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  • Literature and the Visual Arts

    New Foundations

    Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all.

    15 publications

  • Visual Learning

    The series “Visual Learning“ covers a range of approaches in the fields from Philosophy to Psychology and Education. The editors are professor Andras Benedek and professor Kristof Nyiri. Their research focus lies on areas like human resource development, the philosophy of communication and the philosophy of images. The series “Visual Learning“ covers a range of approaches in the fields from Philosophy to Psychology and Education. The editors are professor Andras Benedek and professor Kristof Nyiri. Their research focus lies on areas like human resource development, the philosophy of communication and the philosophy of images. The series “Visual Learning“ covers a range of approaches in the fields from Philosophy to Psychology and Education. The editors are professor Andras Benedek and professor Kristof Nyiri. Their research focus lies on areas like human resource development, the philosophy of communication and the philosophy of images.

    7 publications

  • Visual Communication

    ISSN: 2153-277X

    Visual communication is the process through which individuals in relationships, organizations, and cultures interpret and create visual messages in response to their environment, one another, and social structures. This series seeks to enhance our understanding of visual communication and it explores the role of visual communication in culture. Topics of interest include visual perception and cognition; signs and symbols; typography and image; research on graph ic design, use of visual imagery in education. On a cultural level, research on visual media analysis and critical methods that examine the larger cultural messages imbedded in visual images is welcome. By providing a variety of approaches to the analysis of visual media and messages, this book series is designed to explore issues relating to visual literacy, visual communication, visual rhetoric, visual culture, and any unique method for examining visual communication.

    16 publications

  • German Visual Culture

    German Visual Culture invites research on German art across different periods, geographical locations, and political contexts. Books in the series engage with aesthetic and ideological continuities as well as ruptures and divergences between individual artists, movements, systems of art education, art institutions, and cultures of display. Challenging scholarship that interrogates and updates existing orthodoxies in the field is desirable. A guiding question of the series is the impact of German art on critical and public spheres, both inside and outside the German-speaking world. Reception is thus conceived in the broadest possible terms, including both the ways in which art has been perceived and defined as well as the ways in which modern and contemporary German artists have undertaken visual dialogues with their predecessors or contemporaries. Issues of cultural transfer, critical race theory and related postcolonial analysis, feminism, queer theory, and other interdisciplinary approaches are encouraged, as are studies on production and consumption, especially the art market, pioneering publishing houses, and the ‘little magazines’ of the avant-garde. All proposals for monographs and edited collections in the history of German visual culture will be considered, although English will be the language of all contributions. Submissions are subject to rigorous peer review. The series will be promoted through the series editor’s Research Forum for German Visual Culture (https://www.eca.ed.ac.uk/research/research-forum-german-visual-culture), which he founded at the University of Edinburgh in 2011, and which has involved various symposia and related publications, all connected to an international network of Germanist scholars.

    20 publications

  • Artes visuales y sociedades hispánicas

    The "Visual Arts and Hispanic Societies" series is devoted to monographic or collective works in Spanish on artistic representations of the cultures of Hispanic countries, in Spain and in the Americas as well as territories or communities on other continents. The concept of ʻvisual artsʼ includes all forms of representation related to the image, whether they refer to academic arts such as photography, painting, theatre and film, or to more recent, popular and/or heterogeneous styles such as graphic novels, television, video games, street art, installations, interventions and other forms of free or ephemeral art, whether or not linked to new technologies. This collection aims to bring together authors writing from different perspectives who are interested in the social function of current or traditional art, in the way in which visual representations seek to convey critical, pragmatic, committed and/or political points of view on the conflicts through which Hispanic societies evolved in the past or are currently being transformed. La colección "Artes visuales y sociedades hispánicas" está dedicada a trabajos monográficos o colectivos en español sobre representaciones artísticas de las culturas de los países hispánicos, tanto en España y América como en algunos territorios o comunidades de otros continentes. El concepto de ʻartes visualesʼ incluye aquí toda forma de representación relacionada con la imagen, ya se refiera a artes académicas como la fotografía, la pintura, el teatro y el cine, o a estilos más recientes, populares y/o heterogéneos como la historieta, la novela gráfica, la televisión, los videojuegos, el street art, las instalaciones y otras modalidades de arte libre o efímero, ligados o no a las nuevas tecnologías. Esta colección pretende asociar a una serie de autores de horizontes diversos interesados por la función social del arte actual o tradicional, por la manera en que las representaciones visuales pretenden transmitir puntos de vista críticos, pragmáticos, comprometidos y/o políticos sobre los conflictos a través de los cuales evolucionaron en el pasado o se transforman actualmente las sociedades hispánicas. La collection "Arts visuels et sociétés hispaniques" est consacrée à des travaux monographiques ou collectifs écrits en espagnol sur les représentations artistiques des cultures des pays hispaniques, aussi bien en Espagne et en Amérique que dans certains territoires ou communautés dʼautres continents. Le concept d'ʻart visuelʼ inclut ici toutes les formes de représentation liées à lʼimage, quʼelles se réfèrent aux arts considérés comme académiques comme la photographie, la peinture, le théâtre et le cinéma, ou à des styles plus récents, populaires et/ou hétérogènes comme la bande dessinée, le roman graphique, la télévision, les jeux vidéo, le street art, les installations et autres formes dʼart libre ou éphémère, liées ou non aux nouvelles technologies. Cette collection vise à associer des auteurs d’horizons variés qui sʼintéressent à la fonction sociale de lʼart actuel ou traditionnel, ainsi qu’à la manière dont les représentations visuelles cherchent à transmettre des points de vue critiques, pragmatiques, engagés et/ou politiques sur les conflits à travers lesquels les sociétés hispaniques ont évolué dans le passé ou sont en train de se transformer.

    5 publications

  • Encounters. The Warsaw Studies in English Language Culture, Literature, and Visual Arts

    ISSN: 2191-4060

    This series offers a platform that welcomes publications dealing with culture, literature and visual arts developed in English speaking countries. We invite academic works (both essays and volume-length texts) on a wide range of topics, including historical and recent developments in literary and cultural studies. As the title "encounters" indicates, we wish this series to be a meeting point for a variety of academic approaches. Hence we encourage diverse, interdisciplinary, comparative and multi-faceted takes that may blend sophisticated, theoretical analyses with pragmatic discussions, enabling new ways of thinking and interpreting human experience.

    7 publications

  • Title: Visualizing the Web

    Visualizing the Web

    Evaluating Online Design from a Visual Communication Perspective
    by Sheree Josephson (Volume editor) Susan B. Barnes (Volume editor) Mark Lipton (Volume editor)
    ©2011 Textbook
  • Title: Virtual Reality – Real Visuality

    Virtual Reality – Real Visuality

    Virtual, Visual, Veridical
    by András Benedek (Volume editor) Ágnes Veszelszki (Volume editor) 2017
    ©2017 Edited Collection
  • Title: Visualizing Culture

    Visualizing Culture

    Analyzing the Cultural Aesthetics of the Web
    by Roxanne M. O'Connell (Author) 2013
    ©2015 Textbook
  • Title: An Introduction to Visual Communication

    An Introduction to Visual Communication

    From Cave Art to Second Life (2nd edition)
    by Susan B. Barnes (Author) 2017
    Textbook
  • Title: An Introduction to Visual Communication

    An Introduction to Visual Communication

    From Cave Art to Second Life
    by Susan B. Barnes (Author)
    ©2012 Textbook
  • Title: Digital Visual Art Education

    Digital Visual Art Education

    Making, Learning, and Teaching with Digital Media
    by Robert Sweeny (Author) 2024
    ©2024 Monographs
  • Title: The visualization of foreign language vocabulary in CALL

    The visualization of foreign language vocabulary in CALL

    by Angela Heidemann (Author)
    ©1996 Thesis
  • Title: Visualizing Dublin

    Visualizing Dublin

    Visual Culture, Modernity and the Representation of Urban Space
    by Justin Carville (Volume editor) 2013
    ©2014 Edited Collection
  • Title: Visual «difference»

    Visual «difference»

    Postcolonial Studies and Intercultural Cinema
    by Elizabeth Heffelfinger (Author) Laura Wright (Author) 2011
    ©2011 Textbook
  • Title: Visual History

    Visual History

    Images of Education
    by Ulrike Mietzner (Volume editor) Kevin Myers (Volume editor) Nick Peim (Volume editor)
    ©2005 Conference proceedings
  • Title: Visual Spirituality

    Visual Spirituality

    Art, Mediums, and Cognitive Dissociation
    by Susan B. Barnes (Author) 2022
    ©2022 Textbook
  • Title: A Medievalist’s Gaze

    A Medievalist’s Gaze

    Christian Visual Rhetoric in Modern German Memorials (1950–2000)
    by Galit Noga-Banai (Author) 2021
    ©2022 Monographs
  • Title: The New York School Poets as Playwrights

    The New York School Poets as Playwrights

    O'Hara, Ashbery, Koch, Schuyler and the Visual Arts
    by Philip Auslander (Author)
    ©1989 Others
  • Title: The Power of the Image

    The Power of the Image

    Emotion, Expression, Explanation
    by András Benedek (Volume editor) Kristof Nyiri (Volume editor) 2014
    ©2014 Edited Collection
  • Title: The Iconic Turn in Education

    The Iconic Turn in Education

    by András Benedek (Volume editor) Kristof Nyiri (Volume editor) 2012
    ©2013 Edited Collection
  • Title: Men and Menstruation

    Men and Menstruation

    A Social Transaction
    by David Linton (Author) 2019
    ©2019 Textbook
  • Title: Visual Anthropology in Sardinia

    Visual Anthropology in Sardinia

    by Silvio Carta (Author) 2014
    ©2015 Monographs
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