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  • Title: Art, Culture, & Education

    Art, Culture, & Education

    Artful Teaching in a Fractured Landscape
    by Karel Rose (Author) Joe L. Kincheloe (Author)
    ©2007 Textbook
  • Title: «How art produces art»

    «How art produces art»

    Samuel Richardsons «Clarissa» im Spiegel ihrer deutschen Übersetzungen
    by Astrid Krake (Author) Universität Münster (Author)
    ©2000 Thesis
  • Hermeneutics of Art

    7 publications

  • South Asian Literature, Arts, and Culture Studies

    The South Asian Literature, Arts and Culture Studies series invites submissions from scholars working in the field of South Asian Studies, with a particular interest in literature, the arts (print and film), politics, religion, and society. South Asian Studies especially focuses on the Indian subcontinent, particularly India, Pakistan, Bangladesh, Nepal, Sri Lanka, Burma, and the diaspora of Non-Resident South Asians throughout the world. The series welcomes a variety of approaches and theories that interrogate and explore aspects and elements of South Asian thought, life, and artistic production. The series does not only focus on contemporary, but also in special cases, on the ancient or classical studies. This series welcomes a variety of analytical approaches and theories, especially postcolonial, feminist, post-structural, new historical, psychological, Marxist, and structuralist. Scholars working in related fields, such as philosophy, hermeneutics, and social theory, with a major interest in how these disciplines relate to South Asian Studies, are also invited to contribute manuscripts.

    5 publications

  • Natur, Wissenschaft und die Künste / Nature, Science and the Arts / Nature, Science et les Arts

    ISSN: 1663-6007

    Nature, Science and the Arts is an international scholarly series dealing with the history of cultural interplay between arts, humanities, natural sciences and technology, both on the level of theoretical reflection and in artistic enunciations. It is not restricted to any particular epoch, society, medium or region. By publishing contributions to this new interdisciplinary research area, the series illuminates the traditional connection between two ways of interpreting the world, a connection that has been largely marginalized since Wilhelm Dilthey’s strict dissociation between humanities and natural sciences. Nature, Science et les Arts est une collection scientifique internationale qui explore l’histoire des interactions entre la culture des sciences humaines et artistiques et celle des sciences naturelles et techniques, au niveau de la réflexion théorique et de l’articulation artistique. Elle s’intéresse pour cela à toutes les époques, formes de sociétés, médias et régions. La collection présente des études sur ces nouveaux domaines de recherche et illustre le lien traditionnel entre deux perceptions du monde qui ont été très largement marginalisées depuis la stricte séparation opérée par Wilhem Diltheys entre les sciences humaines et naturelles. Natur, Wissenschaft und die Künste ist eine internationale Wissenschaftsreihe, welche die Geschichte des Zusammenwirkens geisteswissenschaftlich-künstlerischer und naturwissenschaftlich-technischer Kultur auf der Ebene theoretischer Reflektion und künstlerischer Artikulation untersucht. Dabei gibt es keine Beschränkungen auf bestimmte Epochen, Gesellschaftsformen, Medien oder Regionen. Die Reihe stellt Untersuchungen aus diesem neuen wissenschaftlichen Forschungsgebiet vor und veranschaulicht den traditionellen Zusammenhang zweier Formen der Weltdeutung, welcher seit Wilhelm Diltheys strenger Trennung von Geistes- und Naturwissenschaften weitestgehend marginalisiert wurde.

    20 publications

  • Art and Thought / Art et pensée

    Histories of the Avant-Garde / histoires des avant-gardes

    If the past is continually retold in the present, as Walter Benjamin suggests, what can critical perspectives reveal and what do they obscure about the history of our modern time? Art and Thought: Histories of the Avant-Garde revisits and reconceptualises the histories of modernism, avant-gardism and postmodernism. Volumes in the series will each offer a critical perspective developed in response to specific cultural artefacts and their qualities. They will engage with literary, artistic and theoretical works, from the past as well as the present, and explore the interactions between literature, visual art, film and music, including the livre d’artiste. The series showcases work by new as well as established scholars, whether monographs, single- or multi-authored collections of essays, and new editions of salient or neglected primary texts in English or French, including original aesthetic works. Writing on translation as well as in translation is welcome. Walter Benjamin nous rappelle que le passé se dit au présent. Dans quelle mesure la pensée critique permet-elle d’illuminer notre histoire ? La collection Art et pensée : histoires des avant-gardes se propose de penser à nouveaux frais les problématiques liant les esthétiques de la modernité, de l’avant-garde et du postmoderne. Chaque volume répondra aux qualités ponctuelles d'objets esthétiques et culturels considérés par une perspective critique propre. Des œuvres de littérature, d’art et de réflexion y seront abordées, qui souligneront les rapports intimes de l’écriture, du visuel, de la musique, du cinéma. Les livres d’artistes ne seront pas oubliés. La collection présentera, en langue française ou anglaise, le travail critique de chercheurs établis ou en début de carrière. Elle offrira à ses lecteurs des monographies, des collections d’essais, des volumes collectifs, et des éditions nouvelles d’œuvres marquantes ou jusqu’à présent négligées, y compris les œuvres littéraires et esthétiques. Les œuvres en traduction nouvelle tout comme les travaux sur la traduction même seront vivement accueillis.

    8 publications

  • Title: Art State, Art Activism and Expanded Concept of Art
  • The Art and Science of Music Teaching and Performance

    Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education. Musicians in the practice room, during instruction, and on the stage will benefit from a critical discussion of vital issues from an interdisciplinary perspective. Whether the examination of the acquisition of musical expertise, or the evaluation of teaching methods and learning strategies based on neuroscience and psychology, this series will emphasize scientific research combined with experiental knowledge that can only be gained from the actual practice of musical performance and education.

    2 publications

  • Literature and the Visual Arts

    New Foundations

    Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all. Offering works of scholarship and criticism on the interrelationship of literature and the visual arts, the series reflects the rich diversity of subjects and approaches in this field. Our authors contribute to an expert's understanding of the topic. At the same time, they speak to readers, lay and professional, with a more general interest in the area. Ideally - and this is the thrust of the phrase «New Foundations» in our series title - works published under the imprint focus on the ways their particular concern leads us to rethink the basic questions of comparative study between the arts, challenging the reader volume by volume continually to remap the grounds, historical and theoretical, on which such inquiry can take place at all.

    15 publications

  • L’atelier. Travaux d’Histoire de l’art et de Muséologie / Das Atelier. Arbeiten zur Kunstgeschichte und Museumskunde / The Workshop. Art History and Museum Studies

    ISSN: 1661-691X

    The Workshop. Art History and Museum Studies is devoted to the history of art from the Middle Ages to the present. The series deals especially but not exclusively with the history of collections, of collectors or museums, and more generally with museum studies. Its main objective is to offer to the alleged two Art Histories - the Museum and the Academy - a place open to institutional dialogue and to transdisciplinarity, a place of discussion about experimentation and creation and a place dedicated to the excellence of historical and critical reflection. It welcomes monographs and essays as well as collections of essays in French, German and English. The series was founded by Pascal Griener and Pierre Alain Mariaux, L'Atelier. Travaux d'Histoire de l'art et de Muséologie réunit des études consacrées à l'histoire de l'art du Moyen Age à nos jours. Elle porte entre autres, mais non exclusivement, sur l'histoire des collections, des collectionneurs ou des musées, et plus généralement sur la muséologie. La collection a comme objectif majeur d'offrir aux prétendues deux histoires de l'art, l'académique et la muséale, un lieu ouvert au dialogue institutionnel et à la transdisciplinarité, un lieu de discussion sur l'expérimentation et la création, un lieu dédié à l'excellence d'une réflexion historique et critique. Elle accueille aussi bien des monographies et des essais que des ouvrages collectifs, qu'ils soient rédigés en français, en allemand ou en anglais. La collection a été fondée par Pascal Griener et Pierre Alain Mariaux, Das Atelier. Arbeiten zur Kunstgeschichte und Museumskunde vereint Studien zur Kunstgeschichte vom Mittelalter bis zur Gegenwart. Die Reihe befasst sich unter anderem mit der Geschichte der Sammlungen, der Sammler und der Museen, aber auch generell mit Museologie. Sie trägt der akademischen und musealen Kunstgeschichte Rechnung, bietet ein Forum für einen transdisziplinären Dialog zwischen Institutionen, ist offen für Diskussionen über "Experimente" und Kreationen und ermöglicht den Austausch historischer und kritischer Überlegungen. Die Reihe nimmt Monografien, Essays und Sammelbände in französischer, deutscher und englischer Sprache auf. Die Reihe wurde von Pascal Griener und Pierre Alain Mariaux gegründet,

    8 publications

  • Internationalism and the Arts

    ISSN: 2235-0160

    Internationalism and the Arts explores the multiple ways in which the arts have operated internationally, responded to internationalist ideology, and helped shape thinking about world organization. The series challenges the emphasis on nationalism and national schools that has developed over the past 250 years. Instead, it draws attention to internationalist art and ideology; the lives and work of cosmopolitan artists and theorists; international networks, systems and practices; and societies that promote international exchange. The series speaks to the rise of transnationalism as a major approach across a number of research fields. Within this literature, it addresses a relative dearth of publications which focus on international art practice as a crucial element of human experience. Proposals are invited across the performing and visual arts, including art history, music, dance and theatre. Our geographical scope is global and we welcome projects that look beyond the Western world or that examine cross-cultural exchanges. We are open to proposals for monographs and edited collections, anthologies of primary sources and textbooks, and scholarly catalogues that showcase visual material. All proposals and manuscripts will be subject to peer review.

    6 publications

  • Title: Writing Art

    Writing Art

    French Literary Responses to the Work of Alberto Giacometti
    by Emma Wagstaff (Author)
    ©2011 Monographs
  • Title: Art, Identity and Cosmopolitanism

    Art, Identity and Cosmopolitanism

    William Rothenstein and the British Art World, c.1880–1935
    by Samuel Shaw (Author) 2024
    ©2024 Monographs
  • Title: Art of Illusion

    Art of Illusion

    The Representation of Art History in Nineteenth-Century Germany and Beyond
    by Dan Karlholm (Author)
    ©2006 Postdoctoral Thesis
  • Artes Populares

    Studia Ethnographica et Folkloristica

    15 publications

  • Lesley University Series in Arts and Education

    ISSN: 1524-0177

    7 publications

  • American Studies: Culture, Society & the Arts

    The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders. The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders. The series aims to publish studies of the American achievement in the literary and non-literary arts, of American intellectual history and of American cultural and social history, from the period of discovery to the present. It invites disciplinary pluralism and comparative approaches extending beyond national boundaries, as well as explorations which work within more conventional frameworks. The series is not confined to a particular critical or theoretical orientation. It welcomes contributions by scholars working both within and outside the academy and seeks to support work of intellectual independence and imaginative scope. Publications in a variety of formats will be considered: critical, historical and theoretical studies, essay collections, conference proceedings, annotated editions, anthologies, as well as work which may cross critical and creative borders.

    7 publications

  • Encounters. The Warsaw Studies in English Language Culture, Literature, and Visual Arts

    ISSN: 2191-4060

    This series offers a platform that welcomes publications dealing with culture, literature and visual arts developed in English speaking countries. We invite academic works (both essays and volume-length texts) on a wide range of topics, including historical and recent developments in literary and cultural studies. As the title "encounters" indicates, we wish this series to be a meeting point for a variety of academic approaches. Hence we encourage diverse, interdisciplinary, comparative and multi-faceted takes that may blend sophisticated, theoretical analyses with pragmatic discussions, enabling new ways of thinking and interpreting human experience.

    7 publications

  • Artes visuales y sociedades hispánicas

    La colección "Artes visuales y sociedades hispánicas" está dedicada a trabajos monográficos o colectivos en español sobre representaciones artísticas de las culturas de los países hispánicos, tanto en España y América como en algunos territorios o comunidades de otros continentes. El concepto de ʻartes visualesʼ incluye aquí toda forma de representación relacionada con la imagen, ya se refiera a artes académicas como la fotografía, la pintura, el teatro y el cine, o a estilos más recientes, populares y/o heterogéneos como la historieta, la novela gráfica, la televisión, los videojuegos, el street art, las instalaciones y otras modalidades de arte libre o efímero, ligados o no a las nuevas tecnologías. Esta colección pretende asociar a una serie de autores de horizontes diversos interesados por la función social del arte actual o tradicional, por la manera en que las representaciones visuales pretenden transmitir puntos de vista críticos, pragmáticos, comprometidos y/o políticos sobre los conflictos a través de los cuales evolucionaron en el pasado o se transforman actualmente las sociedades hispánicas. The "Visual Arts and Hispanic Societies" series is devoted to monographic or collective works in Spanish on artistic representations of the cultures of Hispanic countries, in Spain and in the Americas as well as territories or communities on other continents. The concept of ʻvisual artsʼ includes all forms of representation related to the image, whether they refer to academic arts such as photography, painting, theatre and film, or to more recent, popular and/or heterogeneous styles such as graphic novels, television, video games, street art, installations, interventions and other forms of free or ephemeral art, whether or not linked to new technologies. This collection aims to bring together authors writing from different perspectives who are interested in the social function of current or traditional art, in the way in which visual representations seek to convey critical, pragmatic, committed and/or political points of view on the conflicts through which Hispanic societies evolved in the past or are currently being transformed. La colección "Artes visuales y sociedades hispánicas" está dedicada a trabajos monográficos o colectivos en español sobre representaciones artísticas de las culturas de los países hispánicos, tanto en España y América como en algunos territorios o comunidades de otros continentes. El concepto de ʻartes visualesʼ incluye aquí toda forma de representación relacionada con la imagen, ya se refiera a artes académicas como la fotografía, la pintura, el teatro y el cine, o a estilos más recientes, populares y/o heterogéneos como la historieta, la novela gráfica, la televisión, los videojuegos, el street art, las instalaciones y otras modalidades de arte libre o efímero, ligados o no a las nuevas tecnologías. Esta colección pretende asociar a una serie de autores de horizontes diversos interesados por la función social del arte actual o tradicional, por la manera en que las representaciones visuales pretenden transmitir puntos de vista críticos, pragmáticos, comprometidos y/o políticos sobre los conflictos a través de los cuales evolucionaron en el pasado o se transforman actualmente las sociedades hispánicas. La collection "Arts visuels et sociétés hispaniques" est consacrée à des travaux monographiques ou collectifs écrits en espagnol sur les représentations artistiques des cultures des pays hispaniques, aussi bien en Espagne et en Amérique que dans certains territoires ou communautés dʼautres continents. Le concept d'ʻart visuelʼ inclut ici toutes les formes de représentation liées à lʼimage, quʼelles se réfèrent aux arts considérés comme académiques comme la photographie, la peinture, le théâtre et le cinéma, ou à des styles plus récents, populaires et/ou hétérogènes comme la bande dessinée, le roman graphique, la télévision, les jeux vidéo, le street art, les installations et autres formes dʼart libre ou éphémère, liées ou non aux nouvelles technologies. Cette collection vise à associer des auteurs d’horizons variés qui sʼintéressent à la fonction sociale de lʼart actuel ou traditionnel, ainsi qu’à la manière dont les représentations visuelles cherchent à transmettre des points de vue critiques, pragmatiques, engagés et/ou politiques sur les conflits à travers lesquels les sociétés hispaniques ont évolué dans le passé ou sont en train de se transformer. La colección "Artes visuales y sociedades hispánicas" está dedicada a trabajos monográficos o colectivos en español sobre representaciones artísticas de las culturas de los países hispánicos, tanto en España y América como en algunos territorios o comunidades de otros continentes. El concepto de ʻartes visualesʼ incluye aquí toda forma de representación relacionada con la imagen, ya se refiera a artes académicas como la fotografía, la pintura, el teatro y el cine, o a estilos más recientes, populares y/o heterogéneos como la historieta, la novela gráfica, la televisión, los videojuegos, el street art, las instalaciones y otras modalidades de arte libre o efímero, ligados o no a las nuevas tecnologías. Esta colección pretende asociar a una serie de autores de horizontes diversos interesados por la función social del arte actual o tradicional, por la manera en que las representaciones visuales pretenden transmitir puntos de vista críticos, pragmáticos, comprometidos y/o políticos sobre los conflictos a través de los cuales evolucionaron en el pasado o se transforman actualmente las sociedades hispánicas. The "Visual Arts and Hispanic Societies" series is devoted to monographic or collective works in Spanish on artistic representations of the cultures of Hispanic countries, in Spain and in the Americas as well as territories or communities on other continents. The concept of ʻvisual artsʼ includes all forms of representation related to the image, whether they refer to academic arts such as photography, painting, theatre and film, or to more recent, popular and/or heterogeneous styles such as graphic novels, television, video games, street art, installations, interventions and other forms of free or ephemeral art, whether or not linked to new technologies. This collection aims to bring together authors writing from different perspectives who are interested in the social function of current or traditional art, in the way in which visual representations seek to convey critical, pragmatic, committed and/or political points of view on the conflicts through which Hispanic societies evolved in the past or are currently being transformed.

    5 publications

  • Cultural Interactions: Studies in the Relationship between the Arts

    Interdisciplinary activity is now a major feature of academic work in all fields. The traditional borders between the arts have been eroded to reveal new connections and create new links between art forms. Cultural Interactions is intended to provide a forum for this activity. It will publish monographs, edited collections and volumes of primary material on points of crossover such as those between literature and the visual arts or photography and fiction, music and theatre, sculpture and historiography. It will engage with book illustration, the manipulation of typography as an art form, or the ‘double work’ of poetry and painting and will offer the opportunity to broaden the field into wider and less charted areas. It will deal with modes of representation that cross the physiological boundaries of sight, hearing and touch and examine the placing of these modes within their representative cultures. It will offer an opportunity to publish on the crosscurrents of nationality and the transformations brought about by foreign art forms impinging upon others. The interface between the arts knows no boundaries of time or geography, history or theory.

    54 publications

  • Title: Her Art

    Her Art

    Greek Women in the Arts from Antiquity to Modernity
    by Diane Touliatos-Miles (Volume editor)
    ©2011 Edited Collection
  • Title: Systems of Art

    Systems of Art

    Art, History and Systems Theory
    by Francis Halsall (Author)
    ©2008 Monographs
  • Title: Women Making Art

    Women Making Art

    Women in the Visual, Literary, and Performing Arts Since 1960, Second Edition
    by Deborah J. Johnson (Volume editor) Wendy Oliver (Volume editor) 2021
    ©2020 Textbook
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