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  • Studien zum Theater, Film und Fernsehen / Studies in Theatre, Film and Television

    ISSN: 0721-4162

    Die 1982 gegründete Schriftenreihe ist gedacht als ein Forum zur Veröffentlichung von Neuerscheinungen, die Anstöße zur Weiterentwicklung dieser Bereiche geben. Sie ist als ein Unternehmen geplant, das den schillernden Gegenstandsbereich von Theater, Film und Fernsehen durch eine Vielzahl unterschiedlicher methodischer Vorgehensweisen und inhaltlicher Akzentsetzungen in seiner ganzen Komplexität deutlich macht. So werden die einzelnen Arbeiten gleichsam als Bausteine fungieren, die in ihrer Gesamtheit den Forschungsgegenstand der Theater-, Film- und Fernsehwissenschaft widerspiegeln sollen.

    40 publications

  • Title: Performance and Performativity in German Cultural Studies

    Performance and Performativity in German Cultural Studies

    by Carolin Duttlinger (Volume editor) Lucia Ruprecht (Volume editor) Andrew Webber (Volume editor)
    ©2003 Conference proceedings
  • Title: Religion and Identity in Germany Today

    Religion and Identity in Germany Today

    Doubters, Believers, Seekers in Literature and Film
    by Julian Preece (Volume editor) Frank Finlay (Volume editor) Sinéad Crowe (Volume editor) 2011
    ©2010 Conference proceedings
  • Stage and Screen Studies

    ISSN: 1660-2560

    This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays. This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays. This series of monographs is concerned with drama and allied entertainment in a wide variety of kinds in the theatre and on film, television and video screens. The emphasis is on the history and interpretation of dramatic entertainment, performance and production in regular and musical theatre, including music hall and variety stages, in para-theatrical activities, like fairground performance and festivals, and in the silent and sound cinema and on television and video. The series engages particularly with the social, political and economic contexts of drama on past and present stages and screens, considering the work of dramatists, performers, directors, designers, technicians and administrators, and will aim to be very wide-ranging in scope, its subjects spanning Classical, Medieval and Renaissance European drama and theatre, Eastern theatre forms, and international modern drama in its various performance kinds. Within this broad remit, the series hopes to publish historical, critical and theoretical studies, annotated anthologies of critical, theoretical and dramatic texts, and collections of interviews and screenplays.

    10 publications

  • Europäische Hochschulschriften / European University Studies / Publications Universitaires Européennes

    Reihe 30: Theater-, Film- und Fernsehwissenschaften / Series 30: Theatre, Film and Television / Série 30: Etudes cinématographiques et théâtrales

    The books within this series include a broad range of topics within the category of Theatre, Film and Television. Cette collection présente une riche palette de travaux scientifiques dans le domaine des Etudes cinématographiques et théâtrales. In dieser Reihe erscheinen wissenschaftliche Arbeiten zu einem breiten Themenspektrum im Fachgebiet Theater-, Film und Fernsehwissenschaften.

    87 publications

  • Title: Le son en perspective: nouvelles recherches / New Perspectives in Sound Studies

    Le son en perspective: nouvelles recherches / New Perspectives in Sound Studies

    by Dominique Nasta (Volume editor) Didier Huvelle (Volume editor)
    ©2004 Conference proceedings
  • Title: Gendering Images

    Gendering Images

    Geschlechterinszenierung in den Filmen Pedro Almodóvars
    by Kerstin Huven (Author)
    ©2002 Thesis
  • Title: «Lola rennt» – aber wohin?

    «Lola rennt» – aber wohin?

    Analyse, Interpretation und theologische Kritik eines postmodernen Films über den Menschen und seine Möglichkeiten
    by Oliver Meik (Author)
    ©2002 Thesis
  • Title: Slovene Theatre and Drama Post Independence: Four Plays by Slovene Playwrights

    Slovene Theatre and Drama Post Independence: Four Plays by Slovene Playwrights

    Introduction and Translation by Lesley Anne Wade
    by Lesley Anne Wade (Volume editor)
    ©2007 Monographs
  • Title: ImageScapes

    ImageScapes

    Studies in Intermediality
    by Christian Emden (Volume editor) Gabriele Rippl (Volume editor)
    ©2010 Conference proceedings
  • Title: Personal Experience and the Media

    Personal Experience and the Media

    Media Interplay in Rainer Werner Fassbinder’s Work for Theatre, Cinema and Television
    by Klaus Ulrich Militz (Author)
    ©2006 Thesis
  • Title: Horror and Evil in the Name of Enjoyment

    Horror and Evil in the Name of Enjoyment

    A Psychoanalytic Critique of Ideology
    by Han-Yu Huang (Author)
    ©2007 Monographs
  • Title: Sh@kespeare in the Media

    Sh@kespeare in the Media

    From the Globe Theatre to the World Wide Web
    by Stefani Brusberg-Kiermeier (Volume editor) Jörg Helbig (Volume editor) 2004
    ©2010 Edited Collection
  • Title: Zerfallstudien

    Zerfallstudien

    Verlusterfahrungen im Nordamerikanischen Independent Kino 1991-2002
    by Sascha Keilholz (Author)
    ©2009 Thesis
  • Title: Autorinnenfilme

    Autorinnenfilme

    Französische Regisseurinnen der 90er Jahre
    by Sabine Leipert (Author)
    ©2003 Thesis
  • Title: Filmmusik

    Filmmusik

    Geschichte und Analyse
    by Anselm Kreuzer (Author)
    ©2003 Thesis
  • Title: Theater an Ort und Stelle

    Theater an Ort und Stelle

    Eine Analyse des Beziehungsgeflechts zwischen Theaterarbeit und Lebensraum am Beispiel des AGORA Theaters
    by Claudia Gäbler (Author)
    ©2001 Thesis
  • Title: Alkoholismus im DDR-Dokumentarfilm – Regie Eduard Schreiber

    Alkoholismus im DDR-Dokumentarfilm – Regie Eduard Schreiber

    Eine filmhistorische Mikrostudie zur (ost-)deutschen Mediengeschichte  
    by Tobias Sachsenweger (Author) 2021
    ©2021 Monographs
  • Title: Identity Switch im Cyberspace

    Identity Switch im Cyberspace

    Eine Form von Selbstinszenierung
    by Silke Roesler (Author)
    ©2007 Thesis
  • Title: Deconstructing Woody Allen

    Deconstructing Woody Allen

    Ein amerikanischer Filmemacher zwischen Kunst und Kommerz
    by Angelika Janssen (Author)
    ©2002 Thesis
  • Title: Bewegte Räume

    Bewegte Räume

    Zur Konstruktion von Raum in Videoclips von Jonathan Glazer, Chris Cunningham, Mark Romanek und Michel Gondry
    by Laura Frahm (Author)
    ©2007 Thesis
  • Title: «Ein Weib tut wenig, plaudert viel»

    «Ein Weib tut wenig, plaudert viel»

    Das Frauenbild in der literarischen Rezeption der Opern W. A. Mozarts und seiner Librettisten. Ein Beitrag zur Geschlechterforschung
    by Corinna Lemm-Mirschel (Author)
    ©2005 Thesis
  • Title: Daily Talkshows

    Daily Talkshows

    Untersuchungen zu einem umstrittenen TV-Format
    by Claudia Gerhards (Volume editor) Renate Möhrmann (Volume editor)
    ©2002 Edited Collection
  • Title: Raum und Geschlecht

    Raum und Geschlecht

    Frauen im Road Movie der 90er Jahre
    by Amelie Soyka (Author)
    ©2002 Thesis
  • Title: Kinokultur in der Provinz

    Kinokultur in der Provinz

    Am Beispiel von Bad Hersfeld
    by Nadja Van Keeken (Author)
    ©1994 Monographs
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