Russian and East European Studies in Aesthetics and the Philosophy of Culture

This series treats such issues as art es a social phenomenon, categories of aesthetic analysis, social origins of taste, mathematical aspects of aesthetic analysis, and the material basis of cultural change. Contributors include distinguished scholars from Russia and other East European countries. This series treats such issues as art es a social phenomenon, categories of aesthetic analysis, social origins of taste, mathematical aspects of aesthetic analysis, and the material basis of cultural change. Contributors include distinguished scholars from Russia and other East European countries. This series treats such issues as art es a social phenomenon, categories of aesthetic analysis, social origins of taste, mathematical aspects of aesthetic analysis, and the material basis of cultural change. Contributors include distinguished scholars from Russia and other East European countries.

3 publications

History and Philosophy of Science

ISSN: 2376-6336

This series invites book proposals that include innovative strategies for pursuing history and philosophy of science. Especially welcome are scholarly works using non-analytic philosophical perspectives to successfully bring to bear on our understanding of how scientific practices are related to the humanities and the social sciences. The series also welcomes exploration of the sciences in relation to gender, culture, society, and the intellectual and social contexts that illuminate the places, the structures of origination, and the patterns of development over generations. Approaches may include focused analyses of thinkers from unorthodox perspectives that can shed new light on the history and philosophy of science, such as Montaigne, Bruno, Galileo, Newton, Pascal, Emerson, Thoreau, Nietzsche, Jung, Freud. Proposals aimed at probing the philosophical intersections between the sciences and other societal practices that can be configured as heretic are also encouraged. These might include the emergence of the psychoanalytic movements in the twentieth century, how the fine arts have impinged on the historical processes that gave rise to the sciences over the last few centuries, how in turn the intellectual frameworks inaugurated by the sciences have been imported into the avant-garde movements that paralleled the advent of industrialized societies, and finally how contemporary scientific domains of knowledge reverberate in ’deviant’ social and artistic practices.

9 publications

Welten des Islams/Worlds of Islam/Mondes de l'Islam

The aim of the series Worlds of Islam of the Swiss Asia Society is to publish high-quality, representative work issuing from academic research on all aspects of Islam. It comprises, and receives, studies on present-day and historical Islamic cultures and societies covering the fields of art, literature and thought as well as translations and interpretations of important sources. Furthermore the series intends to present studies that offer expert knowledge on relevant themes and current questions appealing not only to the academic public, but also to an audience generally interested in the Islamic World. One important goal of the series is to establish a forum for academic work in the fields of the humanities and social sciences in Switzerland. However, the series is also committed to the rich variety of studies and writing on the Islamic World in the international research community. The main publication languages for monographs, collections (by individual or several contributors), and surveys are therefore German, French, and English. The series is supervised and internally reviewed by an editorial board comprising leading representatives in Islamic studies. L’objectif de la collection Mondes de l’Islam, publiée sous l’égide de la Société Suisse – Asie, est de faire connaître des études représentatives et de haute qualité sur les pays d’Islam. Elle propose aussi bien des études portant sur les cultures et sociétés du présent et du passé - que ce soit dans les domaines de l’art, de la littérature ou de la pensée - que des traductions et des travaux d’interprétation de sources importantes. Elle entend également publier des recherches sur des thèmes centraux et d’actualité qui s’adressent à un public plus large, intéressé par le monde de l’Islam. Ouverte à des travaux issus de la communauté scientifique internationale, la collection se veut être en premier lieu un point de rencontre de la recherche suisse dans le domaine des études islamiques. Elle accueille des monographies, des ouvrages collectifs, des recueils thématiques, etc., rédigés en allemand, français ou anglais. La collection est dirigée par un comité éditorial composé de chercheurs reconnus dans les diverses disciplines des études islamiques. Ziel der Reihe Welten des Islams der Schweizerischen Asiengesellschaft ist es, repräsentative, qualitativ hochstehende Forschungsarbeiten zu den islamischen Kulturen und Gesellschaften in Gegenwart und Vergangenheit vorzustellen. Sie nimmt Studien zu verschiedenen Bereichen wie Kunst, Literatur und Philosophie sowie Übersetzungen und Interpretationen von Quellentexten auf. Sie will aber auch Arbeiten zu relevanten Themen und aktuellen Fragen anbieten, die neben dem wissenschaftlichen Zielpublikum einer breiter interessierten Leserschaft zugänglich sind. Die Reihe versteht sich als Forum für geistes- und sozialwissenschaftliche Arbeiten aus der Schweiz. Ausserdem werden Beiträge aus der internationalen Forschung aufgenommen. Die Hauptpublikationssprachen für die Monographien, Sammelbände und Übersichtswerke sind Deutsch, Französisch und Englisch. Die Reihe wird von einem Herausgebergremium geleitet, das von führenden Fachvertretern aus den jeweiligen akademischen Disziplinen beraten wird.

3 publications

San Francisco State University Series in Philosophy

ISSN: 1067-0017

This series is designed to encourage philosophers to explore new directions of research in philosophy. The underlying premise of the series is that contemporary philosophical research is impeded by an understanding of the intellectual division of labor according to which philosophy is conceived of as separate from the natural and social sciences, the arts and humanistic disciplines. Science is impoverished by the neglect of immediate attention to the metaphysical and moral questions posed by scientific developments. The arts and humanistic disciplines are also impoverished by a lack of sufficient attention to the philosophical implication of innovation in each of these areas. Philosophy for its part is in danger of grinding away on outdated problems posed by the scientific and artistic developments of past centuries. The usual remedy for this situation, inter-disciplinary work, typically falls far short of the needed re-integration of philosophy, the sciences, the arts and humanistic disciplines. The pressing problems of contemporary civilization, particularly the problems that concern the relationship between science, technology and ethical and political values, we believe, can only be adequately explored by a re-integration of philosophy with other fields. This series seeks to call attention to itself by meeting high standards of scholarship and producing work of unquestionable merit. Works in this series should contribute to the re-integration of philosophy with the natural and social sciences, technology, the arts or humanities by challenging philosophical preconceptions that block the re-integration of philosophy with other disciplines. This series is designed to encourage philosophers to explore new directions of research in philosophy. The underlying premise of the series is that contemporary philosophical research is impeded by an understanding of the intellectual division of labor according to which philosophy is conceived of as separate from the natural and social sciences, the arts and humanistic disciplines. Science is impoverished by the neglect of immediate attention to the metaphysical and moral questions posed by scientific developments. The arts and humanistic disciplines are also impoverished by a lack of sufficient attention to the philosophical implication of innovation in each of these areas. Philosophy for its part is in danger of grinding away on outdated problems posed by the scientific and artistic developments of past centuries. The usual remedy for this situation, inter-disciplinary work, typically falls far short of the needed re-integration of philosophy, the sciences, the arts and humanistic disciplines. The pressing problems of contemporary civilization, particularly the problems that concern the relationship between science, technology and ethical and political values, we believe, can only be adequately explored by a re-integration of philosophy with other fields. This series seeks to call attention to itself by meeting high standards of scholarship and producing work of unquestionable merit. Works in this series should contribute to the re-integration of philosophy with the natural and social sciences, technology, the arts or humanities by challenging philosophical preconceptions that block the re-integration of philosophy with other disciplines. This series is designed to encourage philosophers to explore new directions of research in philosophy. The underlying premise of the series is that contemporary philosophical research is impeded by an understanding of the intellectual division of labor according to which philosophy is conceived of as separate from the natural and social sciences, the arts and humanistic disciplines. Science is impoverished by the neglect of immediate attention to the metaphysical and moral questions posed by scientific developments. The arts and humanistic disciplines are also impoverished by a lack of sufficient attention to the philosophical implication of innovation in each of these areas. Philosophy for its part is in danger of grinding away on outdated problems posed by the scientific and artistic developments of past centuries. The usual remedy for this situation, inter-disciplinary work, typically falls far short of the needed re-integration of philosophy, the sciences, the arts and humanistic disciplines. The pressing problems of contemporary civilization, particularly the problems that concern the relationship between science, technology and ethical and political values, we believe, can only be adequately explored by a re-integration of philosophy with other fields. This series seeks to call attention to itself by meeting high standards of scholarship and producing work of unquestionable merit. Works in this series should contribute to the re-integration of philosophy with the natural and social sciences, technology, the arts or humanities by challenging philosophical preconceptions that block the re-integration of philosophy with other disciplines.

9 publications

The Age of Revolution and Romanticism

This series publishes and promotes significant works concerned with a crucial period in European cultural and literary history: from the Enlightenment to the post-revolutionary era. The emphasis is on studies that transcend traditional boundaries between disciplines and that focus on interactions of literature, art, philosophy and politics. This series publishes and promotes significant works concerned with a crucial period in European cultural and literary history: from the Enlightenment to the post-revolutionary era. The emphasis is on studies that transcend traditional boundaries between disciplines and that focus on interactions of literature, art, philosophy and politics. This series publishes and promotes significant works concerned with a crucial period in European cultural and literary history: from the Enlightenment to the post-revolutionary era. The emphasis is on studies that transcend traditional boundaries between disciplines and that focus on interactions of literature, art, philosophy and politics.

32 publications

South Asian Literature, Arts, and Culture Studies

The South Asian Literature, Arts and Culture Studies series invites submissions from scholars working in the field of South Asian Studies, with a particular interest in literature, the arts (print and film), politics, religion, and society. South Asian Studies especially focuses on the Indian subcontinent, particularly India, Pakistan, Bangladesh, Nepal, Sri Lanka, Burma, and the diaspora of Non-Resident South Asians throughout the world. The series welcomes a variety of approaches and theories that interrogate and explore aspects and elements of South Asian thought, life, and artistic production. The series does not only focus on contemporary, but also in special cases, on the ancient or classical studies. This series welcomes a variety of analytical approaches and theories, especially postcolonial, feminist, post-structural, new historical, psychological, Marxist, and structuralist. Scholars working in related fields, such as philosophy, hermeneutics, and social theory, with a major interest in how these disciplines relate to South Asian Studies, are also invited to contribute manuscripts.

5 publications

Welten Süd- und Zentralasiens / Worlds of South and Inner Asia / Mondes de l'Asie du Sud et de l'Asie centrale

The aim of the series Worlds of South and Inner Asia of the Swiss Asia Society is to publish highquality, representative work issuing from academic research on all aspects of South and Inner Asia. It comprises, and accepts, studies on historical and present-day South and Inner Asian cultures and societies covering the fields of history, literature, thought, politics and art as well as translations and interpretations of important primary sources. Furthermore the series intends to present studies that offer expert knowledge on current themes appealing not only to the aca demic public, but also to an audience generally interested in South and Inner Asia. One important goal of the series is to establish a forum for academic work in the fields of the humanities and social sciences in Switzerland. However, the series is also committed to the rich variety of studies and writings in the international research community. The main publication languages for monographs and collections (by individual or several contributors) are German, French, and English. The series is supervised and internally reviewed by an editorial board which is advised by leading scholars in the academic fields concerned. La collection Mondes de l'Asie du Sud et de l'Asie centrale, publiée sous l'égide de la Société Suisse - Asie, accueille des études représentatives et de haute qualité sur l'Asie du Sud et l'Asie centrale. Elle propose aussi bien des études portant sur les cultures et sociétés du présent et du passé - que ce soit dans les domaines de l'histoire, de la littérature, de la philosophie, de la politique et de l'art - que des traductions et des travaux d'interprétation de sources importantes. Elle entend également publier des recherches sur des thèmes centraux et d'actualité qui s'adressent à un public plus large. La collection se veut être un point de rencontre de la recherche suisse dans le domaine des études de l'Asie du Sud et de l'Asie centrale, mais est aussi ouverte à des travaux issus de la communauté scientifi que internationale. Elle accueille des monographies et des ouvrages collectifs, rédigés en allemand, français ou anglais. La collection est dirigée par un comité de rédaction avec l'appui de chercheurs reconnus dans les diverses disciplines concernées. In der Reihe Welten Süd- und Zentralasiens der Schweizerischen Asiengesellschaft werden repräsentative, qualitativ hochstehende Forschungsarbeiten zu den Kulturen und Gesellschaf ten Süd- und Zentralasiens in Vergangenheit und Gegenwart publiziert. Die Reihe nimmt Studien zu verschiedenen Bereichen wie Geschichte, Literatur, Philosophie, Politik und Kunst sowie Übersetzungen und Interpretationen von Quellentexten auf. Sie will aber auch Arbeiten zu aktuellen Themen und Fragen anbieten, die neben einem wissenschaftlichen Zielpublikum einer breiter interessierten Leserschaft zugänglich sind. Die Reihe versteht sich als Forum für geistes- und sozialwissenschaftliche Arbeiten aus der Schweiz, ist aber auch offen für Beiträge aus der internationalen Forschung. Die Hauptpublikationssprachen für die Monographien und Sammelbände sind Deutsch, Französisch und Englisch. Die Reihe wird von einem Herausgebergremium geleitet, das von führenden Fachvertreterinnen und Fachvertretern aus den jeweiligen akademischen Disziplinen beraten wird.

6 publications

New Studies in Aesthetics

This series publishes explorative thinking in the philosophy of art as well as in the philosophy of life. Applied aesthetics and theoretical development of non-traditional topics are considered, along with traditional studies in aesthetic theory or the problems in specific arts. Well-written volumes may take the form of monographs, treatises, collected essays, proceedings, reference works, and translations. Use of illustrations is encouraged. In addition to works in English, texts in German, French, Spanish, Italian, and other languages may be published. This series publishes explorative thinking in the philosophy of art as well as in the philosophy of life. Applied aesthetics and theoretical development of non-traditional topics are considered, along with traditional studies in aesthetic theory or the problems in specific arts. Well-written volumes may take the form of monographs, treatises, collected essays, proceedings, reference works, and translations. Use of illustrations is encouraged. In addition to works in English, texts in German, French, Spanish, Italian, and other languages may be published. This series publishes explorative thinking in the philosophy of art as well as in the philosophy of life. Applied aesthetics and theoretical development of non-traditional topics are considered, along with traditional studies in aesthetic theory or the problems in specific arts. Well-written volumes may take the form of monographs, treatises, collected essays, proceedings, reference works, and translations. Use of illustrations is encouraged. In addition to works in English, texts in German, French, Spanish, Italian, and other languages may be published.

29 publications

Phenomenology and Literature

ISSN: 1524-0193

The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy. The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy. The focus of this series is on studies using the tenets of phenomenology and its various (dogmatic and skeptical) evolutions to elucidate and interpret primarily literary works of art in the contexts of aesthetics, ontology, epistemology, axiology, hermeneutics, communication, reader response, reception, cultural and social theory. Studies of a comparative nature which straddle and/or combine the disciplines of philosophical and literary studies are distinctive features of this monograph series. Emphasis is on subjects that may advance the state of the art, set trends, generate and continue discussion, expand horizons beyond present perspectives, and/or redefine previously held notions. Approaches may center on individual works, authors, schools of phenomelogical thought, and/or abstract notions, including issues of a comparative nature spanning the cultures, languages, and literatures of several nations from the perspectives of world literature and philosophy.

5 publications

Austrian Culture

The series on Austrian Culture provides critical evaluations, in English or German, of Austrian authors, artists, works, currents, or figures from the Middle Ages to the present. Austria is defined as those parts of the old Habsburg empire that produced notable writings in the German language, including Czechoslovakia (Prague) and the Bukovina (Czernowitz). The series offers a forum for the exploration of the multifarious relationships between literature and other aspects of Austrian culture, such as philosophy, music, art, architecture, and the theater. Dissertations and other monograph-length material as well as scholarly translations or editions of outstanding literary works are welcome. The series on Austrian Culture provides critical evaluations, in English or German, of Austrian authors, artists, works, currents, or figures from the Middle Ages to the present. Austria is defined as those parts of the old Habsburg empire that produced notable writings in the German language, including Czechoslovakia (Prague) and the Bukovina (Czernowitz). The series offers a forum for the exploration of the multifarious relationships between literature and other aspects of Austrian culture, such as philosophy, music, art, architecture, and the theater. Dissertations and other monograph-length material as well as scholarly translations or editions of outstanding literary works are welcome. The series on Austrian Culture provides critical evaluations, in English or German, of Austrian authors, artists, works, currents, or figures from the Middle Ages to the present. Austria is defined as those parts of the old Habsburg empire that produced notable writings in the German language, including Czechoslovakia (Prague) and the Bukovina (Czernowitz). The series offers a forum for the exploration of the multifarious relationships between literature and other aspects of Austrian culture, such as philosophy, music, art, architecture, and the theater. Dissertations and other monograph-length material as well as scholarly translations or editions of outstanding literary works are welcome.

43 publications

Eruptions: New Feminism Across the Disciplines

ISSN: 1091-8590

This is a series of red-hot women's writing after the "isms." lt focuses on new cultural assemblages that are emerging from the deformation, breakout, ebullience, and discomfort of postmodern feminism. The series brings together a post-foundational generation of women's writing that, while still respectful of the idea of situated knowledge, does not rely on neat disciplinary distinctions and stable political coalitions. This writing transcends some of the more awkward textual performances of a first generation of "ferninism-meets-postmodernism" scholarship. lt has come to terms with its own body of knowledge as shifty, inflammatory, and ungovernable, The aim of the series is to make this cutting edge thinking more readily available to undergraduate and postgraduate students, researchers and new academics, and professional bodies and practitioners. Thus, we seek contributions from writers whose unruly scholastic projects are expressed in texts that are accessible and seductive to a wider academic readership. Proposals and/or manuscripts are invited from the domains of: "post" humanities, human movement studies, sexualities, media studies, literary criticism, information technologies, history of ideas, performing arts, gay and lesbian studies, cultural studies, post-colonial studies, pedagogics, social psychology, and the philosophy of science. We are particularly interested in publishing research and scholarship with international appeal from Australia, New Zealand, and the United Kingdom. This is a series of red-hot women's writing after the "isms." lt focuses on new cultural assemblages that are emerging from the deformation, breakout, ebullience, and discomfort of postmodern feminism. The series brings together a post-foundational generation of women's writing that, while still respectful of the idea of situated knowledge, does not rely on neat disciplinary distinctions and stable political coalitions. This writing transcends some of the more awkward textual performances of a first generation of "ferninism-meets-postmodernism" scholarship. lt has come to terms with its own body of knowledge as shifty, inflammatory, and ungovernable, The aim of the series is to make this cutting edge thinking more readily available to undergraduate and postgraduate students, researchers and new academics, and professional bodies and practitioners. Thus, we seek contributions from writers whose unruly scholastic projects are expressed in texts that are accessible and seductive to a wider academic readership. Proposals and/or manuscripts are invited from the domains of: "post" humanities, human movement studies, sexualities, media studies, literary criticism, information technologies, history of ideas, performing arts, gay and lesbian studies, cultural studies, post-colonial studies, pedagogics, social psychology, and the philosophy of science. We are particularly interested in publishing research and scholarship with international appeal from Australia, New Zealand, and the United Kingdom. This is a series of red-hot women's writing after the "isms." lt focuses on new cultural assemblages that are emerging from the deformation, breakout, ebullience, and discomfort of postmodern feminism. The series brings together a post-foundational generation of women's writing that, while still respectful of the idea of situated knowledge, does not rely on neat disciplinary distinctions and stable political coalitions. This writing transcends some of the more awkward textual performances of a first generation of "ferninism-meets-postmodernism" scholarship. lt has come to terms with its own body of knowledge as shifty, inflammatory, and ungovernable. The aim of the series is to make this cutting edge thinking more readily available to undergraduate and postgraduate students, researchers and new academics, and professional bodies and practitioners. Thus, we seek contributions from writers whose unruly scholastic projects are expressed in texts that are accessible and seductive to a wider academic readership. Proposals and/or manuscripts are invited from the domains of: "post" humanities, human movement studies, sexualities, media studies, literary criticism, information technologies, history of ideas, performing arts, gay and lesbian studies, cultural studies, post-colonial studies, pedagogics, social psychology, and the philosophy of science. We are particularly interested in publishing research and scholarship with international appeal from Australia, New Zealand, and the United Kingdom.

16 publications

Vampire Studies: New Perspectives on the Undead

ISSN: 2977-0718

Vampires are everywhere. Appearing on streaming services, in book series and on multimedia platforms, vampires and the undead are an integral part of popular culture in the twenty-first century. But vampires have a long and varied history across cultures from at least the early eighteenth century onwards. Nina Auerbach once commented on their cultural ubiquity: ‘Every age embraces the vampire it needs, and gets the vampire it deserves’. The inherently transformative properties of vampires have made them uniquely able to reflect the age in which they appear. As a result, they provide original and multiple perspectives, not just on culture, but on established and emerging areas of study. Vampires and the undead serve as a useful lens for exploring Indigeneity, environmental studies and the ecogothic; identity, ethnicity and gender politics; material culture, spectatorship and fan cultures; hybridity, post-humanism and futurities; disability, mental health and ageing studies; and theology, philosophy and politics. These new territories and methodologies of vampire studies also retroactively shift the ways we view and understand earlier iterations of the undead and the different cultures they materialized from. In this first book series dedicated to vampire studies, authors will explore the ongoing evolution of vampires and the undead in the broadest sense – including the supernatural, super-human and non-human, and across cultures, histories and media – and will use new theoretical frameworks to offer original and innovative readings of established and more recent texts. This original series aims to provide a focused hub for the diverse and often dispersed body of study that sees the vampire and the undead not as a subgenre of other categories such as the Gothic or horror, but as a genre in its own right that intersects with others. An important dimension of the series is diversity and the inclusion of multiple cultural and minority perspectives, including LGBTQ+, disability, Indigeneity, and any approaches that encourage new ways of viewing the cultural impact of vampires and the undead and widen our understanding of an ever-expanding genre. Proposals for monographs and edited collections are warmly invited. All projects undergo rigorous peer review. Please contact the series editor, Simon Bacon (baconetti@googlemail.com), or editorial@peterlang.com for more information. Editorial Board: Stacey Abbott (Birkbeck, University of London), Katarzyna Ancuta (Chulalongkorn University, Thailand), Uzoamaka Melissa Anyiwo (University of Scranton, USA), John Edgar Browning (Savannah College of Art and Design, USA), S. Brooke Cameron (Queen's University, Canada), Sir Christopher Frayling, Tabish Khair (University of Aarhus, Denmark), Lorna Piatti-Farnell (Auckland University of Technology, New Zealand), Xavier Aldana Reyes (Manchester Metropolitan University, UK), Cristina Santos (Brock University, Canada), Jeffrey Andrew Weinstock (Central Michigan University, USA), Laura Westengard (City University of New York).

0 publications

Beyond Humanism: Trans- and Posthumanism / Jenseits des Humanismus: Trans- und Posthumanismus

Humanism, which is characterized by the special status of human beings within the world, i.e. human beings do not differ gradually but categorically from other natural beings, is in a crisis. It gets attacked from various directions. Basically, it is possible to distinguish two main movements which try to transcend Humanism: Trans- and Posthumanism. In the book series Beyond Humanism: Trans- and Posthumanism / Jenseits des Humanismus: Trans- und Posthumanismus, monographs and essay collections will be published which discuss aspects of this range of topics historically or systematically. Editor Dr. Stefan Lorenz Sorgner, Institut für Geschichte und Ethik der Medizin, Friedrich-Alexander-Universität Erlangen-Nürnberg. Editor’s Homepage: www.sorgner.de. From 1st January 2016 employed as an associate professor of philosophy at the John Cabot University in Rome. Editorial Board Members: Prof. Dr. H. James Birx, Anthropology, Canisus College, SUNY Geneseo, USA Prof. Dr. Irina Deretic, Philosophy, University of Belgrade, Serbia Dr. James J. Hughes, Sociology, Executive Director, Institute for Ethics and Emerging Technologies Lecturer, Public Policy Studies, Trinity College, Associate Editor, Journal of Evolution and Technology, USA Prof. Dr. Andy Miah, Ethics and Emerging Technologies, University of the West of Scotland, a Fellow of FACT, the Foundation for Art and Creative Technology (Liverpool), and a Fellow of the Institute for Ethics and Emerging Technologies (USA) Prof. Dr. Domna Pastourmatzi, American Literature, University of Thessaloniki, Greece Prof. Dr. Evi Sampanikou, Art History, University of the Aegean, Greece Der Humanismus, der durch die Sonderstellung des Menschen in der Welt gekennzeichnet ist, d.h. der Mensch unterscheidet sich nicht graduell, sondern kategorisch von anderen natürlichen Wesen, befindet sich in einer Krise. Er wird aus verschiedenen Richtungen attackiert. Grundsätzlich kann man zwei Hauptströmungen feststellen, die sich darum bemühen, den Humanismus zu überwinden, den Trans- und den Posthumanismus. Im Rahmen der Buchreihe Beyond Humanism: Trans- and Posthumanism / Jenseits des Humanismus: Trans- und Posthumanismus sollen Monographien und Sammelbände erscheinen, die Aspekte dieses Themenspektrums entweder historisch oder systematisch erörtern. Editor Dr. Stefan Lorenz Sorgner, Institut für Geschichte und Ethik der Medizin, Friedrich-Alexander-Universität Erlangen-Nürnberg. Homepage des Herausgebers: www.sorgner.de. Ab 1. Januar 2016 als Associate Professor für Philosophie an der John Cabot University in Rom angestellt. Editorial Board Mitglieder: Prof. Dr. H. James Birx, Anthropology, Canisus College, SUNY Geneseo, USA Prof. Dr. Irina Deretic, Philosophy, University of Belgrade, Serbia Dr. James J. Hughes, Sociology, Executive Director, Institute for Ethics and Emerging Technologies Lecturer, Public Policy Studies, Trinity College, Associate Editor, Journal of Evolution and Technology, USA Prof. Dr. Andy Miah, Ethics and Emerging Technologies, University of the West of Scotland, a Fellow of FACT, the Foundation for Art and Creative Technology (Liverpool), and a Fellow of the Institute for Ethics and Emerging Technologies (USA) Prof. Dr. Domna Pastourmatzi, American Literature, University of Thessaloniki, Greece Prof. Dr. Evi Sampanikou, Art History, University of the Aegean, Greece

9 publications

Asian American Studies

The Asian American Studies series will continue to contribute to an understanding of the long neglected history, rich cultural heritage, and present position of Asian Americans in society. The series encompasses studies on all aspects of the Asian American experience, and we are committed to expanding the traditions of knowledge within the field to address vast Asian American epistemologies, communities, activities, and practices. We are looking for work which explores various facets of a transnational perspective including for example: diaspora, displacement and migratory identities, cultural hybridity, transculturation, comparative race studies, contemporary community issues, immigration politics, nationalisms, and representation. While seeking the highest standards of scholarship, the Asian American Studies series is thus a broad forum for research on diverse and complex Asian American issues. The Asian American Studies series is committed to interdisciplinary and cross cultural scholarship. The series scope is primarily in the Humanities and Social Sciences. For example, topics in history, literature, culture, philosophy, religion, visual arts, performing arts, sociology, language & linguistics, gender studies, global studies, ethnic studies, etc. would be suitable. The series welcomes both individually authored and collaboratively authored books and monographs as well as edited collections of essays. The series will publish manuscripts primarily in English (although secondary references in other languages are certainly acceptable). Proposals from both emerging and established scholars are welcome. The Asian American Studies series will continue to contribute to an understanding of the long neglected history, rich cultural heritage, and present position of Asian Americans in society. The series encompasses studies on all aspects of the Asian American experience, and we are committed to expanding the traditions of knowledge within the field to address vast Asian American epistemologies, communities, activities, and practices. We are looking for work which explores various facets of a transnational perspective including for example: diaspora, displacement and migratory identities, cultural hybridity, transculturation, comparative race studies, contemporary community issues, immigration politics, nationalisms, and representation. While seeking the highest standards of scholarship, the Asian American Studies series is thus a broad forum for research on diverse and complex Asian American issues. The Asian American Studies series is committed to interdisciplinary and cross cultural scholarship. The series scope is primarily in the Humanities and Social Sciences. For example, topics in history, literature, culture, philosophy, religion, visual arts, performing arts, sociology, language & linguistics, gender studies, global studies, ethnic studies, etc. would be suitable. The series welcomes both individually authored and collaboratively authored books and monographs as well as edited collections of essays. The series will publish manuscripts primarily in English (although secondary references in other languages are certainly acceptable). Proposals from both emerging and established scholars are welcome. The Asian American Studies series will continue to contribute to an understanding of the long neglected history, rich cultural heritage, and present position of Asian Americans in society. The series encompasses studies on all aspects of the Asian American experience, and we are committed to expanding the traditions of knowledge within the field to address vast Asian American epistemologies, communities, activities, and practices. We are looking for work which explores various facets of a transnational perspective including for example: diaspora, displacement and migratory identities, cultural hybridity, transculturation, comparative race studies, contemporary community issues, immigration politics, nationalisms, and representation. While seeking the highest standards of scholarship, the Asian American Studies series is thus a broad forum for research on diverse and complex Asian American issues. The Asian American Studies series is committed to interdisciplinary and cross cultural scholarship. The series scope is primarily in the Humanities and Social Sciences. For example, topics in history, literature, culture, philosophy, religion, visual arts, performing arts, sociology, language & linguistics, gender studies, global studies, ethnic studies, etc. would be suitable. The series welcomes both individually authored and collaboratively authored books and monographs as well as edited collections of essays. The series will publish manuscripts primarily in English (although secondary references in other languages are certainly acceptable). Proposals from both emerging and established scholars are welcome.

1 publications

Renaissance and Baroque

The Renaissance and Baroque: Studies and Texts series deals with various aspects of the European Renaissance and Baroque. Studies on the history, literature, philosophy, and the visual arts of these periods are welcome. The series also will consider translations of important works, especially from Latin into English. These translations should, however, include a substantial introduction and notes. Books in the series will include original monographs as well as revised or reconceived dissertations. The Renaissance and Baroque: Studies and Texts series deals with various aspects of the European Renaissance and Baroque. Studies on the history, literature, philosophy, and the visual arts of these periods are welcome. The series also will consider translations of important works, especially from Latin into English. These translations should, however, include a substantial introduction and notes. Books in the series will include original monographs as well as revised or reconceived dissertations. The Renaissance and Baroque: Studies and Texts series deals with various aspects of the European Renaissance and Baroque. Studies on the history, literature, philosophy, and the visual arts of these periods are welcome. The series also will consider translations of important works, especially from Latin into English. These translations should, however, include a substantial introduction and notes. Books in the series will include original monographs as well as revised or reconceived dissertations.

26 publications

Pensée et perspectives africaines / African Thought and Perspectives

La collection « Pensée et perspectives africaines » a pour but de révéler, de manière critique, les différents aspects de la pensée africaine. Elle s’efforce, d’une part, de mieux faire comprendre celle-ci et, d’autre part, de dégager les voies à travers lesquelles l’Afrique peut se construire et contribuer à la construction du monde. La collection se préoccupe de stimuler et de faire connaître l’expérience noétique africaine dans ce qu’elle a de spécifique et d’universel. Elle promeut la recherche et la réflexion au sens le plus large. En créant les conditions d’une connaissance à la fois intime et critique des langues, cultures et arts d’Afrique, elle favorise la production d'oeuvres nouvelles. Elle accueille donc toute étude de littérature, anthropologie, histoire, philosophie, art, linguistique, etc., quelle que soit sa provenance, qui contribue à faire connaître la pensée africaine ou d’inspiration africaine. The series «African Thought and Perspectives» aims at a critical analysis of the various aspects of African thought. On the one hand, it focuses on a better understanding of African thought and, on the other, it endeavours to find out ways through which Africa can develop itself while contributing to the development of the world as a whole. The series presents the African intellectual experience in its specificity as well as in its universality. It will also promote research and reflection on African matters in the widest sense. By creating the conditions in which African languages, cultures and arts can be intimately and critically examined, it encourages the production of new works. It, therefore, particularly welcomes studies on literature, anthropology, history, philosophy, art or linguistics that contribute to a better knowledge of African – or African-inspired –thought.

9 publications

Repenser le cinéma / Rethinking Cinema

The main purpose of the «Rethinking Cinema» series is to provide film scholars as well as professionals from the audiovisual field with innovative research material in the field of film aesthetics, theory and history. Many areas of last century’s main attraction are still there to be rediscovered or have seldom been approached in the past. Consequently, priority is given to film concepts, genres, works or authors which have not been frequently dealt with. Conference proceedings, collections of essays, revised doctoral theses or monographs are published and have to distinguish themselves by a considerable degree of originality, audacity and scientific rigour, without neglecting the transdisciplinary and cross-cultural aspects related to different branches from the Humanities such as Art History, Philosophy or Linguistics. The series welcomes manuscripts written in French and/or in English as well as translations of noteworthy texts from other foreign languages. La collection « Repenser le cinéma » privilégie les approches novatrices, les analyses de concepts, de genres, de courants, d’auteurs et de films rarement étudiés, qu’il s’agisse d’actes de colloque, d’essais, de versions remaniées de thèses de doctorat ou encore de monographies. Elle se propose d’offrir aux chercheurs, aux enseignants de l’audiovisuel ainsi qu’aux professionnels du cinéma des pistes de réflexion inédites sur la théorie, l’histoire et l’esthétique d’un art qui recèle de multiples chantiers peu balisés au cours du siècle qui l’a vu naître. La démarche méthodologique adoptée au sein des travaux publiés doit faire preuve d’originalité, d’audace et de rigueur scientifique, tout en visant les corrélations transdisciplinaires et transculturelles avec d’autres domaines des sciences humaines (histoire de l’art, philosophie, linguistique, etc.). La collection accueille des ouvrages en français ou en anglais, des publications bilingues, ainsi que des traductions d’ouvrages étrangers difficilement accessibles.

13 publications

Writing and Culture in the Long Nineteenth Century

The long nineteenth century, extending from the Napoleonic Wars to the First World War, was a time of enormous change and experimentation. This series aims to publish the work of scholars and critics alert to these changes in a variety of spheres, including literature, art, the sciences, philosophy, and economics. The editors have a special interest in work that addresses questions of aesthetics, poetics, and form at the intersection between the written word, the visual and decorative arts, architecture, and music. Many scholars are now working on the cultural matrix out of which these forms emerge and recent critical thinking has shown how important was the prevailing economic, political, scientific, and philosophical climate in creating the appropriate conditions for artistic production. Some volumes in the series focus on specific writers and texts, while others consider the connection between writing, art, philosophy, and science and the broader cultural horizon. All contribute significantly to the widening sphere of nineteenth-century literary studies.

12 publications

Literatur – Kultur – Ökonomie / Literature – Culture – Economy

ISSN: 2364-1304

The series provides a forum for interdisciplinary discussion of aspects of a cultural science-oriented economics. Representations of economic relationships in literature and other arts, cultural sociological studies on the relationship between art, culture and economics, linguistics and literary analysis of economic narratives and metaphors, and the importance of cultural studies concepts such as fictionality and virtuality in the context of financial economics are topics of the series. Also, studies on the design and manipulation of spaces, time management and cultural practices are within its scope. Manuscript Proposals may be submitted in literary and cultural studies, economics, sociology, and philosophy – like with comparative or interdisciplinary approach. Languages of publication are primarily German and English. All volumes are peer reviewed. Editorial Board: Georgiana Banita (University of Bamberg) Bernd Blaschke (University of Bern) Elena Esposito (Bielefeld University / Università di Bologna) Nadja Gernalzick (Mainz University / University of Vienna) Anton Kirchhofer (University of Oldenburg) Stefan Neuhaus (University of Koblenz and Landau) Wolfgang Reinhard (University of Freiburg) Peter Seele (Università della Svizzera italiana, Lugano) Urs Stäheli (University of Hamburg) Die Schriftenreihe bietet ein Forum für die interdisziplinäre Diskussion von Aspekten einer kulturwissenschaftlich orientierten Ökonomik. Darstellungen ökonomischer Zusammenhänge in der Literatur und anderen Künsten, kultursoziologische Untersuchungen zum Zusammenhang zwischen Kunst, Kultur und Ökonomie, sprach- und literaturwissenschaftliche Analysen ökonomischer Narrative und Metaphern sowie die Bedeutung kulturwissenschaftlicher Konzepte wie Fiktionalität und Virtualität im Rahmen der Finanzökonomie sind Themen der Reihe. Auch Studien zur Gestaltung und Veränderung von Raum und Räumen oder Zeitmanagement und kulturellen Praxen entsprechen ihrem Profil. Manuskriptvorschläge können unterbreitet werden aus Literatur- und Kulturwissenschaften, Wirtschaftswissenschaften, Soziologie und Philosophie – gern mit komparatistischem oder interdisziplinärem Ansatz. Publikationssprachen sind in erster Linie Deutsch und Englisch. Alle Bände werden peer reviewed. Wissenschaftlicher Beirat: Georgiana Banita (Universität Bamberg) Bernd Blaschke (Universität Bern) Elena Esposito (Universität Bielefeld / Università di Bologna) Nadja Gernalzick (Universität Mainz / Universität Wien) Anton Kirchhofer (Universität Oldenburg) Stefan Neuhaus (Universität Koblenz-Landau) Wolfgang Reinhard (Universität Freiburg i.Br.) Peter Seele (Università della Svizzera italiana, Lugano) Urs Stäheli (Universität Hamburg)

14 publications

Thought, Society, Culture

ISSN: 2195-2191

The series "Thought, Society, Culture: Slovenian and South Eastern European Perspectives" explores languages, cultures, and societies of Central and South Eastern Europe, with a special focus on Slovenia. Its titles and topics present significant works of the Research Centre of the Slovenian Academy of Sciences and Arts (ZRC SAZU) whose multidisciplinary structure brings together philosophy, social anthropology, archaeology, general and cultural history, art history, musicology, linguistics, literary studies, sociology, ethnology, folklore, and geography. The aim of the series is to publish in-depth studies in the humanities and social sciences produced not only by ZRC SAZU but also by other scholars from Slovenia and elsewhere.

6 publications

Intersections in Communications and Culture

ISSN: 1528-610X

This series publishes a wide range of new critical scholarship, particularly works that seek to engage with and transcend the disciplinary isolationism and genre confinement that characterizes so much of contemporary research in communication studies and related fields. The Editors are particularly interested in manuscripts that address the broad intersections, movement, and hybrid trajectories that currently define the encounters between human groups in modern institutions and societies. The way these dynamic intersections are coded and represented in contemporary popular cultural forms and in the organization of knowledge is also explored in this series. Works that emphasize methodological nuance, texture, and dialogue across traditions and disciplines (communications, feminist studies, area and ethnic studies, arts, humanities, sciences, education, philosophy, etc.) are particularly welcome, as are projects that explore the dynamics of variation, diversity, and discontinuity in local and international settings. Topics covered by this series include (but are not limited to): multidisciplinary media studies; cultural studies; gender, race, and class; postcolonialism; globalization; diaspora studies; border studies; popular culture; art and representation; body politics; governing practices; histories of the present; health (policy) studies; space and identity; (im)migration; global ethnographies; public intellectuals; world music; virtual identity studies; queer theory; critical multiculturalism.

50 publications

Renaissance Intellectual History

ISSN: 1868-0739

The “Renaissance Intellectual History“ series aims at providing a forum for scholars in both Philosophy and History. Monographs and proceedings published within the series cover a wide range of contributions on the foundations of Renaissance thought. The series’ editors hail from universities all over Europe and are scholars in the fields of history, art, and philosophy.

1 publications

Studies in Central European Culture

ISSN: 2640-754X

This book series seeks manuscripts that focus on the critical analysis of the arts and cultures as they reflect, comment, or critique the history, political systems, religions, interethnic connections, economies, and historical and current problems of the multiethnic peoples of Central Europe from the Enlightenment era to the present. Books published in Studies in Central European Culture are explorations of the intellectual history and cultural movements, and their relationships to literature and other cultural representations such the theater, the fine arts, architecture, music, and philosophy. "Central Europe" for this book series is identified as the geographic region of Austria, the Balkans, the Czech Republic, Poland, Hungary, Ukraine, Romania, and the regions of the former Galicia and Bukovina during the Habsburg period, and the former East Germany. Studies in Central European Culture accepts original manuscripts of monographs and anthologies, as well as scholarly translations of literary works.

2 publications

German Studies in America

ISSN: 0721-3727

German Studies in America publishes research across the field of German studies in the broadest sense, from literary criticism to cultural studies. The editors welcome scholarly work that takes an innovative approach to German, Swiss, or Austrian history, literature, politics, philosophy, national identity, religion, popular culture, film, music, and/or visual art. We are also eager to consider projects that adopt interdisciplinary and intersectional approaches as well as studies with theoretical approaches including psychoanalysis, gender studies, feminism, Marxism, critical race studies, etc. We publish scholarly monographs, translations and edited volumes of essays in both German and English. This series adheres to the highest academic standards and is peer reviewed.

67 publications

Hip-Hop Education

ISSN: 2643-5551

Hip-Hop Education is a sociopolitical movement that utilizes both online and offline platforms to advance the utility of hip-hop as a theoretical framework and practical approach to teaching and learning. The movement is aimed at disrupting the oppressive structures of schools and schooling for marginalized youth through a reframing of hip-hop in the public sphere, and the advancement of the educative dimensions of the hip-hop culture. Hip-Hop Education’s academic roots include, but are not limited to the fields of education, sociology, anthropology and cultural studies and it draws its most distinct connections to the field of hip-hop studies; which is in many ways, is the stem from which this branch of study has grown and established itself. Authors and academics who brought hip-hop into fields like African American studies, philosophy, and the general public writ large, provided in depth studies of a wide range of topics that range from feminism to race and racism. Hip-Hop Education: Innovation, Inspiration, Elevation will be the first of its kind in educational praxis. The series will be composed of books by artists, scholars, teachers, and community participants. The series will publish global authors who are experts in the fields of Hip-Hop, Education, Black Studies, Black Popular Culture, Community Studies, Activism, Music, and Curriculum. Hip-Hop Education is explicit about its focus on the science and art of teaching and learning. This series argues that Hip-hop embodies the awareness, creativity and innovation that are at the core of any true education. Furthermore, its work brings visibility to the powerful yet silenced narratives of achievement and academic ability among the hip-hop generation; reflecting the brilliance, resilience, ingenuity and intellectual ability of those who are embedded in hip-hop culture but also not necessarily academics in the conventional sense.

9 publications