Anglo-Iberian Studies

ISSN: 2698-9662

Anglo-Iberian Studies is an interdisciplinary peer-reviewed book series that aims to showcase innovative research in the interdisciplinary field of Anglo-Iberian Studies. The collection provides a platform for comparative and critical scholarly work on historical, artistic, literary, cultural, scientific, commercial and religious relations between Portugal and Great Britain, Europe’s oldest allies (Anglo-Portuguese Studies), and between Spain and Great Britain (Anglo-Spanish Studies). The aim of the collection is to foreground areas of multidisciplinary connections between the Iberian Peninsula and Great Britain, as well as between Portuguese- Spanish- and English-speaking communities all over the world. We welcome proposals from a variety of disciplinary backgrounds. The series publishes books in English, Portuguese and Spanish. We are especially interested in work that brings new intellectual impetus to recognized research areas. Anglo-Iberian Studies is an interdisciplinary peer-reviewed book series that aims to showcase innovative research in the interdisciplinary field of Anglo-Iberian Studies. The collection provides a platform for comparative and critical scholarly work on historical, artistic, literary, cultural, scientific, commercial and religious relations between Portugal and Great Britain, Europe’s oldest allies (Anglo-Portuguese Studies), and between Spain and Great Britain (Anglo-Spanish Studies). The aim of the collection is to foreground areas of multidisciplinary connections between the Iberian Peninsula and Great Britain, as well as between Portuguese- Spanish- and English-speaking communities all over the world. We welcome proposals from a variety of disciplinary backgrounds. The series publishes books in English, Portuguese and Spanish. We are especially interested in work that brings new intellectual impetus to recognized research areas. Anglo-Iberian Studies is an interdisciplinary peer-reviewed book series that aims to showcase innovative research in the interdisciplinary field of Anglo-Iberian Studies. The collection provides a platform for comparative and critical scholarly work on historical, artistic, literary, cultural, scientific, commercial and religious relations between Portugal and Great Britain, Europe’s oldest allies (Anglo-Portuguese Studies), and between Spain and Great Britain (Anglo-Spanish Studies). The aim of the collection is to foreground areas of multidisciplinary connections between the Iberian Peninsula and Great Britain, as well as between Portuguese- Spanish- and English-speaking communities all over the world. We welcome proposals from a variety of disciplinary backgrounds. The series publishes books in English, Portuguese and Spanish. We are especially interested in work that brings new intellectual impetus to recognized research areas.

8 publications

Catalan Studies in Culture and Linguistics

12 publications

Court Cultures of the Middle Ages and Renaissance

ISSN: 2296-4118

Court Cultures of the Middle Ages and Renaissance is a peer-reviewed series focused on the inter- and multi-disciplinary cultural output of medieval and Renaissance court culture on an international scale. The series invites proposals for single- and multi-authored monographs, edited collections and editions of early works relating to the court. Prospective authors are encouraged to submit proposals which highlight the central importance of the court to medieval and Renaissance culture, including projects that explore the life and/or works of writers, artists, historiographers, soldiers, composers, diplomats and courtiers, in the East as well as the West. Other areas of particular interest are courtly ritual (e.g. chivalric code, ceremonies, spectacle) and literary and artistic representations of the court. The series will also explore the role of the court in shaping national, religious and political identities, as well as its function as an interface between different cultures. The series is affiliated with the Trinity Centre for Medieval and Renaissance Studies, Trinity College Dublin. Each proposal is vetted by the Editorial Board and Chief Editor and undergoes a comprehensive peer-review process. Court Cultures of the Middle Ages and Renaissance is a peer-reviewed series focused on the inter- and multi-disciplinary cultural output of medieval and Renaissance court culture on an international scale. The series invites proposals for single- and multi-authored monographs, edited collections and editions of early works relating to the court. Prospective authors are encouraged to submit proposals which highlight the central importance of the court to medieval and Renaissance culture, including projects that explore the life and/or works of writers, artists, historiographers, soldiers, composers, diplomats and courtiers, in the East as well as the West. Other areas of particular interest are courtly ritual (e.g. chivalric code, ceremonies, spectacle) and literary and artistic representations of the court. The series will also explore the role of the court in shaping national, religious and political identities, as well as its function as an interface between different cultures. The series is affiliated with the Trinity Centre for Medieval and Renaissance Studies, Trinity College Dublin. Each proposal is vetted by the Editorial Board and Chief Editor and undergoes a comprehensive peer-review process. Court Cultures of the Middle Ages and Renaissance is a peer-reviewed series focused on the inter- and multi-disciplinary cultural output of medieval and Renaissance court culture on an international scale. The series invites proposals for single- and multi-authored monographs, edited collections and editions of early works relating to the court. Prospective authors are encouraged to submit proposals which highlight the central importance of the court to medieval and Renaissance culture, including projects that explore the life and/or works of writers, artists, historiographers, soldiers, composers, diplomats and courtiers, in the East as well as the West. Other areas of particular interest are courtly ritual (e.g. chivalric code, ceremonies, spectacle) and literary and artistic representations of the court. The series will also explore the role of the court in shaping national, religious and political identities, as well as its function as an interface between different cultures. The series is affiliated with the Trinity Centre for Medieval and Renaissance Studies, Trinity College Dublin. Each proposal is vetted by the Editorial Board and Chief Editor and undergoes a comprehensive peer-review process.

15 publications

Estudios hispánicos en el contexto global. Hispanic Studies in the Global Context. Hispanistik im globalen Kontext

The book series Estudios hispánicos en el contexto global. Hispanic Studies in the Global Context. Hispanistik im globalen Kontext offers an interdisciplinary approach to the Hispanistic world, combining Literary Studies, Media Studies, and Cultural Studies. The publications deal with the investigation and intercultural representation of contemporary culture and intellectual history by taking Iberian Studies, European Studies, Transatlantic and Global Studies into consideration. The major points of interest are the cultures of the Iberian Peninsula, their relation to each other, to Europe, to Latin America, and to cultural processes in a global context. We welcome monographs as well as multi-author volumes. La colección Estudios hispánicos en el contexto global. Hispanic Studies in the Global Context. Hispanistik im globalen Kontext propone un abordaje interdisciplinar al hispanismo, integrando los estudios literarios, de medios y culturales. Objeto de análisis serán las culturas hispánicas contemporáneas, su historia intelectual y las relaciones interculturales; se abarcarán por ello los estudios ibéricos, europeos, transatlánticos y globales. La colección concede especial atención a las culturas de la península ibérica, a sus relaciones mutuas, con Europa, Latinoamérica y procesos de alcance global. Se publicarán tanto monografías como volúmenes colectivos. La colección Estudios hispánicos en el contexto global. Hispanic Studies in the Global Context. Hispanistik im globalen Kontext propone un abordaje interdisciplinar al hispanismo, integrando los estudios literarios, de medios y culturales. Objeto de análisis serán las culturas hispánicas contemporáneas, su historia intelectual y las relaciones interculturales; se abarcarán por ello los estudios ibéricos, europeos, transatlánticos y globales. La colección concede especial atención a las culturas de la península ibérica, a sus relaciones mutuas, con Europa, Latinoamérica y procesos de alcance global. Se publicarán tanto monografías como volúmenes colectivos. The book series Estudios hispánicos en el contexto global. Hispanic Studies in the Global Context. Hispanistik im globalen Kontext offers an interdisciplinary approach to the Hispanistic world, combining Literary Studies, Media Studies, and Cultural Studies. The publications deal with the investigation and intercultural representation of contemporary culture and intellectual history by taking Iberian Studies, European Studies, Transatlantic and Global Studies into consideration. The major points of interest are the cultures of the Iberian Peninsula, their relation to each other, to Europe, to Latin America, and to cultural processes in a global context. We welcome monographs as well as multi-author volumes. Die Reihe Estudios hispánicos en el contexto global. Hispanic Studies in the Global Context. Hispanistik im globalen Kontext ist ein Publikationsforum für die interdisziplinäre literaturwissenschaftliche, medienwissenschaftliche und kulturwissenschaftliche Beschäftigung mit der hispanischen Welt. Die Publikationen widmen sich der Erforschung und interkulturellen Vermittlung der Gegenwartskultur sowie der Intellektuellen Geschichte unter Einbeziehung der Iberischen Studien, der Europäischen Studien, der transatlantischen und der globalen Studien. Der Schwerpunkt liegt auf den Kulturen der iberischen Halbinsel, ihren Beziehungen untereinander, zu Europa, Lateinamerika und zu globalen kulturellen Prozessen. Willkommen sind sowohl Monographien als auch Sammelbände.

44 publications

Estudos Germânicos

Estudos Germânicos is the publishing project of the Núcleo de Estudos de Línguas e Culturas Germânicas at the Universidade de Brasília, which promotes awareness of Germanic Studies in Brazil and throughout the world. The book series provides a forum for Brazilian and Portuguese-language scholarship on Germanic languages, literatures and cultures. A broader understanding of Germanic is encouraged, including research not only on German and Austrian but also on Dutch, Swedish, Norwegian, Danish and Afrikaans. The series is not limited to any particular field within literary studies, linguistics or translation studies and invites scholarship from the fields of anthropology, sociology, music, film studies and philosophy. An area of particular emphasis is the analysis of translations of all types of texts (literary, philosophical, sociological, etc.) both from and into the languages in question and their impact and distribution in the respective target cultures. This focal interest also implies that translations of scholarly works will be considered for publication. The primary language of the series is Portuguese, but publications in other languages will be considered. Proposals for both monographs and edited collections are welcome. A Estudos Germânicos é uma publicação seriada do Núcleo de Estudos de Línguas e Culturas Germânicas da Universidade de Brasília, o qual tem por objetivo promover e divulgar a pesquisa em áreas diversas dos Estudos Germânicos no Brasil e no mundo. Assim, pretende ser um fórum para a divulgação de trabalhos acadêmicos que versem sobre línguas, literaturas e culturas germânicas, compreendidas aí as realidades alemã, austríaca, holandesa, sueca, norueguesa, dinamarquesa e africâner. Os trabalhos publicados na Estudos Germânicos não se restringem aos campos dos estudos linguísticos, literários ou de tradução, e pesquisadores de outras disciplinas das ciências humanas e sociais, como antropologia, história, sociologia, música, cinema e filosofia, estão convidados a enviar seus textos. A Estudos Germânicos tem particular interesse pela análise de traduções que tenham as línguas germânicas como línguas de partida ou de chegada, assim como pela avaliação do impacto e da distribuição dessas traduções nas culturas de chegada. Traduções de textos relevantes nas áreas acadêmicas a que a série se dedica também poderão ser propostas para publicação. Embora a língua de trabalho da Estudos Germânicos seja o português, textos redigidos em outros idiomas poderão ser aceitos. Propostas para a publicação de monografia e coletâneas de artigos são bem-vindas.

1 publications

Galician Studies

Galician Studies serves as a forum for specialists in Galicia, one of the autonomous regions and one of four historical nationalities of Spain. Titles in this series may cover social, political, historical, literary, music, art, and linguistic themes. Approaches may be interdisciplinary and may address cultural productivity in Galician, Spanish and Portuguese languages, or others that are directly relevant to the understanding of the past, present, and future of Galicia. Galician Studies serves as a forum for specialists in Galicia, one of the autonomous regions and one of four historical nationalities of Spain. Titles in this series may cover social, political, historical, literary, music, art, and linguistic themes. Approaches may be interdisciplinary and may address cultural productivity in Galician, Spanish and Portuguese languages, or others that are directly relevant to the understanding of the past, present, and future of Galicia. Galician Studies serves as a forum for specialists in Galicia, one of the autonomous regions and one of four historical nationalities of Spain. Titles in this series may cover social, political, historical, literary, music, art, and linguistic themes. Approaches may be interdisciplinary and may address cultural productivity in Galician, Spanish and Portuguese languages, or others that are directly relevant to the understanding of the past, present, and future of Galicia.

3 publications

Hybris: Literatura y Cultura Latinoamericanas

ISSN: 2736-5298

Desde la Antigua Grecia y la época clásica, filósofos, artistas y críticos han profundizado en las relaciones entre la literatura y otras artes. Primero fue la pintura y artes plásticas –ut pictura poesis, de Simónides de Ceos y Horacio–, más adelante la música, la arquitectura, la representación teatral, la escultura y ya, en la época moderna y contemporánea, la fotografía, el cine, la televisión, los mass media. En la actualidad este vasto y estimulante campo de hibridaciones culturales y artísticas se ha completado con las nuevas tecnologías y todas las "narrativas transmedia", generando conceptos y actuaciones transversales anejas a la creación digital y a las nuevas realidades comunicativas: touch-media, cross-media, intermedialidad, transmedialidad, hipertextualidad, multimodalidad, etc. Esta colección, Hybris: Literatura y Cultura Latinoamericanas, pretende, por un lado, indagar en el sentido diacrónico que estas relaciones han ido perfilando en el campo literario y cultural entendidos como parámetros estéticos, prácticos, de nivelación y préstamos técnicos entre artes y, por otro, reflexionar desde una perspectiva filosófica, social, cultural y teórica sobre las posibilidades que ofrecen tales hibridaciones, siempre dentro de un contexto latinoamericano. En la mitología clásica, Hybris era la diosa de la desmesura, la insolencia, la ausencia absoluta de moderación, y evocaba la necesidad de traspasar límites. Este nuevo concepto de Hybris pretende insistir en las marcas mitológicas de la transgresión, borrando fronteras entre las artes, sacudiendo la tendencia a la parcelación y a la contención y, a la vez, reclama también la identificación con el término latino hybrida, que alude a la mezcla de sangre. Hibridación y simbiosis entre artes serán, por tanto, los contornos y contextos en los que se imbricarán estos estudios. -------------------------------------------------------------------------------------------------- Since Ancient Greece and the classical era, philosophers, artists and critics have delved into the relationships between literature and other arts. First it was painting and plastic arts –ut pictura poesis, by Simónides de Ceos and Horacio–, later on music, architecture, theatrical representation, sculpture and already, in modern and contemporary times, photography, cinema, television, the mass media. At present this vast and stimulating field of cultural and artistic hybridizations has been completed with new technologies and all "transmedia narratives", generating concepts and transversal actions attached to digital creation and new communicative realities: touch-media, cross-media, intermediality, transmediality, hypertextuality, multimodality, etc. This collection, Hybris: Latin American Literature and Culture, intends, on the one hand, to investigate in the diachronic sense that these relationships have been emerging in the literary and cultural field, understood as aesthetic, practical, leveling and technical borrowing parameters between arts and, therefore the other, is to reflect from a philosophical, social, cultural and theoretical perspective on the possibilities offered by such hybridizations, always within a Latin American context. In classical mythology, Hybris was the goddess of excess, insolence, the absolute absence of moderation, and evoked the need to go beyond limits. This new concept of Hybris intends to insist on the mythological marks of transgression, erasing borders between the arts, shaking the tendency to subdivision and containment and, at the same time, it also demandings identification with the Latin term hybrida, which alludes to the racial or cultural mixing. Hybridization and symbiosis between arts will therefore be the outlines and contexts in which these studies will be invested. Desde la Antigua Grecia y la época clásica, filósofos, artistas y críticos han profundizado en las relaciones entre la literatura y otras artes. Primero fue la pintura y artes plásticas –ut pictura poesis, de Simónides de Ceos y Horacio–, más adelante la música, la arquitectura, la representación teatral, la escultura y ya, en la época moderna y contemporánea, la fotografía, el cine, la televisión, los mass media. En la actualidad este vasto y estimulante campo de hibridaciones culturales y artísticas se ha completado con las nuevas tecnologías y todas las "narrativas transmedia", generando conceptos y actuaciones transversales anejas a la creación digital y a las nuevas realidades comunicativas: touch-media, cross-media, intermedialidad, transmedialidad, hipertextualidad, multimodalidad, etc. Esta colección, Hybris: Literatura y Cultura Latinoamericanas, pretende, por un lado, indagar en el sentido diacrónico que estas relaciones han ido perfilando en el campo literario y cultural entendidos como parámetros estéticos, prácticos, de nivelación y préstamos técnicos entre artes y, por otro, reflexionar desde una perspectiva filosófica, social, cultural y teórica sobre las posibilidades que ofrecen tales hibridaciones, siempre dentro de un contexto latinoamericano. En la mitología clásica, Hybris era la diosa de la desmesura, la insolencia, la ausencia absoluta de moderación, y evocaba la necesidad de traspasar límites. Este nuevo concepto de Hybris pretende insistir en las marcas mitológicas de la transgresión, borrando fronteras entre las artes, sacudiendo la tendencia a la parcelación y a la contención y, a la vez, reclama también la identificación con el término latino hybrida, que alude a la mezcla de sangre. Hibridación y simbiosis entre artes serán, por tanto, los contornos y contextos en los que se imbricarán estos estudios. -------------------------------------------------------------------------------------------------- Since Ancient Greece and the classical era, philosophers, artists and critics have delved into the relationships between literature and other arts. First it was painting and plastic arts –ut pictura poesis, by Simónides de Ceos and Horacio–, later on music, architecture, theatrical representation, sculpture and already, in modern and contemporary times, photography, cinema, television, the mass media. At present this vast and stimulating field of cultural and artistic hybridizations has been completed with new technologies and all "transmedia narratives", generating concepts and transversal actions attached to digital creation and new communicative realities: touch-media, cross-media, intermediality, transmediality, hypertextuality, multimodality, etc. This collection, Hybris: Latin American Literature and Culture, intends, on the one hand, to investigate in the diachronic sense that these relationships have been emerging in the literary and cultural field, understood as aesthetic, practical, leveling and technical borrowing parameters between arts and, therefore the other, is to reflect from a philosophical, social, cultural and theoretical perspective on the possibilities offered by such hybridizations, always within a Latin American context. In classical mythology, Hybris was the goddess of excess, insolence, the absolute absence of moderation, and evoked the need to go beyond limits. This new concept of Hybris intends to insist on the mythological marks of transgression, erasing borders between the arts, shaking the tendency to subdivision and containment and, at the same time, it also demandings identification with the Latin term hybrida, which alludes to the racial or cultural mixing. Hybridization and symbiosis between arts will therefore be the outlines and contexts in which these studies will be invested. Desde la Antigua Grecia y la época clásica, filósofos, artistas y críticos han profundizado en las relaciones entre la literatura y otras artes. Primero fue la pintura y artes plásticas –ut pictura poesis, de Simónides de Ceos y Horacio–, más adelante la música, la arquitectura, la representación teatral, la escultura y ya, en la época moderna y contemporánea, la fotografía, el cine, la televisión, los mass media. En la actualidad este vasto y estimulante campo de hibridaciones culturales y artísticas se ha completado con las nuevas tecnologías y todas las "narrativas transmedia", generando conceptos y actuaciones transversales anejas a la creación digital y a las nuevas realidades comunicativas: touch-media, cross-media, intermedialidad, transmedialidad, hipertextualidad, multimodalidad, etc. Esta colección, Hybris: Literatura y Cultura Latinoamericanas, pretende, por un lado, indagar en el sentido diacrónico que estas relaciones han ido perfilando en el campo literario y cultural entendidos como parámetros estéticos, prácticos, de nivelación y préstamos técnicos entre artes y, por otro, reflexionar desde una perspectiva filosófica, social, cultural y teórica sobre las posibilidades que ofrecen tales hibridaciones, siempre dentro de un contexto latinoamericano. En la mitología clásica, Hybris era la diosa de la desmesura, la insolencia, la ausencia absoluta de moderación, y evocaba la necesidad de traspasar límites. Este nuevo concepto de Hybris pretende insistir en las marcas mitológicas de la transgresión, borrando fronteras entre las artes, sacudiendo la tendencia a la parcelación y a la contención y, a la vez, reclama también la identificación con el término latino hybrida, que alude a la mezcla de sangre. Hibridación y simbiosis entre artes serán, por tanto, los contornos y contextos en los que se imbricarán estos estudios. -------------------------------------------------------------------------------------------------- Since Ancient Greece and the classical era, philosophers, artists and critics have delved into the relationships between literature and other arts. First it was painting and plastic arts –ut pictura poesis, by Simónides de Ceos and Horacio–, later on music, architecture, theatrical representation, sculpture and already, in modern and contemporary times, photography, cinema, television, the mass media. At present this vast and stimulating field of cultural and artistic hybridizations has been completed with new technologies and all "transmedia narratives", generating concepts and transversal actions attached to digital creation and new communicative realities: touch-media, cross-media, intermediality, transmediality, hypertextuality, multimodality, etc. This collection, Hybris: Latin American Literature and Culture, intends, on the one hand, to investigate in the diachronic sense that these relationships have been emerging in the literary and cultural field, understood as aesthetic, practical, leveling and technical borrowing parameters between arts and, therefore the other, is to reflect from a philosophical, social, cultural and theoretical perspective on the possibilities offered by such hybridizations, always within a Latin American context. In classical mythology, Hybris was the goddess of excess, insolence, the absolute absence of moderation, and evoked the need to go beyond limits. This new concept of Hybris intends to insist on the mythological marks of transgression, erasing borders between the arts, shaking the tendency to subdivision and containment and, at the same time, it also demandings identification with the Latin term hybrida, which alludes to the racial or cultural mixing. Hybridization and symbiosis between arts will therefore be the outlines and contexts in which these studies will be invested.

16 publications

Interdisciplinary Studies in Diasporas

ISSN: 2378-0975

Interdisciplinary Studies in Diasporas opens a discursive space in diaspora scholarship in all fields of the humanities and social sciences. The volumes published in this series comprise studies that explore and contribute to an understanding of diasporas from a broad spectrum of cultural, literary, linguistic, anthropological, historical, political, and socioeconomic perspectives, as well as theoretical and methodological approaches. The series welcomes original submissions from individually and collaboratively authored books and monographs as well as edited collections of essays. All proposals and manuscripts are peer reviewed. Series editors: Irene Blayer and Dulce Scott. Irene Maria F. Blayer holds a PhD in Romance linguistics from the University of Toronto and is Full Professor in the Faculty of Humanities at Brock University, Canada. Dulce Maria Scott holds a PhD in sociology from Brown University and is Full Professor of Sociology and Criminal Justice at Anderson University, Indiana, United States.

22 publications

Lengua, Literatura, Traducción

ISSN: 2700-8525

The series Language, Literature, Translation (LeLiTrad) will gather research papers on the various fields related to humanistic and specialized translation approached from multidisciplinary perspectives. In the present collection, therefore, the collection would bring together papers on the translation of literary works from assumptions related to comparative studies, discourse analysis, or the relationships between literature and other arts; Also, the collection would be hosting research papers on disciplines like terminology, applied linguistics, and specialized translation in a variety of fields (such as legal, bio-sanitary, agri-food, technical, hybrid texts, veterinary sciences, economic sciences, translation for citizen security and translation for social affairs, audiovisual translation, para-translation, etc.). Next to these, research papers focused on different aspects of translation like theoretical essays and work on inter-language interpretation will also be accepted and assessed for publication. In short, the series Language, Literature, Translation aims to offer the specialized readers all theoretical and practical aspects hinging around the translation of texts and interpretation of speeches, so that they may contribute to the critical debate and the resulting enrichment of the discipline both in Spain and in the wider European context. La colección Lengua, Literatura, Traducción (LeLiTrad) reúne los distintos ámbitos relacionados con la traducción humanística y especializada desde una perspectiva multidisciplinar. En este sentido, abordamos desde esta colección la traducción literaria de obras desde presupuestos relacionados con la comparatística, el análisis del discurso, o la relación de la literatura con otras artes; por otro lado, la colección acoge trabajos sobre terminología, lingüística aplicada, y traducción especializada en sus múltiples ámbitos (jurídico, biosanitario, agroalimentario, técnico, textos híbridos, ciencias veterinarias, ciencias económicas, traducción para la inclusión, traducción para la seguridad de la ciudadanía y traducción social, traducción audiovisual, paratraducción, etc.). Junto a estos trabajos destinados a las distintas vertientes de la traducción también se contemplarán trabajos de tipo teórico sobre traductología e interpretación.En definitiva, la colección Lengua, Literatura, Traducción pretende mostrar todos los aspectos tanto teóricos como prácticos en torno a la traducción de los textos y a la interpretación de los discursos, de forma que contribuyan al debate crítico y al enriquecimiento de la disciplina dentro de España y en su contexto europeo.

16 publications

Literatur – Kultur – Ökonomie / Literature – Culture – Economy

ISSN: 2364-1304

The series provides a forum for interdisciplinary discussion of aspects of a cultural science-oriented economics. Representations of economic relationships in literature and other arts, cultural sociological studies on the relationship between art, culture and economics, linguistics and literary analysis of economic narratives and metaphors, and the importance of cultural studies concepts such as fictionality and virtuality in the context of financial economics are topics of the series. Also, studies on the design and manipulation of spaces, time management and cultural practices are within its scope. Manuscript Proposals may be submitted in literary and cultural studies, economics, sociology, and philosophy – like with comparative or interdisciplinary approach. Languages of publication are primarily German and English. All volumes are peer reviewed. Editorial Board: Georgiana Banita (University of Bamberg) Bernd Blaschke (University of Bern) Elena Esposito (Bielefeld University / Università di Bologna) Nadja Gernalzick (Mainz University / University of Vienna) Anton Kirchhofer (University of Oldenburg) Stefan Neuhaus (University of Koblenz and Landau) Wolfgang Reinhard (University of Freiburg) Peter Seele (Università della Svizzera italiana, Lugano) Urs Stäheli (University of Hamburg) Die Schriftenreihe bietet ein Forum für die interdisziplinäre Diskussion von Aspekten einer kulturwissenschaftlich orientierten Ökonomik. Darstellungen ökonomischer Zusammenhänge in der Literatur und anderen Künsten, kultursoziologische Untersuchungen zum Zusammenhang zwischen Kunst, Kultur und Ökonomie, sprach- und literaturwissenschaftliche Analysen ökonomischer Narrative und Metaphern sowie die Bedeutung kulturwissenschaftlicher Konzepte wie Fiktionalität und Virtualität im Rahmen der Finanzökonomie sind Themen der Reihe. Auch Studien zur Gestaltung und Veränderung von Raum und Räumen oder Zeitmanagement und kulturellen Praxen entsprechen ihrem Profil. Manuskriptvorschläge können unterbreitet werden aus Literatur- und Kulturwissenschaften, Wirtschaftswissenschaften, Soziologie und Philosophie – gern mit komparatistischem oder interdisziplinärem Ansatz. Publikationssprachen sind in erster Linie Deutsch und Englisch. Alle Bände werden peer reviewed. Wissenschaftlicher Beirat: Georgiana Banita (Universität Bamberg) Bernd Blaschke (Universität Bern) Elena Esposito (Universität Bielefeld / Università di Bologna) Nadja Gernalzick (Universität Mainz / Universität Wien) Anton Kirchhofer (Universität Oldenburg) Stefan Neuhaus (Universität Koblenz-Landau) Wolfgang Reinhard (Universität Freiburg i.Br.) Peter Seele (Università della Svizzera italiana, Lugano) Urs Stäheli (Universität Hamburg)

14 publications