title: Performing Irishness

    Performing Irishness

    Irish Drama on the Galician Stage
    by Elisa Serra Porteiro (Author) 2021
    ©2021 Monographs
  • Title: Ireland on Stage

    Ireland on Stage

    Beckett and After
    by Hiroko Mikami (Volume editor) Minako Okamuro (Volume editor) Naoko Yagi (Volume editor) 2020
    ©2020 Edited Collection
  • Title: Stages of Exile

    Stages of Exile

    Spanish Republican Exile Theatre and Performance
    by Helena Buffery (Volume editor) 2012
    ©2011 Edited Collection
  • Title: Not a Stage!

    Not a Stage!

    A Critical Re-Conception of Young Adolescent Education
    by Mark D. Vagle (Volume editor)
    ©2012 Textbook
  • Title: Staging Subversions

    Staging Subversions

    The Performance-within-a-Play in French Classical Theater
    by Kimberly Cashman (Author)
    ©2005 Monographs
  • Title: Performance and Performativity

    Performance and Performativity

    by Mehmet Siray (Author)
    ©2009 Thesis
  • Title: Stage Histories

    Stage Histories

    Post-War British Historical Drama
    by Paweł Schreiber (Author) 2015
    ©2016 Monographs
  • Title: Staging America, Staging the Self

    Staging America, Staging the Self

    Figurations of Loss in John Berryman's Dream Songs
    by Anna Warso (Author) 2022
    ©2021 Monographs
  • Title: Cultural Performances

    Cultural Performances

    A Study on Managing Collective Trauma amongst Displaced Persons in Daudu, Benue State, Nigeria
    by Shadrach Teryila Ukuma (Author) 2020
    ©2021 Thesis
  • Title: The Semiotic Stage

    The Semiotic Stage

    Prague School Theater Theory
    by Michael Lowell Quinn (Author)
    ©1995 Others
  • Title: Africana Women Writers

    Africana Women Writers

    Performing Diaspora, Staging Healing
    by DeLinda Marzette (Author) 2013
    ©2014 Monographs
  • Title: Stages of Madness

    Stages of Madness

    Sin, Sickness and Seneca in Shakespearean Drama
    by Andrew J. Power (Author) 2023
    ©2023 Monographs
  • Title: Stadtraum in Performance

    Stadtraum in Performance

    "Site-specific Performance Art" und die Kunst des Alltags
    by Katia Beuth (Author) 2012
    ©2012 Thesis
  • Title: Samuel Beckett’s Abstract Drama

    Samuel Beckett’s Abstract Drama

    Works for Stage and Screen- 1962-1985
    by Erik Tonning (Author)
    ©2007 Monographs
  • Title: Staging Difference

    Staging Difference

    Cultural Pluralism in American Theatre and Drama – Second Printing
    by Marc Maufort (Volume editor) 1995
    ©1997 Others
  • Title: Performance and Performativity in German Cultural Studies

    Performance and Performativity in German Cultural Studies

    by Carolin Duttlinger (Volume editor) Lucia Ruprecht (Volume editor) Andrew Webber (Volume editor)
    ©2003 Conference proceedings
  • Title: From Stage to Page

    From Stage to Page

    Critical Reception of Irish Plays in the London Theatre, 1925–1996
    by Peter James Harris (Author) 2011
    ©2011 Monographs
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