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Open Access
Year
-
Das Dokumentarische und das Fiktionale im deutschsprachigen Drama nach 1945
Weiss – Kipphardt – Hochhuth©2023 Monographs -
Zur Funktion und Bedeutung des Chors im zeitgenössischen Drama und Theater
©2019 Edited Collection -
Die Frau ohne Schatten: Hugo von Hofmannsthals und Richard Strauss' "Schmerzenskind"
©2023 Conference proceedings -
Von Musen und Musik: Zu Oper, Libretto und Singspiel
©2021 Edited Collection -
Zwischen Harmonie und Konflikt
Paarbeziehungen im europäischen Theater des 20. und 21. Jahrhunderts©2020 Edited Collection -
'And Yet I Remember'
Ageing and Old(er) Age in English Drama between 1660 and the 1750s©2019 Monographs -
‘Experienc’d Age knows what for Youth is fit’?
Generational and Familial Conflict in British and Irish Drama and Theatre©2019 Edited Collection -
La mirada ibérica a través de los géneros literarios
©2019 Edited Collection -
Catching Chen Qing Ling
The Untamed and Adaptation, Production, and Reception in Transcultural Contexts©2024 Textbook -
Catching Chen Qing Ling
The Untamed and Adaptation, Production, and Reception in Transcultural Contexts©2024 Textbook -
Catching Chen Qing Ling
The Untamed and Adaptation, Production, and Reception in Transcultural ContextsTextbook -
The Theatre of the Absurd, the Grotesque and Politics
A Study of Samuel Beckett, Harold Pinter and Tom Stoppard©2021 Monographs -
TV Transformations & Transgressive Women
From Prisoner: Cell Block H to Wentworth©2022 Edited Collection -
Shakespeare in 19th-Century Opera
©2019 Monographs -
Edward Ravenscroft's «Mamamouchi, or The Citizen Turned Gentleman» (1672)
A Critical Edition©2024 Others -
FRANCESCO ALGAROTTI
AN ESSAY ON THE OPERA (Saggio sopra l’opera in musica) The editions of 1755 and 1763©2022 Prompt -
Chronotopes of Modernity in Chekhov
©2019 Thesis