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  • Title: A History of Installation Art and the Development of New Art Forms

    A History of Installation Art and the Development of New Art Forms

    Technology and the Hermeneutics of Time and Space in Modern and Postmodern Art from Cubism to Installation
    by Faye Ran (Author) 2012
    ©2009 Monographs
  • Title: Relational Land-Based Science, Technology, Engineering, Arts and Mathematics (STEAM) Education

    Relational Land-Based Science, Technology, Engineering, Arts and Mathematics (STEAM) Education

    by Eun-Ji Kim (Volume editor) Kori Czuy (Volume editor) 2024
    ©2024 Textbook
  • Title: Economic and Technological Dimensions of National Innovation Systems

    Economic and Technological Dimensions of National Innovation Systems

    by Walter Leal Filho (Volume editor) Marzenna Anna Weresa (Volume editor)
    ©2005 Edited Collection
  • Title: New Ways to Teach and Learn in China and Finland

    New Ways to Teach and Learn in China and Finland

    Crossing Boundaries with Technology
    by Hannele Niemi (Volume editor) Jiyou Jia (Volume editor) 2017
    ©2016 Edited Collection
  • Title: Thinking and the Sense of Life

    Thinking and the Sense of Life

    A Comparative Study of Young People in Germany and Japan- Educational Consequences
    by Gerhard Schaefer (Author) Ryoei Yoshioka (Author) 2014
    ©2015 Monographs
  • Title: Spaces and Crossings

    Spaces and Crossings

    Essays on Literature and Culture in Africa and Beyond
    by Rita Wilson (Volume editor) Carlotta von Maltzan (Volume editor)
    ©2001 Edited Collection
  • Title: Things of the Spirit

    Things of the Spirit

    Art and Healing in the American Body Politic, 1929-1941
    by George Van Cleve Speer (Author) 2012
    ©2012 Monographs
  • Title: Hip Hop DJs and the Evolution of Technology

    Hip Hop DJs and the Evolution of Technology

    Cultural Exchange, Innovation, and Democratization
    by André Sirois (Author) 2016
    ©2016 Textbook
  • Title: Old Borders, New Technologies

    Old Borders, New Technologies

    Reframing Film and Visual Culture in Contemporary Northern Ireland
    by Paula Blair (Author) 2014
    ©2014 Monographs
  • Title: Media and Materiality in the Neo-Avant-Garde

    Media and Materiality in the Neo-Avant-Garde

    by Jonas Ingvarsson (Volume editor) Jesper Olsson (Volume editor) 2012
    ©2012 Conference proceedings
  • Title: Opera and Video

    Opera and Video

    Technology and Spectatorship
    by Héctor Pérez (Volume editor) 2012
    ©2012 Conference proceedings
  • Title: German Art 1907-1937

    German Art 1907-1937

    Modernism and Modernisation
    by Martin Gaughan (Author)
    ©2007 Monographs
  • Title: Interdisciplinarity and Languages

    Interdisciplinarity and Languages

    Current Issues in Research, Teaching, Professional Applications and ICT
    by Francisca Antonia Suau Jiménez (Volume editor) Barry Pennock Speck (Volume editor) 2011
    ©2011 Edited Collection
  • Title: Perceiving Play

    Perceiving Play

    The Art and Study of Computer Games
    by Torill Elvira Mortensen (Author)
    ©2009 Textbook
  • Title: Symbiotic Posthumanist Ecologies in Western Literature, Philosophy and Art

    Symbiotic Posthumanist Ecologies in Western Literature, Philosophy and Art

    Towards Theory and Practice
    by Peggy Karpouzou (Volume editor) Nikoleta Zampaki (Volume editor) 2023
    ©2023 Edited Collection
  • Art – Knowledge – Theory

    ISSN: 2235-2759

    Art Knowledge Theory is a book series that explores artistic modes of expression as forms of knowledge production. It focuses on transdisciplinary, epistemological and methodological approaches to contemporary art. Linking artistic and scientific practices, tools, techniques and theories, the volumes investigate the cultures of aesthetics and science studies as they relate to works of art. Art Knowledge Theory analyzes the role of art in contemporary culture by probing the philosophical, historical and social parameters by which images are accessed and assessed. As an amplification - as well as intervention or even a correction to historical research, this series questions the state of the art and knowledge within a culture, characterized by technology and science.

    8 publications

  • Title: The COVID-19 Crisis and Social Responsibility of New Media Art
  • Natur, Wissenschaft und die Künste / Nature, Science and the Arts / Nature, Science et les Arts

    ISSN: 1663-6007

    Nature, Science et les Arts est une collection scientifique internationale qui explore l’histoire des interactions entre la culture des sciences humaines et artistiques et celle des sciences naturelles et techniques, au niveau de la réflexion théorique et de l’articulation artistique. Elle s’intéresse pour cela à toutes les époques, formes de sociétés, médias et régions. La collection présente des études sur ces nouveaux domaines de recherche et illustre le lien traditionnel entre deux perceptions du monde qui ont été très largement marginalisées depuis la stricte séparation opérée par Wilhem Diltheys entre les sciences humaines et naturelles. Nature, Science and the Arts is an international scholarly series dealing with the history of cultural interplay between arts, humanities, natural sciences and technology, both on the level of theoretical reflection and in artistic enunciations. It is not restricted to any particular epoch, society, medium or region. By publishing contributions to this new interdisciplinary research area, the series illuminates the traditional connection between two ways of interpreting the world, a connection that has been largely marginalized since Wilhelm Dilthey’s strict dissociation between humanities and natural sciences. Nature, Science et les Arts est une collection scientifique internationale qui explore l’histoire des interactions entre la culture des sciences humaines et artistiques et celle des sciences naturelles et techniques, au niveau de la réflexion théorique et de l’articulation artistique. Elle s’intéresse pour cela à toutes les époques, formes de sociétés, médias et régions. La collection présente des études sur ces nouveaux domaines de recherche et illustre le lien traditionnel entre deux perceptions du monde qui ont été très largement marginalisées depuis la stricte séparation opérée par Wilhem Diltheys entre les sciences humaines et naturelles. Nature, Science and the Arts is an international scholarly series dealing with the history of cultural interplay between arts, humanities, natural sciences and technology, both on the level of theoretical reflection and in artistic enunciations. It is not restricted to any particular epoch, society, medium or region. By publishing contributions to this new interdisciplinary research area, the series illuminates the traditional connection between two ways of interpreting the world, a connection that has been largely marginalized since Wilhelm Dilthey’s strict dissociation between humanities and natural sciences. Natur, Wissenschaft und die Künste ist eine internationale Wissenschaftsreihe, welche die Geschichte des Zusammenwirkens geisteswissenschaftlich-künstlerischer und naturwissenschaftlich-technischer Kultur auf der Ebene theoretischer Reflektion und künstlerischer Artikulation untersucht. Dabei gibt es keine Beschränkungen auf bestimmte Epochen, Gesellschaftsformen, Medien oder Regionen. Die Reihe stellt Untersuchungen aus diesem neuen wissenschaftlichen Forschungsgebiet vor und veranschaulicht den traditionellen Zusammenhang zweier Formen der Weltdeutung, welcher seit Wilhelm Diltheys strenger Trennung von Geistes- und Naturwissenschaften weitestgehend marginalisiert wurde.

    20 publications

  • Beyond Humanism: Trans- and Posthumanism / Jenseits des Humanismus: Trans- und Posthumanismus

    Humanism, which is characterized by the special status of human beings within the world, i.e. human beings do not differ gradually but categorically from other natural beings, is in a crisis. It gets attacked from various directions. Basically, it is possible to distinguish two main movements which try to transcend Humanism: Trans- and Posthumanism. In the book series Beyond Humanism: Trans- and Posthumanism / Jenseits des Humanismus: Trans- und Posthumanismus, monographs and essay collections will be published which discuss aspects of this range of topics historically or systematically. Editor Dr. Stefan Lorenz Sorgner, Institut für Geschichte und Ethik der Medizin, Friedrich-Alexander-Universität Erlangen-Nürnberg. Editor’s Homepage: www.sorgner.de. From 1st January 2016 employed as an associate professor of philosophy at the John Cabot University in Rome. Editorial Board Members: Prof. Dr. H. James Birx, Anthropology, Canisus College, SUNY Geneseo, USA Prof. Dr. Irina Deretic, Philosophy, University of Belgrade, Serbia Dr. James J. Hughes, Sociology, Executive Director, Institute for Ethics and Emerging Technologies Lecturer, Public Policy Studies, Trinity College, Associate Editor, Journal of Evolution and Technology, USA Prof. Dr. Andy Miah, Ethics and Emerging Technologies, University of the West of Scotland, a Fellow of FACT, the Foundation for Art and Creative Technology (Liverpool), and a Fellow of the Institute for Ethics and Emerging Technologies (USA) Prof. Dr. Domna Pastourmatzi, American Literature, University of Thessaloniki, Greece Prof. Dr. Evi Sampanikou, Art History, University of the Aegean, Greece Der Humanismus, der durch die Sonderstellung des Menschen in der Welt gekennzeichnet ist, d.h. der Mensch unterscheidet sich nicht graduell, sondern kategorisch von anderen natürlichen Wesen, befindet sich in einer Krise. Er wird aus verschiedenen Richtungen attackiert. Grundsätzlich kann man zwei Hauptströmungen feststellen, die sich darum bemühen, den Humanismus zu überwinden, den Trans- und den Posthumanismus. Im Rahmen der Buchreihe Beyond Humanism: Trans- and Posthumanism / Jenseits des Humanismus: Trans- und Posthumanismus sollen Monographien und Sammelbände erscheinen, die Aspekte dieses Themenspektrums entweder historisch oder systematisch erörtern. Editor Dr. Stefan Lorenz Sorgner, Institut für Geschichte und Ethik der Medizin, Friedrich-Alexander-Universität Erlangen-Nürnberg. Homepage des Herausgebers: www.sorgner.de. Ab 1. Januar 2016 als Associate Professor für Philosophie an der John Cabot University in Rom angestellt. Editorial Board Mitglieder: Prof. Dr. H. James Birx, Anthropology, Canisus College, SUNY Geneseo, USA Prof. Dr. Irina Deretic, Philosophy, University of Belgrade, Serbia Dr. James J. Hughes, Sociology, Executive Director, Institute for Ethics and Emerging Technologies Lecturer, Public Policy Studies, Trinity College, Associate Editor, Journal of Evolution and Technology, USA Prof. Dr. Andy Miah, Ethics and Emerging Technologies, University of the West of Scotland, a Fellow of FACT, the Foundation for Art and Creative Technology (Liverpool), and a Fellow of the Institute for Ethics and Emerging Technologies (USA) Prof. Dr. Domna Pastourmatzi, American Literature, University of Thessaloniki, Greece Prof. Dr. Evi Sampanikou, Art History, University of the Aegean, Greece

    9 publications

  • Title: Critical Digital Making in Art Education

    Critical Digital Making in Art Education

    by Aaron D. Knochel (Volume editor) Christine Liao (Volume editor) Ryan M. Patton (Volume editor) 2020
    ©2020 Textbook
  • Title: Death and Desire in Car Crash Culture

    Death and Desire in Car Crash Culture

    A Century of Romantic Futurisms
    by Ricarda Vidal (Author) 2013
    ©2013 Monographs
  • Title: Applied modelling and computing in social science

    Applied modelling and computing in social science

    by Janez Povh (Volume editor) 2015
    ©2015 Conference proceedings
  • Title: The Gesamtkunstwerk as a Synergy of the Arts

    The Gesamtkunstwerk as a Synergy of the Arts

    by Massimo Fusillo (Volume editor) Marina Grishakova (Volume editor) 2020
    ©2021 Edited Collection
  • Title: Beauty, Reason, and Power

    Beauty, Reason, and Power

    Music Education in a Pluralist Society
    by William M. Perrine (Author) 2023
    ©2023 Textbook
  • Title: Science, Technology and the German Cultural Imagination

    Science, Technology and the German Cultural Imagination

    Papers from the Conference ‘The Fragile Tradition’, Cambridge 2002. Volume 3
    by Christian Emden (Volume editor) David Robin Midgley (Volume editor)
    ©2005 Conference proceedings
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