Poetry, History and Philosophy in the Writings of Perse, Césaire, Fanon and Glissant
Edited by Jean Khalfa
This series aims to publish monographs, editions or collections of papers based on recent research into modern French literature. It welcomes contributions from academics, researchers and writers in British and Irish universities in particular. Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers. The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide, Apollinaire and Césaire to Barthes, Duras, Kristeva, Glissant, Germain and Roubaud. This series explores the turmoil in ideas and values expressed in the works of theorists like Lacan, Irigaray, Foucault, Fanon, Deleuze and Bourdieu and traces the impact of current theoretical approaches – such as gender and sexuality studies, de/coloniality, intersectionality, and ecocriticism – on the literary and cultural interpretation of the self. The series publishes studies of individual authors and artists, comparative studies, and interdisciplinary projects and welcomes research on autobiography, cinema, fiction, poetry and performance art and/or the intersections between them.
Contemporary Literature and Thought: Martin Crowley (University of Cambridge)
Francophone Studies: Louise Hardwick (University of Birmingham) and Jean Khalfa (University of Cambridge)
Gender and Sexuality Studies: Florian Grandena (University of Ottawa) and Cristina Johnston (University of Stirling)
Language and Linguistics: Michaël Abecassis (University of Oxford)
Literature and Art: Peter Collier (University of Cambridge)
Poetry: Nina Parish (University of Bath) and Emma Wagstaff (University of Birmingham)
Supports et acteurs de la création texte/image (XXe–XXIe siècles) / Materials and Agents of the Text/Image Creation (20th–21th Centuries)
Edited by Isabelle Chol and Jean Khalfa
The heart of the reflection in this book is the diversity of aesthetic possibilities of the book as material support, from the late nineteenth century to contemporary experiments. The page, the sheet and the book go well beyond the codex and the bound book, in the heterogeneity of their materials, forms and formats (fans, leporellos, poster collections, upright books, book sculptures, exploded books, electronic books, etc.): they are active supports in the design and reception process. This book observes the process of composition and distribution of works in their material singularities, including the role of the different stakeholders in the design of the book, not only the writer and the artist but also the typographer, bookbinder, publisher or gallery owner, each playing a multiplicity of roles. Such porous borders between roles and crafts generate porosity between the literary and artistic genres.