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Dissent Rhetoric in US Culture
Edited by Michele Bottalico
No! In Whispers is based on the assumption that dissent, particularly in literary writing, is not necessarily shouted. Rather, it is conveyed by means of persuasion strategies, through subtle transversal allusions and an undercurrent of moral analysis and protest, through what can metaphorically be defined as ‘whispers’ that penetrate the readers’ conscience and are meant to promote change. The essays in this book explore the rhetoric of dissent in a range of texts that include letters, novels, poems and nonfiction, mostly focusing on selected works by such authors as Abigail Adams, Nathaniel Hawthorne, Mary Ovington, Toni Morrison, Adrienne Rich, Thomas Pynchon and Don DeLillo. The last two chapters, devoted to nonfiction, consider Edward Said’s memoir and the debate about the New Musicology. The authors come from four different countries and have largely distinct cultural backgrounds and scientific interests; thus they analyze the statements of dissent from various angles utilizing different methodological approaches. They concur in outlining the image of a country that has been historically torn by the tension between what it is and what it was meant to be.
Intersecting Times, Spaces, Languages
Edited by Daniela Guardamagna
This book addresses the memory of Rome: the dialectic between the glorious historical past of the Roman Republic and the Roman Empire and its echoes, representations and interpretations in the works of Shakespeare. The essays explore multiple layers of time and place in relation to Shakespearean plays: throughout the world (from Romania to Japan) and down the centuries, in the arts (paintings, music) and in dramatic performances.
Individual essays (by Michel Dobson, Peter Holland, Richard Wilson and Piero Boitani, among others) address multiple aspects of the complex relationship between two countries (England and Italy) and two moments in time (the Ancient Roman and Early Modern periods). Essays include analyses of less studied works (e.g. Cymbeline), rewritings of Roman narratives (e.g. Titus Andronicus and The Rape of Lucrece), modern enactments of Shakespearean performances around the world, the representation of Shakespearean myths in Renaissance paintings, and the music accompanying the text of Roman plays.
‘Pagan, Turk and Jew’ in English Popular Culture, 1780–1845
This book brings together a range of texts and events: nineteenth-century novels and plays, riots on the streets and stages of London, popular games, artwork, criminal profiles and political economy. Tying these topics together is the spectacle created around «Pagan, Turk and Jew», a phrase appearing as early as 1548, and one that came to denominate fictional stand-ins for Irish Catholics, Muslims and Jews during the long nineteenth century.
Beginning with the Gordon riots of 1780, these «Others» were objectified as exotic bodies and used oppositionally against one another, both in policy and legislation and in cultural representations. Surveying literary works by Maria Edgeworth and Charles Dickens, as well as the work of lesser known figures such as Richard Cumberland, John Thomas Smith and Patrick Colquhoun, the author studies the role played by racial marking and ethnic stereotyping in the solidification of a post-riot British social body through both real and virtual spaces. Unlike other studies of minority experience and culture that concern a single population, this book casts a wider net, believing racist and religious bias to be a reactionary dynamic, prey to a host of struggles occurring simultaneously that ricochet off one another in the contestatory culture of the Romantic era.
Sexuality and Performance in Selected Beckett Plays
This book investigates the themes of female entrapment and the feminine gaze, and explores how they function as theatrical metaphors in Samuel Beckett’s later plays. It offers a novel perspective on love between Beckettian women, interrogating the trope of bodily sickness and its manifestations on the stage, and analysing how this relates to queer drives in women. Ambitious and thought-provoking, the book engages with the work of a range of theorists on psychoanalysis, feminism, sexuality, voyeurism and theatricality. The arguments presented here will be of interest to specialists in modernism and postmodernism, theatre, and gender studies.
Representations of Women and Authorial Boundaries
This feminist study is an innovative reassessment of Brian Moore’s five novels featuring eponymous heroines. The author reviews previous interpretations, exposing their sexist bias. Highlighting Moore’s empathetic insights, she also discusses the novelist’s limitations. She compares Moore’s heroines to Flaubert’s Emma Bovary, reinterpreted by Mieke Bal, Tolstoy’s Anna Karenina revisioned by Aritha van Herk, and to female characters created by Canadian women writers. Rejecting biocriticism, the study focuses on Moore’s biblical, Victorian and modernist inspirations, and his indebtedness to film. Ideas of female thinkers illuminate the condition of Moore’s female protagonists.
Essays Situating Martin Heidegger in Contemporary Media Studies
Edited by Justin Michael Battin and German A. Duarte
This collection assembles a number of chapters engaging different strands of Martin Heidegger’s philosophy in order to explore issues relevant to contemporary media studies. Following the release of Heidegger’s controversial Black Notebooks and the subsequent calls to abandon the philosopher, this book seeks to demonstrate why Heidegger, rather than be pushed aside and shunned by media practitioners, ought to be embraced by and further incorporated into the discipline, as he offers unique and often innovative pathways to address, and ultimately understand, our daily engagements with media-related phenomena.
The Nation Forged in Fire-Myth and Canadian Literature
In the diversified and ambiguous, globally and glocally networked mobile present, national identities are challenged internally and externally in multiple ways. In Canada intellectuals and notable novelists have lately begun to remember and re-discover the significance of the First World War for their construction of a Canadian national identity. The book presents the first large-scale interdisciplinary analysis of these developments. The author of this Bourdieusian inspired literary-critical research work nails down the sociological foundations of the concept of the nation before then discussing aspects of the role of the First World War for (Canadian) national identity and the relevant memorial discourse. The reconstruction focuses on how remarkable Canadian authors – including Hugh MacLennan, Timothy Findley, Jack Hodgins, Jane Urquhart, Frances Itani and Joseph Boyden – have challenged, re-imagined and rewritten the Nation Forged in Fire-myth in the 20th and 21st century to bring to life the experiences of national minorities like women, indigenous people, migrants, war veterans, children and people with disabilities. The study shows that the literary workings on the myth, myth reconstruction and myth deconstruction is a fascinating though ambivalent and dynamic project in the Third Millennium.
A Marxist Analysis of Race, Class and Alienation in the Post-war British Novel
Sercan Hamza Bağlama
This book analyses the literary works of Alan Sillitoe, Sam Selvon, Doris Lessing and James Kelman since each of them is a representative of a different class or colour or gender or region in post-war Britain. The overall aim of the book is to reconceptualise the broader economic, cultural and social framework of the processes of alienation and of escape mechanisms employed by the individual as defence mechanisms in capitalist cultures. Suggesting that postmodern identity politics is unable to give a materialistic articulation of poverty and subordination, the book develops an anti-establishment, egalitarian and emancipatory framework in reading its authors: one which might also be implemented as part of a movement that aims to critique, resist and overthrow injustice and oppression.
Selected Case Studies
Taking up Virginia Woolf’s provocative claim that «the best prose is that which is most full of poetry», this study examines the different ways in which novelists have incorporated poetry into the fabric of their fictions. The inclusion of poems in a novel may serve a variety of purposes: to heighten the atmosphere, to represent a character’s sensations and thoughts as «stream of consciousness», to illustrate a protagonist’s creative output, to provide an explicit or embedded literary illusion, to function as an interlude or structural divider, or to create an unclassifiable literary hybrid that highlights an author’s dual talents.
To illustrate these and other forms of integration, twenty-two works of prose fiction are analysed under five headings: textual composites that combine prose, poetry and poetic prose to achieve original effects; apprenticeship novels about the development of fictive poets and their work; fictions concerned with the investigation and appropriation of a dead poet’s opus; works in which a single long poem constitutes a novel’s principal focus; and research-based biofictions relating particular events in the lives of real poets.
Intended to stimulate reflection on the interrelations of prose and poetry, this book works against literary compartmentalization by revealing how poetry can enhance prose narrative and how the novel can bring poetry to the notice of a wider reading public.