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  • Repenser le cinéma / Rethinking Cinema

    The main purpose of the «Rethinking Cinema» series is to provide film scholars as well as professionals from the audiovisual field with innovative research material in the field of film aesthetics, theory and history. Many areas of last century’s main attraction are still there to be rediscovered or have seldom been approached in the past. Consequently, priority is given to film concepts, genres, works or authors which have not been frequently dealt with. Conference proceedings, collections of essays, revised doctoral theses or monographs are published and have to distinguish themselves by a considerable degree of originality, audacity and scientific rigour, without neglecting the transdisciplinary and cross-cultural aspects related to different branches from the Humanities such as Art History, Philosophy or Linguistics. The series welcomes manuscripts written in French and/or in English as well as translations of noteworthy texts from other foreign languages. La collection « Repenser le cinéma » privilégie les approches novatrices, les analyses de concepts, de genres, de courants, d’auteurs et de films rarement étudiés, qu’il s’agisse d’actes de colloque, d’essais, de versions remaniées de thèses de doctorat ou encore de monographies. Elle se propose d’offrir aux chercheurs, aux enseignants de l’audiovisuel ainsi qu’aux professionnels du cinéma des pistes de réflexion inédites sur la théorie, l’histoire et l’esthétique d’un art qui recèle de multiples chantiers peu balisés au cours du siècle qui l’a vu naître. La démarche méthodologique adoptée au sein des travaux publiés doit faire preuve d’originalité, d’audace et de rigueur scientifique, tout en visant les corrélations transdisciplinaires et transculturelles avec d’autres domaines des sciences humaines (histoire de l’art, philosophie, linguistique, etc.). La collection accueille des ouvrages en français ou en anglais, des publications bilingues, ainsi que des traductions d’ouvrages étrangers difficilement accessibles.

    13 publications

  • Sprachkontakte. Variation, Migration und Sprachdynamik / Language contacts. Variation, migration and dynamics of languages / Contacts linguistiques. Variation, migration et dynamique linguistique

    ISSN: 1868-176X

    Die Reihe “Sprachkontakte. Variation, Migration und Sprachdynamik“ erscheint unter der Herausgeberschaft von Professor Thomas Stehl mit Studien aus dem Fachbereich der Linguistik. Die Forschungsschwerpunkte liegen im Bereich einer empirisch fundierten, funktionalen Kontaktlinguistik sprachlicher Variation, Interferenz und Konvergenz in der Romania sowie der Typologie und den Prozessen von Sprachwandel und Sprachgenese in der Sprachgeschichte romanischer Sprachen. Die Qualität der in dieser Reihe erscheinenden Arbeiten wird vor der Publikation durch den Herausgeber der Reihe geprüft.

    5 publications

  • Language, Migration and Identity

    ISSN: 2296-2808

    This series fills a hitherto neglected but now growing area in the treatment of migration: the role of language and identity. This topic is central in a globalized world where the definition of community is constantly challenged by the increased mobility of individuals. Linked to this mobility is the issue of identity construction, in which language plays a key role. Language practices are indicators of the socialization process in bilingual and multilingual settings, and part of the strategies by which speakers assert membership within social groups. Migrant speakers are constantly engaged in identity construction in varying settings. Language, Migration and Identity invites proposals for revised dissertations, monographs and edited volumes on language practices and language use by migrant speakers. A wide range of themes is envisaged, within the area of migration, but from a broadly linguistic perspective. The series welcomes studies of migrant communities and their language practices, studies of language practices in multilingual educational settings, and case studies of identity building among migrants through language use. Proposals might focus on topics such as second language acquisition in social contexts, variation in L2 speech, multilingualism, acquisition of sociolinguistic competence, hybridity and ‘crossing’ in relation to identity. A multiplicity of approaches in the treatment of this interdisciplinary area will be welcome, from quantitative to ethnographic to mixed methods. The series welcomes established scholars as well as early career academics and recent PhD research.

    5 publications

  • Cinema and Media Cultures in the Middle East

    ISSN: 2770-9051

    The purpose of this series is to demarcate and critically examine the shifting terrain of film- and media-making in the Middle East, and of practices of film and media studies regarding it, testing them both against their larger, social enabling conditions at the national, regional, and transnational levels. Titles in the series will engage recent developments in the field of Middle East film and media studies and will help point the field in an intellectually meaningful, pedagogically effective direction in relation to both current and, in some cases, significant, previously ignored older work. The series is conceived at a moment during which Middle Eastern film and film criticism have begun to develop in new directions. Recent years have witnessed a modest increase in scholarly engagement with topics and modes of inquiry often previously considered outside academic discourse. A handful of books and special journal issues published in English over the past half-decade, focusing on specific Middle Eastern countries, such as Tunisia, Morocco, Syria, Iran, Palestine/Israel and Turkey, as well as the long-overdue establishment of cinema studies as an emerging field of academic inquiry within universities located in the Arab world indicate a preponderance of previously unproblematized issues now circulating within the field. These include critical questions from queer and transgendered perspectives about the representation of women, and from indigenous and settler-colonial studies perspectives about the representation of migrant workers and refugees, the growing importance of documentary, digital animation and hybrid shooting, the continuing influence of global cinema imperatives, and the revival of interest in militant, revolutionary and third cinema aesthetics.

    2 publications

  • New Studies in European Cinema

    ISSN: 1661-0261

    With its focus on new critical, theoretical, and cultural developments in contemporary film studies, this series encourages lively analytical debate within an innovative, multidisciplinary, and transnational approach to European cinema. It aims to create an expansive sense of where the borders of European cinema may lie and to explore its interactions and exchanges within and between regional and national spaces, taking into account diverse audiences and institutions. The series reflects the range and depth of European cinema, while also attempting to revise and extend its importance within the development of cinema studies in the coming decades. Of particular interest is how European cinema may respond to the challenges of digital distribution and the new intermedial landscape, evolving issues in transnational funding and production, the significance of film festival culture, and questions of multivocality and pluralism at a time of global crisis. The impact of all such developments upon European culture and identity will be of fundamental interest in the coming decades and the New Studies in European Cinema series makes a key contribution to this debate. Proposals for monographs and edited collections are welcome. All proposals and manuscripts undergo a rigorous peer review assessment prior to publication.

    30 publications

  • Framing Film

    The History and Art of Cinema

    Framing Film has committed itself to the acquisition and publication of serious, high-quality film studies on topics of national and international interest. The series editors are open to a full range of scholarly methodologies and analytical approaches in the examination of cinema art and history, including topics on film theory, film and society, gender and race, politics. Cutting-edge studies and diverse points of view are particularly encouraged.

    20 publications

  • Migration – Ethnicity – Nation: Studies in Culture, Society and Politics

    ISSN: 2191-3285

    "The aim of the series is to place migration and ethnicity in the context of both local and global history. The comprehensive approach demands that both old and new migration patterns are dealt with. The notion of the Immigration threat calls for a debate on hopes and limits of the cultural pluralism in Europe and in North America. The issues which are addressed in the book series include among other: inter-ethnic relations; changing patterns of Community building, new sense of belonging, religion and ethnicity nowadays, construction and reinvention of identity, and trans-nationalism. The series represents cultural studies in their broadest sense, embracing history, social studies, anthropology, and political studies. "

    11 publications

  • Education beyond Borders

    Studies in Educational and Academic Mobility and Migration

    The “Education beyond Borders series“ establishes a forum for theoretical and practical contributions on Education and Sociology. By connecting typical questions on education with new aspects of academic mobility and migration, the series seeks to investigate contemporary global trends and impacts on Didactics and Pedagogy and vice versa. The editor professor Fred Dervin has an exceptional focus on multicultural education. This series will not be continued. The “Education beyond Borders series“ establishes a forum for theoretical and practical contributions on Education and Sociology. By connecting typical questions on education with new aspects of academic mobility and migration, the series seeks to investigate contemporary global trends and impacts on Didactics and Pedagogy and vice versa. The editor professor Fred Dervin has an exceptional focus on multicultural education. This series will not be continued. The “Education beyond Borders series“ establishes a forum for theoretical and practical contributions on Education and Sociology. By connecting typical questions on education with new aspects of academic mobility and migration, the series seeks to investigate contemporary global trends and impacts on Didactics and Pedagogy and vice versa. The editor professor Fred Dervin has an exceptional focus on multicultural education. This series will not be continued.

    2 publications

  • Title: The Migrant’s Corner

    The Migrant’s Corner

    Paradoxes of Representing Mediterranean Crossings in Italian and French Contemporary Culture
    by Caterina Scarabicchi (Author) 2023
    ©2023 Monographs
  • Title: Shame and Desire

    Shame and Desire

    Emotion, Intersubjectivity, Cinema
    by Tarja Laine (Author)
    ©2007 Monographs
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2014
    ©2014 Monographs
  • Title: Migration, Migration History, History

    Migration, Migration History, History

    Old Paradigms and New Perspectives
    by Jan Lucassen (Volume editor) Leo Lucassen (Volume editor)
    ©2005 Edited Collection
  • Title: Italian Cinema

    Italian Cinema

    New Directions
    by William Hope (Volume editor)
    ©2005 Edited Collection
  • Title: Questions of Colour in Cinema

    Questions of Colour in Cinema

    From Paintbrush to Pixel
    by Wendy Everett (Volume editor) 2012
    ©2008 Conference proceedings
  • Title: Le cinéma de Wojciech J. Has au miroir de la littérature

    Le cinéma de Wojciech J. Has au miroir de la littérature

    by Jessy Neau (Author) 2023
    ©2023 Monographs
  • Title: Cinema at the Shore

    Cinema at the Shore

    The Beach in French Film
    by Fiona Handyside (Author) 2023
    ©2023 Monographs
  • Title: Cinema & Culture

    Cinema & Culture

    Independent Film in the United States, 1980-2001
    by E. Deidre Pribram (Author)
    ©2002 Textbook
  • Title: Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

    Maurice Maeterlinck, un auteur dans le cinéma des années dix et vingt

    by Christian Janssens (Author) 2016
    ©2016 Monographs
  • Title: Migration

    Migration

    Eine theoretische und ökonometrische Analyse der Wanderungsbewegungen in Deutschland und der Europäischen Union
    by Irene Dresel (Author)
    ©2005 Thesis
  • Title: Defeated Masculinity

    Defeated Masculinity

    Post-Traumatic Cinema in the Aftermath of War
    by Raya Morag (Author)
    ©2009 Monographs
  • Title: Cinema Derrida

    Cinema Derrida

    The Law of Inspection in the Age of Global Spectral Media
    by Tyson Stewart (Author) 2021
    ©2020 Monographs
  • Title: Reimagining Kenyan Cinema

    Reimagining Kenyan Cinema

    by Charles Kebaya (Volume editor) Christopher Joseph Odhiambo (Volume editor) 2022
    ©2022 Monographs
  • Title: Polish Postcommunist Cinema

    Polish Postcommunist Cinema

    From Pavement Level
    by Ewa Mazierska (Author)
    ©2007 Monographs
  • Title: The Cinema of Iceland

    The Cinema of Iceland

    Between Tradition and Liquid Modernity
    by Sebastian Jakub Konefał (Author) 2019
    ©2019 Monographs
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