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  • Speech Production and Perception

    ISSN: 2191-8651

    Speech production is a complex sensorimotor task that requires the coordination of numerous physically complex and very different biological systems. Furthermore, it is a sophisticated cognitive task that transmits information between speakers and listeners. Speech perception uses multi-modal information combining visible articulatory movements and audible acoustic properties in an adaptive way. Understanding the cognitive, motor and sensory mechanisms that underlie speech production and perception is a fascinating objective that requires interdisciplinary competences in various research areas such as linguistics, perception, psychology, cognition, neuroscience, motor control, biology, aerodynamics, acoustics, and biomechanics. The aim of this book series is to investigate the various mechanisms underlying speech production and perception. Each issue of this series will be devoted to a specific topic. This topic will be addressed from different, sometimes even controversial perspectives. Tutorials, up-to-date scientific papers, methodological reports and outstanding dissertations will be at the core of the series. The intended readers are graduate students and scientists from various research disciplines interested in speech production and perception. Scholars are welcome to submit suitable works to the editors. All articles in edited volumes undergo a double-blind peer review. All dissertations undergo a close reading by the series editors and authors will be invited to revise where required.

    8 publications

  • Title: Production and Perception of Thematic Contrast in German

    Production and Perception of Thematic Contrast in German

    by Bettina Braun (Author)
    ©2006 Monographs
  • Title: Experiment and Experience

    Experiment and Experience

    Women’s Writing in France 2000–2010
    by Gill Rye (Volume editor) Amaleena Damlé (Volume editor) 2013
    ©2013 Edited Collection
  • Title: Experimente mit dem Kriminalroman

    Experimente mit dem Kriminalroman

    Ein Erzählmodell in der deutschsprachigen Literatur des 20. Jahrhunderts
    by Anonym (Author)
    ©1993 Edited Collection
  • Title: Experiment Tibet

    Experiment Tibet

    Felder und Akteure auf dem Schachbrett der Bildung 1951-2003
    by Martina Wernsdörfer (Author)
    ©2008 Thesis
  • Title: Identität als Experiment

    Identität als Experiment

    Ich-Performanzen auf der Gegenwartsbühne
    by Philipp Schulte (Author) 2012
    ©2011 Thesis
  • Title: Subjekte im Experiment

    Subjekte im Experiment

    Zu Wilhelm Wundts Programm einer objektiven Psychologie
    by Nora Binder (Author) 2015
    ©2016 Thesis
  • Title: Rilkes , ein zwiespältiges Experiment

    Rilkes , ein zwiespältiges Experiment

    by Dieter Liewerscheidt (Author)
  • Title: Das Experiment Blum

    Das Experiment Blum

    Die Volksfront in Frankreich und das Ende der Dritten Republik 1936 – 1940
    by Elisabeth Bokelmann (Author) 2014
    ©2014 Monographs
  • Title: Kunsttheorie als Experiment

    Kunsttheorie als Experiment

    Untersuchungen zum ästhetischen Diskurs Heinrich Heines
    by Madleen Podewski (Author)
    ©2002 Thesis
  • Title: Experiment versus Dogma

    Experiment versus Dogma

    Francis Bacons Erkenntnis- und Lernprogramm
    by Sarah Keller (Author)
    ©2005 Thesis
  • Title: Ganzheitlichkeit und literarisches Experiment

    Ganzheitlichkeit und literarisches Experiment

    Zum Verhältnis von Körper, Verstand, Seele und Geist im Werk Aldous Huxleys
    by Christiane Kober-Tomasek (Author)
    ©2000 Thesis
  • Title: Das pädagogische Experiment des Schreibenden

    Das pädagogische Experiment des Schreibenden

    Untersuchungen zu Walter Benjamins Rezensionen pädagogischer Literatur von 1924 bis 1932
    by Horst Bokma (Author)
    ©2000 Thesis
  • Title: Production of Emotions

    Production of Emotions

    Perspectives and Functions
    by Teresa Bruś (Volume editor) Marcin Tereszewski (Volume editor) 2016
    ©2016 Edited Collection
  • Title: «Bande dessinée» als Experiment

    «Bande dessinée» als Experiment

    Dekonstruktion als Kompositionsprinzip bei Marc-Antoine Mathieu
    by Kathrin Hahne (Author) 2016
    ©2016 Thesis
  • Title: Experimente und Computersimulationen im naturwissenschaftlichen Unterricht

    Experimente und Computersimulationen im naturwissenschaftlichen Unterricht

    Ein empirischer Vergleich
    by Priit Reiska (Author)
    ©2005 Postdoctoral Thesis
  • Title: Tactical Globalization

    Tactical Globalization

    Learning from the Singapore experiment
    by Aaron Koh (Author) 2011
    ©2010 Thesis
  • Title: Speech production and perception: Learning and memory

    Speech production and perception: Learning and memory

    by Susanne Fuchs (Volume editor) Joanne Cleland (Volume editor) Amélie Rochet-Capellan (Volume editor) 2019
    ©2019 Edited Collection
  • Title: Mittelalterliche Glastechnologie

    Mittelalterliche Glastechnologie

    Archäologie – Schriftquellen – Archäochemie – Experimente
    by Peter Kurzmann (Author)
    ©2004 Thesis
  • Title: Youth-full Productions

    Youth-full Productions

    Cultural Practices and Constructions of Content and Social Spaces
    by Nancy Ares (Volume editor)
    ©2010 Textbook
  • Title: Places of Food Production

    Places of Food Production

    Origin, Identity, Imagination
    by Silke Bartsch (Volume editor) Patricia Lysaght (Volume editor) 2019
    ©2017 Edited Collection
  • Title: 50 Years of Language Experiments with Great Apes

    50 Years of Language Experiments with Great Apes

    by Igor Hanzel (Author) 2017
    ©2017 Monographs
  • Title: Girls, Cultural Productions, and Resistance

    Girls, Cultural Productions, and Resistance

    by Michelle S. Bae (Volume editor) Olga Ivashkevich (Volume editor)
    ©2012 Textbook
  • Title: American Experience – The Experience of America

    American Experience – The Experience of America

    by Andrzej Ceynowa (Volume editor) Marek Wilczynski (Volume editor) 2013
    ©2013 Edited Collection
  • Title: Individual Differences in Speech Production and Perception

    Individual Differences in Speech Production and Perception

    by Susanne Fuchs (Volume editor) Daniel Pape (Volume editor) Caterina Petrone (Volume editor) Pascal Perrier (Volume editor) 2015
    ©2015 Edited Collection
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