Recherche littéraire / Literary Research

ISSN: 0849-0570

Aims and Scope As the annual peer-reviewed publication of the International Comparative Literature Association (ICLA), Recherche littéraire / Literary Research is an Open Access journal published by Peter Lang. Its mission is to inform comparative literature scholars worldwide of recent contributions to the field. To that end, it publishes scholarly essays, review essays discussing recent research developments in particular sub-fields of the discipline, as well as reviews of books on comparative topics. Scholarly essays are submitted to a double-blind peer review. Submissions by early-career comparative literature scholars are strongly encouraged. Journal published with the support of the International Comparative Literature Association (ICLA). Past issues back to 2014 can be accessed on the ICLA website: https://www.ailc-icla.org/literary-research/ * * * Objectifs et portée En tant que publication annuelle de l’Association internationale de littérature comparée (AILC), Recherche littéraire / Literary Research est une revue expertisée par des pair·e·s et publiée par Peter Lang en libre accès voie dorée. Elle vise à faire connaître aux comparatistes du monde entier les développements récents de la discipline. Dans ce but, la revue publie des articles de recherche scientifique, des essais critiques dressant l’état des lieux d’un domaine particulier de la littérature comparée, ainsi que des comptes rendus de livres sur des sujets comparatistes. Les articles de recherche sont soumis à une évaluation par des pair·e·s en double anonyme. Des soumissions par de jeunes chercheuses et chercheurs en littérature comparée sont fortement encouragées. Revue publiée avec le concours de l’Association internationale de littérature comparée (AILC). Les numéros antérieurs, remontant à 2014, sont accessibles sur le site de l’AILC: https://www.ailc-icla.org/fr/recherche-litteraire/ * * * Editor in Chief / Rédacteur en Chef: Marc Maufort, Université Libre de Bruxelles (ULB), Belgique/Belgium Assistant Editor / Rédactrice adjointe: Jessica Maufort, National Fund for Scientific Research-Belgium & Université Libre de Bruxelles (ULB), Belgique/Belgium Editorial Assistant / Assistant de rédaction: Samuel Pauwels (Brussels, Belgium) Editorial Board / Comité éditorial: Dorothy Figueira, University of Georgia, USA / John Burt Foster, George Mason University, USA / Peter Hajdu, Hungarian Academy of Sciences, Hungary / Helga Mitterbauer, Université Libre de Bruxelles (ULB), Belgium / David O’Donnell, Victoria University of Wellington, New Zealand / Haun Saussy, University of Chicago, USA / Anne Tomiche, Université de Paris, France / ZHANG Longxi, City University of Hong Kong, China Advisory Board / Comité consultatif: Thomas Oliver Beebee, Penn State University, USA / César Dominguez, Universidade de Santiago de Compostela, España / Massimo Fusillo, Università degli studi dell’Aquila, Italia / Scott Miller, Brigham Young University, USA / E.V. Ramakrishnan, Central University of Gujarat, India / Monica Spiridon, Universitatea din Bucureşti, România / Jüri Talvet, University of Tartu, Estonia / Hein Viljoen, North-West University, Potchesfstroom, South Africa * * * Submission Guidelines Reviews and essays are written in French or English, the two official languages of the ICLA. Book reviews should be between 1500 and 2000 words. Edited volumes and journal issues will also be considered for review. Review essays about the state of the art, about several related books, or about a work of major significance for the field will be allowed to exceed 3500 words, excluding works cited and footnotes. Scholarly essays should count between 6000 and 8000 words (excluding works cited and footnotes) and follow the Chicago Style sheet (parenthetical bibliographical references in the body of the text as well as a final list of Works Cited). Scholarly essays should also be preceded by an abstract in English of approximately 250 words and by 6 to 7 keywords for indexation purposes. The stylesheet for all types of submissions can be downloaded here: https://www.peterlang.com/app/uploads/2022/08/3_Literary-Research-Stylesheet-2022.pdf Inquiries and submissions: Marc Maufort, Editor, Email: Marc.Maufort@ulb.be Langues et littératures modernes CP 175 Université libre de Bruxelles (ULB) Av. F.D. Roosevelt 50 1050 Brussels, Belgium * * * Instructions aux auteur·e·s Les comptes rendus ainsi que les articles de recherche peuvent être écrits en français ou en anglais, les deux langues officielles de l’AILC. Un compte rendu comptera entre 1500 et 2000 mots. Des ouvrages collectifs et des numéros de revues pourront également faire l’objet d’un compte rendu. Un essai critique sur l’état de l’art, sur un ensemble d’ouvrages, ou sur un livre ambitieux pourra dépasser 3500 mots, hormis bibliographie et notes en bas de page. Les articles de recherche compteront entre 6000 et 8000 mots (hormis bibliographie et notes en bas de page) et suivront les règles de présentation bibliographique du «Chicago Style» (références bibliographiques entre parenthèses dans le corps du texte et bibliographie en fin d’article). Ces articles de recherche doivent également être précédés d’un résumé en anglais d’environ 250 mots et de 6 à 7 mots-clés à des fins d’indexation. Une traduction en anglais du titre de l’article est également demandée. Les normes de présentation pour tous les types de soumissions peuvent être téléchargées ici: https://www.peterlang.com/app/uploads/2022/08/3_Literary-Research-Stylesheet-2022.pdf Renseignements et soumissions: Marc Maufort, Rédacteur, Email: Marc.Maufort@ulb.be Langues et littératures modernes CP 175 Université libre de Bruxelles (ULB) Av. F.D. Roosevelt 50 1050 Brussels, Belgium *** Statement of Publication Ethics AUTHORS: Submissions should be original and free from any plagiarism. Authors should not offer their submissions concurrently elsewhere. The submitted work should not have been previously published in any language. Authors are fully responsible for the contents of their essays. They should secure permission for the reprinting of any copyrighted material. LR/RL does not charge any fees for the submission of manuscripts and their publication. REVIEWERS: All scholarly articles are rigorously assessed through anonymous peer review (authorship will not be divulged and readers will remain unidentified). Submissions are assessed by at least two international experts in the relevant fields. A third reader will be consulted, if necessary. Peer reviews will last approximately 3 months. The journal and its editorial team adhere to Peter Lang’s code of ethics regarding peer review: reviewers are asked to abide by the COPE Ethical Guidelines for Peer Reviewers (https://www.peterlang.com/app/uploads/2021/07/COPE-Ethical-Guidelines_2016.pdf), which ensures the integrity of the academic research we publish. More information on Peter Lang’s commitment to academic excellence can be found here: https://www.peterlang.com/for-authors/. In case of conflict, the journal will follow the steps outlined by COPE here: https://publicationethics.org/files/Full%20set%20of%20flowcharts.pdf. EDITORS: LR/RL is committed to the impartiality of the editorial process. The journal will pay particular attention to any conflict of interests. The journal will promote good editorial practice, such as the adherence to clear instructions. LR/RL does not endorse the opinions of authors once their work is published. The journal is published in Gold Open Access, under the copyright license Creative Commons CC-BY-ND-NC 4.0 International. Each issue will be immediately available in its entirety on Peter Lang’s website upon publication. *** Déclaration d’éthique de publication AUTEUR·E·S: Les soumissions doivent être originales et exemptes de tout plagiat. Les auteur·e·s ne doivent pas proposer leurs soumissions simultanément ailleurs. Le travail soumis ne doit avoir été publié auparavant dans aucune langue. Les auteur·e·s sont entièrement responsables du contenu de leurs essais. Il·Elle·s doivent obtenir l’autorisation de réimprimer tout matériel protégé par le droit d’auteur. LR/RL ne facture aucun frais pour la soumission des manuscrits et leur publication. ÉVALUATEUR·RICE·S: Tous les articles scientifiques sont rigoureusement évalués par un examen anonyme par des pairs (la paternité des auteur·e·s ne sera pas divulguée et les lecteur·rice·s resteront non identifié·e·s). Les soumissions sont évaluées par au moins deux expert·e·s internationaux·ales dans les domaines concernés. Une troisième personne sera consultée, si nécessaire. Les évaluations par les pairs dureront environ 3 mois. La revue et son équipe éditoriale adhèrent au code de déontologie de Peter Lang concernant l’évaluation par les pairs: les évaluateur·rice·s sont prié·e·s de respecter les Directives éthiques du COPE pour l'évaluation par les pairs (https://www.peterlang.com/app/uploads/2021/07/COPE-Ethical-Guidelines_2016.pdf), qui garantissent l’intégrité de la recherche scientifique que nous publions. Pour plus d’informations sur l’engagement de Peter Lang en faveur de l’excellence académique, cliquez ici: https://www.peterlang.com/for-authors/. En cas de conflit, la revue suivra les étapes décrites par COPE ici: https://publicationethics.org/files/Full%20set%20of%20flowcharts.pdf. ÉDITEUR·RICE·S: LR/RL s’engage à respecter l’impartialité du processus éditorial. La revue portera une attention particulière à tout conflit d’intérêts. Elle encouragera les bonnes pratiques éditoriales, telles que le respect d’instructions claires. LR/RL ne cautionne pas l’opinion des auteur·e·s une fois leur travail publié. La revue est publiée en Open Access voie dorée, sous la licence de copyright Creative Commons CC-BY-ND-NC 4.0 International. Chaque numéro sera immédiatement disponible dans son intégralité sur le site web de Peter Lang dès sa publication. *** Abstracting and Indexing / Indexation EBSCO, MLA Directory of Periodicals, OAPEN

8 publications

European Studies in Lifelong Learning and Adult Learning Research

The “European Studies in Lifelong Learning and Adult Learning Research“ series publishes interdisciplinary editions on Education. The main focus is on adult education. Topics include among others gender and pedagogy, biographical and life history approaches or the trias of state, civil society and citizens from an educational perspective. The editors are professors in the field of pedagogy with a strong emphasis on adult education. The “European Studies in Lifelong Learning and Adult Learning Research“ series publishes interdisciplinary editions on Education. The main focus is on adult education. Topics include among others gender and pedagogy, biographical and life history approaches or the trias of state, civil society and citizens from an educational perspective. The editors are professors in the field of pedagogy with a strong emphasis on adult education. The “European Studies in Lifelong Learning and Adult Learning Research“ series publishes interdisciplinary editions on Education. The main focus is on adult education. Topics include among others gender and pedagogy, biographical and life history approaches or the trias of state, civil society and citizens from an educational perspective. The editors are professors in the field of pedagogy with a strong emphasis on adult education.

7 publications

Film Cultures

ISSN: 1663-8972

The Film Cultures series publishes high quality academic research in the field of Film Studies with an emphasis on cinema as a medium for the representation and interpretation of cultural identities throughout the world. The editors seek to encourage diversity in the theoretical backgrounds represented in the series, and invite submissions of monographs, collected papers and conference proceedings covering a broad range of film-related research disciplines. The Film Cultures series publishes high quality academic research in the field of Film Studies with an emphasis on cinema as a medium for the representation and interpretation of cultural identities throughout the world. The editors seek to encourage diversity in the theoretical backgrounds represented in the series, and invite submissions of monographs, collected papers and conference proceedings covering a broad range of film-related research disciplines. The Film Cultures series publishes high quality academic research in the field of Film Studies with an emphasis on cinema as a medium for the representation and interpretation of cultural identities throughout the world. The editors seek to encourage diversity in the theoretical backgrounds represented in the series, and invite submissions of monographs, collected papers and conference proceedings covering a broad range of film-related research disciplines.

13 publications

Linguistic Insights

ISSN: 1424-8689

This series aims to promote specialist language studies, both in the fields of linguistic theory and applied linguistics, by publishing volumes that focus on specific aspects of language use in one or several languages and provide valuable insights into language and communication research. A cross-disciplinary approach is favoured and most European languages are accepted. The series includes two types of books: Monographs – featuring in-depth studies on special aspects of language theory, language analysis or language teaching. Collected papers – assembling papers from workshops, conferences or symposia. Each volume of the series is subjected to a double peer-reviewing process. Advisory Board Vijay Bhatia (Hong Kong) David Crystal (Bangor) Konrad Ehlich (Berlin / München) Jan Engberg (Aarhus) Norman Fairclough (Lancaster) John Flowerdew (Hong Kong) Ken Hyland (Hong Kong) Roger Lass (Cape Town) Matti Rissanen (Helsinki) Françoise Salager-Meyer (Mérida, Venezuela) Srikant Sarangi (Cardiff) Susan Šarcevic (Rijeka) Lawrence Solan (New York) Complete series overview 2016 This series aims to promote specialist language studies, both in the fields of linguistic theory and applied linguistics, by publishing volumes that focus on specific aspects of language use in one or several languages and provide valuable insights into language and communication research. A cross-disciplinary approach is favoured and most European languages are accepted. The series includes two types of books: Monographs – featuring in-depth studies on special aspects of language theory, language analysis or language teaching. Collected papers – assembling papers from workshops, conferences or symposia. Each volume of the series is subjected to a double peer-reviewing process. Advisory Board Vijay Bhatia (Hong Kong) David Crystal (Bangor) Konrad Ehlich (Berlin / München) Jan Engberg (Aarhus) Norman Fairclough (Lancaster) John Flowerdew (Hong Kong) Ken Hyland (Hong Kong) Roger Lass (Cape Town) Matti Rissanen (Helsinki) Françoise Salager-Meyer (Mérida, Venezuela) Srikant Sarangi (Cardiff) Susan Šarcevic (Rijeka) Lawrence Solan (New York) Complete series overview 2016 This series aims to promote specialist language studies, both in the fields of linguistic theory and applied linguistics, by publishing volumes that focus on specific aspects of language use in one or several languages and provide valuable insights into language and communication research. A cross-disciplinary approach is favoured and most European languages are accepted. The series includes two types of books: Monographs – featuring in-depth studies on special aspects of language theory, language analysis or language teaching. Collected papers – assembling papers from workshops, conferences or symposia. Each volume of the series is subjected to a double peer-reviewing process. Advisory Board Vijay Bhatia (Hong Kong) David Crystal (Bangor) Konrad Ehlich (Berlin / München) Jan Engberg (Aarhus) Norman Fairclough (Lancaster) John Flowerdew (Hong Kong) Ken Hyland (Hong Kong) Roger Lass (Cape Town) Françoise Salager-Meyer (Mérida, Venezuela) Srikant Sarangi (Cardiff) Susan Šarcevic (Rijeka) Lawrence Solan (New York) Complete series overview 2016

327 publications

Action publique / Public Action

ISSN: 1783-6077

La collection « Action publique » étudie le fonctionnement de l’État sous des angles multiples. Elle privilégie l’analyse des politiques publiques (environnement, santé, emploi, culture, etc.) et l’étude institutionnelle et organisationnelle des administrations publiques. Les mutations qui caractérisent aujourd’hui l’action publique (déréglementation, externalisation, contractualisation, action en réseaux...) sont au cœur de ses préoccupations. Ainsi la collection « Action publique » accorde-t-elle également une place importante aux rapports que l’État entretient avec son environnement, l’appareil politique et la société civile bien sûr, mais aussi avec les évolutions sociétales plus larges (individualisme, globalisation, etc.). La pluridisciplinarité est une caractéristique essentielle des travaux contemporains dans le domaine. C’est pourquoi cette collection encourage les approches économiques, historiques, juridiques, politologiques, sociologiques et philosophiques. The series « Public Action » studies the State and how it works from a variety of perspectives. It focuses on public policy analysis (environment, health, employment culture, etc.) as well as the institutional and organizational study of public administrations. The mutations that characterize nowadays public action (deregulation, externalisation, contractualisation and networking) are at the heart of these preoccupations. Consequently, the series « Public Action » also places further emphasis on the relationship the State maintains with its environment; – not only the political apparatus and, of course, civil society, but also with broader social changes such as individualism and globalization. Multidisciplinary work is an essential characteristic of contemporary research in the field. Given the essential need for such approaches to the topic, this series encourages economic, historical, judicial, politological, sociological and philosophical perspectives. La collection « Action publique » étudie le fonctionnement de l’État sous des angles multiples. Elle privilégie l’analyse des politiques publiques (environnement, santé, emploi, culture, etc.) et l’étude institutionnelle et organisationnelle des administrations publiques. Les mutations qui caractérisent aujourd’hui l’action publique (déréglementation, externalisation, contractualisation, action en réseaux...) sont au cœur de ses préoccupations. Ainsi la collection « Action publique » accorde-t-elle également une place importante aux rapports que l’État entretient avec son environnement, l’appareil politique et la société civile bien sûr, mais aussi avec les évolutions sociétales plus larges (individualisme, globalisation, etc.). La pluridisciplinarité est une caractéristique essentielle des travaux contemporains dans le domaine. C’est pourquoi cette collection encourage les approches économiques, historiques, juridiques, politologiques, sociologiques et philosophiques. The series « Public Action » studies the State and how it works from a variety of perspectives. It focuses on public policy analysis (environment, health, employment culture, etc.) as well as the institutional and organizational study of public administrations. The mutations that characterize nowadays public action (deregulation, externalisation, contractualisation and networking) are at the heart of these preoccupations. Consequently, the series « Public Action » also places further emphasis on the relationship the State maintains with its environment; – not only the political apparatus and, of course, civil society, but also with broader social changes such as individualism and globalization. Multidisciplinary work is an essential characteristic of contemporary research in the field. Given the essential need for such approaches to the topic, this series encourages economic, historical, judicial, politological, sociological and philosophical perspectives. La collection « Action publique » étudie le fonctionnement de l’État sous des angles multiples. Elle privilégie l’analyse des politiques publiques (environnement, santé, emploi, culture, etc.) et l’étude institutionnelle et organisationnelle des administrations publiques. Les mutations qui caractérisent aujourd’hui l’action publique (déréglementation, externalisation, contractualisation, action en réseaux...) sont au cœur de ses préoccupations. Ainsi la collection « Action publique » accorde-t-elle également une place importante aux rapports que l’État entretient avec son environnement, l’appareil politique et la société civile bien sûr, mais aussi avec les évolutions sociétales plus larges (individualisme, globalisation, etc.). La pluridisciplinarité est une caractéristique essentielle des travaux contemporains dans le domaine. C’est pourquoi cette collection encourage les approches économiques, historiques, juridiques, politologiques, sociologiques et philosophiques. The series « Public Action » studies the State and how it works from a variety of perspectives. It focuses on public policy analysis (environment, health, employment culture, etc.) as well as the institutional and organizational study of public administrations. The mutations that characterize nowadays public action (deregulation, externalisation, contractualisation and networking) are at the heart of these preoccupations. Consequently, the series « Public Action » also places further emphasis on the relationship the State maintains with its environment; – not only the political apparatus and, of course, civil society, but also with broader social changes such as individualism and globalization. Multidisciplinary work is an essential characteristic of contemporary research in the field. Given the essential need for such approaches to the topic, this series encourages economic, historical, judicial, politological, sociological and philosophical perspectives.

27 publications

Yourcenar

ISSN: 2030-7314

Nobody disputes the modern relevance of Marguerite Yourcenar’s work. Back in 1981, when she was the first woman to be elected to the Académie Française, her work was received enthusiastically, rather deferentially even; there was something of an aura surrounding it with the media attention her election attracted. But this time is now past and more recent research activity has taken a new turn, with critical attention focusing on Yourcenar’s roots in her own century. The study of traditional major themes – death, the sacred, nature, history etc. – has given way to the study of more comparative, theoretical issues such as the relationship between text and images, and more incisive issues such as ecology, gender, political activism etc. And her work seems to expand accordingly, offering up a seemingly inexhaustible supply of subject matter, not only through her novels but also through her novellas, her many essays, plays, letters and so on. The primary objective of the «Yourcenar» series is to publish monographs, collected volumes, conference proceedings and volumes resulting from doctoral research which will give our intended public of academics and Yourcenar devotees a regularly updated idea of the state of the art in the field. Cross-disciplinary approaches are encouraged. The intention is to publish two volumes per year, in either English or French. The collection is directed by Francesca Counihan (Maynooth University) and Bérengère Deprez (Université catholique de Louvain). L’actualité de l’œuvre de Marguerite Yourcenar ne fait aucun doute. Passé un moment de réception enthousiaste et plutôt déférente de ses écrits, auréolés et très médiatisés par son admission comme première femme à l’Académie française en 1981, il semble que la recherche ait pris un virage vers la critique attentive de l’enracinement de l’écrivaine dans son siècle. À l’examen des grands thèmes comme la mort, le sacré, la nature, l’histoire, etc., ont succédé des questions plus comparatistes, plus théoriques telles le rapport texte/image ou plus incisives telles l’écologie, la dimension de genre, l’engagement politique, etc. Et l’œuvre répond présente : la matière semble inépuisable, non seulement les romans mais les nouvelles, les nombreux essais, le théâtre, la correspondance, etc. La collection « Yourcenar » a pour ambition de présenter à un public universitaire académique ou non, ainsi qu’aux nombreux passionnés de l’œuvre de Marguerite Yourcenar, un état des lieux régulier de la recherche, par la publication de monographies, de volumes collectifs, d’actes de colloques et d’essais issus de thèses de doctorat. Elle encourage les points de vue transdisciplinaires. L’objectif de publication est de deux volumes par an, en français ou en anglais. La collection est dirigée par Francesca Counihan (Maynooth University) et Bérengère Deprez (Université catholique de Louvain). Nobody disputes the modern relevance of Marguerite Yourcenar’s work. Back in 1981, when she was the first woman to be elected to the Académie Française, her work was received enthusiastically, rather deferentially even; there was something of an aura surrounding it with the media attention her election attracted. But this time is now past and more recent research activity has taken a new turn, with critical attention focusing on Yourcenar’s roots in her own century. The study of traditional major themes – death, the sacred, nature, history etc. – has given way to the study of more comparative, theoretical issues such as the relationship between text and images, and more incisive issues such as ecology, gender, political activism etc. And her work seems to expand accordingly, offering up a seemingly inexhaustible supply of subject matter, not only through her novels but also through her novellas, her many essays, plays, letters and so on. The primary objective of the «Yourcenar» series is to publish monographs, collected volumes, conference proceedings and volumes resulting from doctoral research which will give our intended public of academics and Yourcenar devotees a regularly updated idea of the state of the art in the field. Cross-disciplinary approaches are encouraged. The intention is to publish two volumes per year, in either English or French. The collection is directed by Francesca Counihan (Maynooth University) and Bérengère Deprez (Université catholique de Louvain).

2 publications

Welten Ostasiens / Worlds of East Asia / Mondes de l'Extrême-Orient

ISSN: 2235-5766

The aim of the series Worlds of East Asia of the Swiss Asia Society is to publish high-quality, representative work issuing from academic research on all aspects of East Asia. It comprises, and receives, studies on present-day and historical East Asian cultures and societies covering the fields of art, literature and thought as well as translations and interpretations of important sources. Furthermore the series intends to present studies that offer expert knowledge on relevant themes and current questions appealing not only to the academic public, but also to an audience generally interested in East Asia. One important goal of the series is to establish a forum for academic work in the fields of the humanities and social sciences in Switzerland. However, the series is also committed to the rich variety of studies and writing on East Asia in the international research community. The main publication languages for studies, collections (by individual or several contributors), and surveys are therefore German, French, and English. The series is supervised and internally reviewed by an editorial board comprising leading representatives in East Asian studies. La série Mondes de l’Extrême-Orient de la Société Suisse-Asie publie des recherches de qualité représentatives de la recherche académique sur les cultures et sociétés de l’Asie orientale. Elle propose des études dans des domaines variés comme l’art, la littérature, et la pensée, anciens ou modernes, ainsi que des traductions et interprétations de sources. Elle publie également des travaux qui traitent de questions plus actuelles ou immédiates, de façon compétente mais abordable, avec le souhait de toucher, au-delà des cercles académiques, le grand public cultivé. L’un des buts de la série est de servir de forum pour les sciences humaines et sociales dans le domaine des études asiatique en Suisse. Les travaux de la communauté scientifique internationale sont cependant les bienvenus. Les langues principales des travaux, collections, ou recueils thématiques sont l’allemand, le français et l’anglais. La série est dirigée par un comité composé de chercheurs actifs dans les diverses disciplines des études extrême-orientales. Die Reihe Welten Ostasiens der Schweizerischen Asiengesellschaft stellt repräsentative Arbeiten aus der facettenreichen akademischen Forschung vor. Sie nimmt Studien zu den ostasiatischen Kulturen und Gesellschaften in Gegenwart und Vergangenheit in den Bereichen Kunst, Literatur und Denken sowie Übersetzungen und Interpretationen von Quellentexten auf. Sie will aber auch Arbeiten anbieten, die in allgemein verständlicher Weise kompetentes Wissen zu relevanten und aktuellen Fragen vermitteln und neben dem wissenschaftlichen Zielpublikum auch einer breiter interessierten Leserschaft zugänglich sind. In erster Linie ist sie ein Forum für geistes- und sozialwissenschaftliche Arbeiten aus der Schweiz, daneben werden aber auch Beiträge aus der internationalen Forschung aufgenommen. Die Hauptpublikationssprachen für die Studien, Sammelbände und Übersichtswerke sind Deutsch, Französisch und Englisch. Die Reihe wird von einem Herausgebergremium geleitet, das von führenden Fachvertretern aus den jeweiligen akademischen Disziplinen beraten wird.

21 publications

Bible in History / La Bible dans l'histoire

ISSN: 2235-5723

Bible in History focuses on biblical interpretation in different ages and countries and is a series dedicated to studies of biblical exegesis as well as to research about principles of interpretation relevant to interpreters of the Bible. The series is open to studies focusing on philological and theological aspects of particular Bible passages but it also welcomes publications in the field of history of biblical interpretation that study the development of new ideas and their impact on the interpretation of the text. Editions of textual variants as well as of influential old and modern commentaries are also within the scope of this series. Ayant pour but l'étude de l'interprétation biblique à travers les époques et dans des pays différents, la Bible dans l'Histoire est une collection consacrée à la recherche exégétique ainsi qu'à l'étude des principes qui déterminent la compréhension des commentateurs. Etant ouverte à l'exégèse biblique dans son aspect philologique et théologique, cette collection cherche par ailleurs à promouvoir les publications dans le domaine de l'histoire d'interprétation, ainsi que celles étudiant comment l'introduction des nouveaux principes a permis l'ajustement de l'ancien sens à la réalité d'aujourd'hui. L'édition des variantes textuelles ainsi que des commentaires anciens et modernes correspondent aussi au but fixé à cette collection. Bible in History focuses on biblical interpretation in different ages and countries and is a series dedicated to studies of biblical exegesis as well as to research about principles of interpretation relevant to interpreters of the Bible. The series is open to studies focusing on philological and theological aspects of particular Bible passages but it also welcomes publications in the field of history of biblical interpretation that study the development of new ideas and their impact on the interpretation of the text. Editions of textual variants as well as of influential old and modern commentaries are also within the scope of this series.

10 publications

ICCA – Industries culturelles, création, numérique

ISSN: 2506-8741

Under the aegis of the LABEX ICCA (LABoratoire d’EXcellence ICCA) research centre, this collection contains the results of research into various cultural industries, in both traditional fields – such as the film industry, television, music or print publishing – and more recent fields such as video or video games. It focuses on an interdisciplinary perspective for studying the means of mediation and promotion, the consumption practices and the transformations induced by underlying trends such as globalisation and digitisation, which radically change both the processes for creating content and the ways of funding and distributing the content produced. Sous l’égide du LABoratoire d’EXcellence ICCA (Industries Culturelles et Création Artistique), cette collection réunit les résultats de recherches consacrées aux différentes industries culturelles, traditionnelles comme le cinéma, la télévision, la musique ou l’édition, ou plus récentes comme la vidéo ou le jeu vidéo. Elle privilégie une perspective interdisciplinaire pour étudier les dispositifs de médiation et de promotion, les pratiques de consommation et les mutations induites par des mouvements de fond comme la mondialisation ou la numérisation, qui bouleversent aussi bien les processus de création des contenus que les modes de financement et de distribution de la production.

15 publications

Canadiana

The collection will offer a platform for the presentation of research-works in Canadian Studies, a discipline of increasing interest. New developments in the Studies of Literature, Culture and Media shall be documented in the new collection. The specific character of Canadianess creates a major interest for intercultural, multicultural and transcultural aspects. This fact will have an impact not only on the basic research fields, but also on epistemological dimensions. In this collection, research works to Canadian issues will be published in German, English or French, with abstracts in the other two languages. Editors’ Homepage: Prof. Dr. Klaus-Dieter Ertler Prof. Dr. Wolfgang Klooß La présente collection cherche à fournir une plate-forme aux travaux de recherche portant sur les Etudes canadiennes, dont l'importance ne cesse d'augmenter. Elle servira de documentation des nouveaux développements en recherches sur les littératures, les cultures et les médias. Par le caractère particulier de la canadianité, les aspects interculturels, multiculturels et transculturels y connaîtront une dimension particulière, ce qui aura des conséquences non seulement aux objets de la recherche, mais aussi aux questions épistémologiques. Dans notre collection, les recherches sur les sujets canadiens seront publiées en allemand, anglais ou français, avec des résumés dans les deux autres langues respectives. Page d'accueil des éditeurs: Prof. Dr. Klaus-Dieter Ertler Prof. Dr. Wolfgang Klooß Die Reihe versteht sich als Plattform für Forschungsarbeiten aus dem Bereich der Kanada-Studien, deren Bedeutung in den letzten Jahren ständig zugenommen hat. Neuere Entwicklungen in den Literatur-, Kultur- und Medienwissenschaften sollen hier dokumentiert werden. Durch den spezifischen Charakter des Kanadischen kommt den interkulturellen, multikulturellen und transkulturellen Aspekten eine besondere Bedeutung zu, was sich nicht nur auf die untersuchten Zusammenhänge, sondern auch auf die epistemologische Dimension auswirkt. In dieser Reihe werden die Untersuchungen zu kanadischen Themen in deutscher, englischer oder französischer Sprache mit abstracts in den jeweils anderen Sprachen veröffentlicht. Homepage der Herausgeber: Prof. Dr. Klaus-Dieter Ertler Prof. Dr. Wolfgang Klooß

21 publications

Champs Didactiques Plurilingues : données pour des politiques stratégiques

ISSN: 2593-6972

The Book Serie «Champs didactiques plurilingues» aims to promote practice and research about foreign language teaching and learning from a triple bond between subjects, objects and contexts, each with their individual and interacting dynamics. This involves the disciplinary fields involved in the production of practical and theoretical ideas, and of the concrete, educational and professional contexts of teaching and learning , together with school and university language policies which influence the learning of a particular language, the choice of languages and their status. The series is divided into three strands : one strand, "Research in action" is intended for researchers, student-researchers, and practitioner-researchers, which can include many teachers; a second strand "Knowledge for know-how" is intended especially for students, practitioners and decision-makers; the other strand "Research exchanges"specially designed to papers written from conferences and congress papers. «Champs didactiques plurilingues» publish books in English, French, Portuguese or Spanish and a partnership with the journal Matices en Lenguas Extranjeras of the Universidad Nacional de Colombia (https://revistas.unal.edu.co/index.php/male/index ) allows authors to publish a podcast presenting their book (https://www.youtube.com/watch?v=f8a-c5nccwM&list=PLktj7abiVwJohkkWimsHEajIG_J6PQjEQ). ______________________________________________________________________________ La collection «Champs didactiques plurilingues» vise à promouvoir les travaux et recherches autour de l’enseignement / apprentissage des langues étrangères autour du triple ancrage sujets – objets – contextes et de leurs dynamiques propres et interagissantes. La collection se déploie sur trois volets : un volet "La recherche en mouvement" destiné aux chercheurs, aux étudiants-chercheurs et aux praticiens-chercheurs ; un volet "Savoirs pour savoir faire" destiné plus particulièrement aux étudiants, aux praticiens et aux décideurs; un volet "Échanges de la recherche" pour des articles écrits à partir de communications de colloques et congrès. «Champs didactiques plurilingues» publie des livres en anglais, français, espagnol ou portugais et un partenariat avec la revue Matices en Lenguas Extranjeras de l'Universidad Nacional de Colombia (https://revistas.unal.edu.co/index.php/male/index) permet aux auteurs de publier un podcast de présentation de leur ouvrage (https://www.youtube.com/watch?v=f8a-c5nccwM&list=PLktj7abiVwJohkkWimsHEajIG_J6PQjEQ). ______________________________________________________________________________ A coleção « Champs didactiques plurilingues » tem como objetivo promover trabalhos de investigação em torno do ensino / aprendizagem de línguas estrangeiras, numa tripla encoragem : sujeitos, objetos, contextos e suas dinâmicas próprias e interatuantes. A coleção é dividida em três partes : um componente "Investigação em movimento", para investigadores e estudantes e profissionais investigadores; um componente "Saberes para saber fazer" voltado especificamente para estudantes, profissionais e decisores políticos; um componente "Intercâmbios de investigação" para artigos escritos a partir de comunicações de conferências e congressos. «Champs didactiques plurilingues» publica livros em inglês, francês, espanhol ou português e uma parceria com a revista Matices en Lenguas Extranjeras da Universidad Nacional de Colombia (https://revistas.unal.edu.co/index.php/male/index) permite que os autores publiquem um podcast apresentando seu livro (https://www.youtube.com/watch?v=f8a-c5nccwM&list=PLktj7abiVwJohkkWimsHEajIG_J6PQjEQ). ______________________________________________________________________________ La colección « Champs didactiques plurilingues » tiene como objetivo promover la reflexión y la investigación en torno a la enseñanza/aprendizaje de idiomas extranjeros, con miras al triple anclaje sujetos/objetos/contextos así como la dinámica propia de cada uno de esos elementos y sus mutuas interacciones. La colección tiene tres vertientes : "Investigación en movimiento" se dirige a investigadores, estudiantes-investigadores y profesores-investigadores; "Saberes para saber hacer" se dirige más específicamente a estudiantes, profesores y responsables institucionales; "Intercambios de investigación" para artículos escritos a partir de ponencias de coloquios y congresos. «Champs didactiques plurilingues» publica libros en inglés, francés, español o portugués y una alianza con la revista Matices en Lenguas Extranjeras de la Universidad Nacional de Colombia (https://revistas.unal.edu.co/index.php/male/index) permite a los autores publicar un podcast presentando su libro (https://www.youtube.com/watch?v=f8a-c5nccwM&list=PLktj7abiVwJohkkWimsHEajIG_J6PQjEQ). ______________________________________________________________________________ *Scientific Board / Comité scientifique / Comité científico* Frédéric Anciaux, INSPE Guadeloupe (France) / Maria Helena Araújo e Sá, Universidade de Aveiro (Portugal) / Philippe Blanchet, Université de Haute Bretagne Rennes 2 (France) / Jean-Marc Defays, Université de Liège (Belgique) / Christain Degache, Universidade Federal do Minais Gerais - Université Grenoble Alpes (Brésil / France) / Fred Dervin, Helsingfors Uniersitet (Finlande) / Piet Desmet, Katholieke Universiteit Leuven (Belgique) / Olivier Dezutter, Université de Sherbrooke (Canada) / Enrica Galazzi, Università Cattolica del Sacro Cuore (Italie) / Laurent Gajo, Université de Genève (Suisse) / Tony Liddicoat, University of Warwick (Royaume Uni) / Eliane Lousada, Universidade de São Paulo (Brésil) / Bruno Maurer, Université Paul Valéry, Montpellier 3 (France) / Dominique Macaire, Université de Lorraine (France) / Danièle Moore, Simon Fraser University (Canada) / Christian Ollivier, Université de La Réunion (France) / Rosana Pasquale, Universidad Nacional de Luján (Argentine) / Fabián Santiago, Université Paris 8 Vincennes - Saint-Denis & CNRS (France) / Haydée Silva, Universidad Nacional Autónoma de México (Mexique) / Francis Yaiche, Université de Paris (France)

37 publications

Repenser le cinéma / Rethinking Cinema

The main purpose of the «Rethinking Cinema» series is to provide film scholars as well as professionals from the audiovisual field with innovative research material in the field of film aesthetics, theory and history. Many areas of last century’s main attraction are still there to be rediscovered or have seldom been approached in the past. Consequently, priority is given to film concepts, genres, works or authors which have not been frequently dealt with. Conference proceedings, collections of essays, revised doctoral theses or monographs are published and have to distinguish themselves by a considerable degree of originality, audacity and scientific rigour, without neglecting the transdisciplinary and cross-cultural aspects related to different branches from the Humanities such as Art History, Philosophy or Linguistics. The series welcomes manuscripts written in French and/or in English as well as translations of noteworthy texts from other foreign languages. La collection « Repenser le cinéma » privilégie les approches novatrices, les analyses de concepts, de genres, de courants, d’auteurs et de films rarement étudiés, qu’il s’agisse d’actes de colloque, d’essais, de versions remaniées de thèses de doctorat ou encore de monographies. Elle se propose d’offrir aux chercheurs, aux enseignants de l’audiovisuel ainsi qu’aux professionnels du cinéma des pistes de réflexion inédites sur la théorie, l’histoire et l’esthétique d’un art qui recèle de multiples chantiers peu balisés au cours du siècle qui l’a vu naître. La démarche méthodologique adoptée au sein des travaux publiés doit faire preuve d’originalité, d’audace et de rigueur scientifique, tout en visant les corrélations transdisciplinaires et transculturelles avec d’autres domaines des sciences humaines (histoire de l’art, philosophie, linguistique, etc.). La collection accueille des ouvrages en français ou en anglais, des publications bilingues, ainsi que des traductions d’ouvrages étrangers difficilement accessibles.

13 publications

European Connections

European Connections: Studies in Comparative Literature, Intermediality and Aesthetics is a peer-reviewed series that publishes innovative research monographs, edited volumes as well as translations of key theoretical works. The series focuses on the literary and artistic relations that have shaped and continue to shape European cultures across national, linguistic and media boundaries, leading to vibrant new forms of artistic creation and aesthetic expression. It also wishes to explore relations with non-European cultures with a view to fostering more equitable models of cultural exchange and transfer. The series promotes comparative, intermedial and interdisciplinary approaches, whether studies of specific writers, filmmakers and artists; critical re-evaluations of historical periods (from the medieval to the ultra-contemporary) and movements; or wider theoretical reflections within the fields of comparative literature, intermediality studies and aesthetics. In light of the urgent need to revitalize the idea of Europe along new lines of thought, the series encourages research that explores the rich connections within European artistic and cultural production as well as the participation of European cultures in what the great philosopher of relation Édouard Glissant has called the Tout-monde. The series publishes in English, French and German. Editorial Board: Vincent Ferré (University Paris-Est Créteil), Robin Kirkpatrick (University of Cambridge), Kim Knowles (Aberystwyth University), Frauke Matthes (University of Edinburgh), Jean-Pascal Pouzet (University of Limoges), Marisa Verna (Università Cattolica, Milan)

54 publications

Contemporary Studies in Descriptive Linguistics

This series provides an outlet for academic monographs which offer a recent and original contribution to linguistics and which are within the descriptive tradition. While the monographs demonstrate their debt to contemporary linguistic thought, the series does not impose limitations in terms of methodology or genre, and does not support a particular linguistic school. Rather the series welcomes new and innovative research that contributes to furthering the understanding of the description of language. The topics of the monographs are scholarly and represent the cutting edge for their particular fields, but are also accessible to researchers outside the specific disciplines. Contemporary Studies in Descriptive Linguistics is based at the School of English, University of St Andrews. The Literary and Cultural Stylistics subseries aims to explore the intersection of descriptive linguistics with the disciplines of literature and culture. The techniques of stylistic analysis offer a way of approaching texts both literary and non-literary as well as all forms of cultural communication. The subseries offers a home for this research, where literary criticism meets linguistics and where cultural studies meets communication. It welcomes a wide range of data sets and methodologies, with the intention that every book in the subseries makes a new contribution to the disciplines that support them.

63 publications

Moving Texts / Testi mobili

Moving Texts/Testi mobili questions Italian memory and identity from the perspective of literary and media studies, providing a forum for discussions on major research topics, including migration and mobility studies, cultural studies, cultural memory studies, film studies, translation studies and studies on linguistic attitudes and sociolinguistic changes. Moving Texts/Testi mobili is open to research conducted within established and emerging fields of investigation. It specifically promotes multi-perspective, multi-disciplinary and inter-medial approaches. The series uses double-blind peer review and is supported by an international advisory board. Proposals in Italian, French or English are welcome both for the main series (monographs and edited volumes), and for Moving Texts/Testi Mobili – Tandem, the sub-series for conjoined essays by two different authors. Potential contributors are invited to submit a book proposal consisting of an outline, a sample chapter and a CV. Only complete manuscripts following the series guidelines are accepted for peer review. *** Moving Texts/Testi mobili　indaga la memoria e l’identità italiana offrendo uno spazio aperto a ricerche su migrazione e mobilità, a studi culturali e sulla memoria culturale, nonché a saggi nei seguenti ambiti: letteratura, media, traduzioni, attitudini linguistiche e cambiamenti sociolinguistici. Moving Texts/Testi mobili promuove approcci multiprospettici, multidisciplinari e intermediali provenienti da aree disciplinari e metodologiche di consolidata tradizione così come di recente affermazione. La serie sottopone le pubblicazioni a procedure di peer review e si avvale di un comitato di redazione internazionale. Possono essere inoltrate proposte per la serie madre, che accoglie monografie e opere collettanee, o per la serie Moving Texts/Testi Mobili – Tandem, ciascun volume della quale ospita una coppia di saggi congiunti ma di due autori diversi. Proposte in italiano, francese o inglese possono essere inviate al comitato di direzione dagli autori o curatori interessati. Ogni proposta deve includere una sintesi del volume, un capitolo di esempio e il CV dell’autore o del curatore. Solo testi completi e adattati alle norme redazionali della collana verranno sottoposti a revisione. *** Moving Texts/Testi mobili interroge la mémoire et l’identité italiennes sous la perspective de la littérature et de l’étude des médias. La collection offre un espace de discussion sur les principaux sujets de recherche, proposant des études sur les migrations et la mobilité, la culture, la mémoire culturelle, les films, les traductions ainsi que les attitudes linguistiques et les changements sociolinguistiques. Moving Texts/Testi mobili accueille des travaux consacrés aussi bien à des champs traditionnels qu'émergents. Elle soutient particulièrement les perspectives multiples, la pluridisciplinarité et les approches croisées entre différents médias. La collection pratique un peer-review en double aveugle et est soutenue par un conseil scientifique international. Les propositions en italien, français et anglais sont les bienvenues aussi bien pour la collection principale (monographies et volumes collectifs) que pour Moving Texts/Testi Mobili – Tandem, la nouvelle sous-collection accueillant des essais conjoints de deux auteurs. Nous invitons les auteurs potentiels à soumettre leur proposition en envoyant une synthèse, un chapitre d’exemple ainsi qu’un CV aux directeurs de collection. Seuls les manuscrits complets qui respectent les normes de la collection seront acceptés pour la révision en double aveugle. *** Series editors / Membri del comitato di direzione / Membres du comité éditorial Natalie Dupré (KU Leuven, Natalie.Dupre@kuleuven.be), Monica Jansen (Universiteit Utrecht, m.m.jansen@uu.nl), Inge Lanslots (KU Leuven, Inge.Lanslots@kuleuven.be), Ugo Perolino (Università degli studi G.D’Annunzio Chieti-Pescara, ugo.perolino@unich.it), Mara Santi (Universiteit Gent, Mara.Santi@UGent.be), Dieter Vermandere (Universiteit Antwerpen, dieter.vermandere@uantwerpen.be). Editorial Board / Comitato scientifico / Comité scientifique Jennifer Burns (University of Warwick), Alberto Casadei (Università di Pisa), Andrea Catellani (Université catholique de Louvain), Claudia Crocco (Universiteit Gent), Pietro De Marchi (Universität Zürich), Nicola Dusi (Università degli Studi di Modena e Reggio Emilia), Margherita Ganeri (Università della Calabria), Gian Paolo Giudicetti (UCLouvain), Harald Hendrix (Universiteit Utrecht), William Hope (University of Salford), Isabelle Lavergne (Université Paris-Sorbonne), Christina Ljungberg (Universität Zürich), Stefania Marzo (KU Leuven), Bruno Moretti (Universität Bern), Raffaella Petrilli (Università della Tuscia), Viva Paci (Université du Québec), Alessandro Perissinotto (Università di Torino), Isabella Pezzini (La Sapienza Università di Roma), Massimo Privitera (Università di Palermo), Paolo Rosato (Conservatorio di Fermo), Oreste Sacchelli (Université de Nancy, em.), Pia Schwarz Lausten (Københavns Universitet), Luca Somigli (University of Toronto), Thomas Stauder (Universität Augsburg), Bart Van den Bossche (KU Leuven), Mary Wood (Birkbeck, University of London, em.), Walter Zidaric (Université de Nantes) Moving Texts/Testi mobili　indaga la memoria e l’identità italiana offrendo uno spazio aperto a ricerche su migrazione e mobilità, a studi culturali e sulla memoria culturale, nonché a saggi nei seguenti ambiti: letteratura, media, traduzioni, attitudini linguistiche e cambiamenti sociolinguistici. Moving Texts/Testi mobili promuove approcci multiprospettici, multidisciplinari e intermediali provenienti da aree disciplinari e metodologiche di consolidata tradizione così come di recente affermazione. La serie sottopone le pubblicazioni a procedure di peer review e si avvale di un comitato di redazione internazionale. Possono essere inoltrate proposte per la serie madre, che accoglie monografie e opere collettanee, o per la serie Moving Texts/Testi Mobili – Tandem, ciascun volume della quale ospita una coppia di saggi congiunti ma di due autori diversi. Proposte in italiano, francese o inglese possono essere inviate al comitato di direzione dagli autori o curatori interessati. Ogni proposta deve includere una sintesi del volume, un capitolo di esempio e il CV dell’autore o del curatore. Solo testi completi e adattati alle norme redazionali della collana verranno sottoposti a revisione. *** Moving Texts/Testi mobili interroge la mémoire et l’identité italiennes sous la perspective de la littérature et de l’étude des médias. La collection offre un espace de discussion sur les principaux sujets de recherche, proposant des études sur les migrations et la mobilité, la culture, la mémoire culturelle, les films, les traductions ainsi que les attitudes linguistiques et les changements sociolinguistiques. Moving Texts/Testi mobili accueille des travaux consacrés aussi bien à des champs traditionnels qu'émergents. Elle soutient particulièrement les perspectives multiples, la pluridisciplinarité et les approches croisées entre différents médias. La collection pratique un peer-review en double aveugle et est soutenue par un conseil scientifique international. Les propositions en italien, français et anglais sont les bienvenues aussi bien pour la collection principale (monographies et volumes collectifs) que pour Moving Texts/Testi Mobili – Tandem, la nouvelle sous-collection accueillant des essais conjoints de deux auteurs. Nous invitons les auteurs potentiels à soumettre leur proposition en envoyant une synthèse, un chapitre d’exemple ainsi qu’un CV aux directeurs de collection. Seuls les manuscrits complets qui respectent les normes de la collection seront acceptés pour la révision en double aveugle. *** Series editors / Membri del comitato di direzione / Membres du comité éditorial Natalie Dupré (KU Leuven, Natalie.Dupre@kuleuven.be), Monica Jansen (Universiteit Utrecht, m.m.jansen@uu.nl), Inge Lanslots (KU Leuven, Inge.Lanslots@kuleuven.be), Ugo Perolino (Università degli studi G.D’Annunzio Chieti-Pescara, ugo.perolino@unich.it), Mara Santi (Universiteit Gent, Mara.Santi@UGent.be), Dieter Vermandere (Universiteit Antwerpen, dieter.vermandere@uantwerpen.be). Editorial Board / Comitato scientifico / Comité scientifique Jennifer Burns (University of Warwick), Alberto Casadei (Università di Pisa), Andrea Catellani (Université catholique de Louvain), Claudia Crocco (Universiteit Gent), Pietro De Marchi (Universität Zürich), Nicola Dusi (Università degli Studi di Modena e Reggio Emilia), Margherita Ganeri (Università della Calabria), Gian Paolo Giudicetti (UCLouvain), Harald Hendrix (Universiteit Utrecht), William Hope (University of Salford), Isabelle Lavergne (Université Paris-Sorbonne), Christina Ljungberg (Universität Zürich), Stefania Marzo (KU Leuven), Bruno Moretti (Universität Bern), Raffaella Petrilli (Università della Tuscia), Viva Paci (Université du Québec), Alessandro Perissinotto (Università di Torino), Isabella Pezzini (La Sapienza Università di Roma), Massimo Privitera (Università di Palermo), Paolo Rosato (Conservatorio di Fermo), Oreste Sacchelli (Université de Nancy, em.), Pia Schwarz Lausten (Københavns Universitet), Luca Somigli (University of Toronto), Thomas Stauder (Universität Augsburg), Bart Van den Bossche (KU Leuven), Mary Wood (Birkbeck, University of London, em.), Walter Zidaric (Université de Nantes)

10 publications

Judentum und Umwelt / Realms of Judaism

In the series Realms of Judaism, founded in 1979, research studies from the fields of Jewish history, culture, religion, literature, philosophy and philology are published. Although the research areas cover the times from Antiquity to Early Modernity, Pre-modern Judaism constitutes the main focus of the series. The geographical space encompasses the Near and Middle East and European Judaism likewise. The editors of the series are scholars with various specialisations within the area of Jewish studies. In der seit 1979 erscheinenden Reihe Judentum und Umwelt werden aktuelle Studien aus den Teilbereichen Geschichte, Kultur, Religion, Literatur, Philosophie und Philologie des Judentums publiziert. Der Schwerpunkt liegt auf dem Judentum der Vormoderne; die Forschungsgegenstände umfassen im Wesentlichen die Zeitbereiche von der Antike bis zur Frühen Neuzeit. Der geographische Raum umspannt den Nahen und Mittleren Osten sowie das Judentum in Europa. Die Herausgeber sind Judaisten mit fachlich unterschiedlichen Schwerpunkten.

78 publications