European Connections

European Connections: Studies in Comparative Literature, Intermediality and Aesthetics is a peer-reviewed series that publishes innovative research monographs, edited volumes as well as translations of key theoretical works. The series focuses on the literary and artistic relations that have shaped and continue to shape European cultures across national, linguistic and media boundaries, leading to vibrant new forms of artistic creation and aesthetic expression. It also wishes to explore relations with non-European cultures with a view to fostering more equitable models of cultural exchange and transfer. The series promotes comparative, intermedial and interdisciplinary approaches, whether studies of specific writers, filmmakers and artists; critical re-evaluations of historical periods (from the medieval to the ultra-contemporary) and movements; or wider theoretical reflections within the fields of comparative literature, intermediality studies and aesthetics. In light of the urgent need to revitalize the idea of Europe along new lines of thought, the series encourages research that explores the rich connections within European artistic and cultural production as well as the participation of European cultures in what the great philosopher of relation Édouard Glissant has called the Tout-monde. The series publishes in English, French and German. Editorial Board: Vincent Ferré (University Paris-Est Créteil), Robin Kirkpatrick (University of Cambridge), Kim Knowles (Aberystwyth University), Frauke Matthes (University of Edinburgh), Jean-Pascal Pouzet (University of Limoges), Marisa Verna (Università Cattolica, Milan)

54 publications

Modern French Identities

ISSN: 1422-9005

This series aims to publish monographs, editions or collections of papers based on recent research into modern French literature. It welcomes contributions from academics, researchers and writers worldwide and in British and Irish universities in particular. Modern French Identities focuses on the French and Francophone writing of the twentieth and twenty-first centuries, whose formal experiments and revisions of genre have combined to create an entirely new set of literary forms, from the thematic autobiographies of Michel Leiris and Bernard Noël to the magic realism of French Caribbean writers. The idea that identities are constructed rather than found, and that the self is an area to explore rather than a given pretext, runs through much of modern French literature, from Proust, Gide, Apollinaire and Césaire to Barthes, Duras, Kristeva, Glissant, Germain and Roubaud. This series explores the turmoil in ideas and values expressed in the works of theorists like Lacan, Irigaray, Foucault, Fanon, Deleuze and Bourdieu and traces the impact of current theoretical approaches – such as gender and sexuality studies, de/coloniality, intersectionality, and ecocriticism – on the literary and cultural interpretation of the self. The series publishes studies of individual authors and artists, comparative studies, and interdisciplinary projects and welcomes research on autobiography, cinema, fiction, poetry and performance art and/or the intersections between them. Editorial Board Contemporary Literature and Thought: Martin Crowley (University of Cambridge) Francophone Studies: Louise Hardwick (University of Birmingham) and Jean Khalfa (University of Cambridge) Gender and Sexuality Studies: Florian Grandena (University of Ottawa) and Cristina Johnston (University of Stirling) Language and Linguistics: Michaël Abecassis (University of Oxford) Literature and Art: Peter Collier and Jean Khalfa (University of Cambridge) Literature and Non-fiction: Muriel Pic (University of Bern) Poetry: Nina Parish (University of Stirling) and Emma Wagstaff (University of Birmingham) Zoopoetics and Ecocriticism: Anne Simon (CNRS/Ecole normale supérieure, Paris)

155 publications

French Studies of the Eighteenth and Nineteenth Centuries

This series publishes the latest research by teachers and researchers working in all the disciplines which constitute French and Francophone studies in this period, in the form of monographs, revised dissertations, collected papers and conference proceedings. Adhering to the highest academic standards, it provides a vehicle for established scholars with specialised research projects but also encourages younger academics who may be publishing for the first time. The editors take a broad view of French studies and intend to examine literary and cultural phenomena of the eighteenth and nineteenth centuries, excluding the Romantic movement, against their historical, political and social background in all the French-speaking countries. The editors also welcome work in comparative studies, and on adaptations, across languages or media.

39 publications

Contemporary Studies in Descriptive Linguistics

This series provides an outlet for academic monographs which offer a recent and original contribution to linguistics and which are within the descriptive tradition. While the monographs demonstrate their debt to contemporary linguistic thought, the series does not impose limitations in terms of methodology or genre, and does not support a particular linguistic school. Rather the series welcomes new and innovative research that contributes to furthering the understanding of the description of language. The topics of the monographs are scholarly and represent the cutting edge for their particular fields, but are also accessible to researchers outside the specific disciplines. Contemporary Studies in Descriptive Linguistics is based at the School of English, University of St Andrews. The Literary and Cultural Stylistics subseries aims to explore the intersection of descriptive linguistics with the disciplines of literature and culture. The techniques of stylistic analysis offer a way of approaching texts both literary and non-literary as well as all forms of cultural communication. The subseries offers a home for this research, where literary criticism meets linguistics and where cultural studies meets communication. It welcomes a wide range of data sets and methodologies, with the intention that every book in the subseries makes a new contribution to the disciplines that support them.

63 publications

Moving Texts / Testi mobili

Moving Texts/Testi mobili questions Italian memory and identity from the perspective of literary and media studies, providing a forum for discussions on major research topics, including migration and mobility studies, cultural studies, cultural memory studies, film studies, translation studies and studies on linguistic attitudes and sociolinguistic changes. Moving Texts/Testi mobili is open to research conducted within established and emerging fields of investigation. It specifically promotes multi-perspective, multi-disciplinary and inter-medial approaches. The series uses double-blind peer review and is supported by an international advisory board. Proposals in Italian, French or English are welcome both for the main series (monographs and edited volumes), and for Moving Texts/Testi Mobili – Tandem, the sub-series for conjoined essays by two different authors. Potential contributors are invited to submit a book proposal consisting of an outline, a sample chapter and a CV. Only complete manuscripts following the series guidelines are accepted for peer review. *** Moving Texts/Testi mobili　indaga la memoria e l’identità italiana offrendo uno spazio aperto a ricerche su migrazione e mobilità, a studi culturali e sulla memoria culturale, nonché a saggi nei seguenti ambiti: letteratura, media, traduzioni, attitudini linguistiche e cambiamenti sociolinguistici. Moving Texts/Testi mobili promuove approcci multiprospettici, multidisciplinari e intermediali provenienti da aree disciplinari e metodologiche di consolidata tradizione così come di recente affermazione. La serie sottopone le pubblicazioni a procedure di peer review e si avvale di un comitato di redazione internazionale. Possono essere inoltrate proposte per la serie madre, che accoglie monografie e opere collettanee, o per la serie Moving Texts/Testi Mobili – Tandem, ciascun volume della quale ospita una coppia di saggi congiunti ma di due autori diversi. Proposte in italiano, francese o inglese possono essere inviate al comitato di direzione dagli autori o curatori interessati. Ogni proposta deve includere una sintesi del volume, un capitolo di esempio e il CV dell’autore o del curatore. Solo testi completi e adattati alle norme redazionali della collana verranno sottoposti a revisione. *** Moving Texts/Testi mobili interroge la mémoire et l’identité italiennes sous la perspective de la littérature et de l’étude des médias. La collection offre un espace de discussion sur les principaux sujets de recherche, proposant des études sur les migrations et la mobilité, la culture, la mémoire culturelle, les films, les traductions ainsi que les attitudes linguistiques et les changements sociolinguistiques. Moving Texts/Testi mobili accueille des travaux consacrés aussi bien à des champs traditionnels qu'émergents. Elle soutient particulièrement les perspectives multiples, la pluridisciplinarité et les approches croisées entre différents médias. La collection pratique un peer-review en double aveugle et est soutenue par un conseil scientifique international. Les propositions en italien, français et anglais sont les bienvenues aussi bien pour la collection principale (monographies et volumes collectifs) que pour Moving Texts/Testi Mobili – Tandem, la nouvelle sous-collection accueillant des essais conjoints de deux auteurs. Nous invitons les auteurs potentiels à soumettre leur proposition en envoyant une synthèse, un chapitre d’exemple ainsi qu’un CV aux directeurs de collection. Seuls les manuscrits complets qui respectent les normes de la collection seront acceptés pour la révision en double aveugle. *** Series editors / Membri del comitato di direzione / Membres du comité éditorial Natalie Dupré (KU Leuven, Natalie.Dupre@kuleuven.be), Monica Jansen (Universiteit Utrecht, m.m.jansen@uu.nl), Inge Lanslots (KU Leuven, Inge.Lanslots@kuleuven.be), Ugo Perolino (Università degli studi G.D’Annunzio Chieti-Pescara, ugo.perolino@unich.it), Mara Santi (Universiteit Gent, Mara.Santi@UGent.be), Dieter Vermandere (Universiteit Antwerpen, dieter.vermandere@uantwerpen.be). Editorial Board / Comitato scientifico / Comité scientifique Jennifer Burns (University of Warwick), Alberto Casadei (Università di Pisa), Andrea Catellani (Université catholique de Louvain), Claudia Crocco (Universiteit Gent), Pietro De Marchi (Universität Zürich), Nicola Dusi (Università degli Studi di Modena e Reggio Emilia), Margherita Ganeri (Università della Calabria), Gian Paolo Giudicetti (UCLouvain), Harald Hendrix (Universiteit Utrecht), William Hope (University of Salford), Isabelle Lavergne (Université Paris-Sorbonne), Christina Ljungberg (Universität Zürich), Stefania Marzo (KU Leuven), Bruno Moretti (Universität Bern), Raffaella Petrilli (Università della Tuscia), Viva Paci (Université du Québec), Alessandro Perissinotto (Università di Torino), Isabella Pezzini (La Sapienza Università di Roma), Massimo Privitera (Università di Palermo), Paolo Rosato (Conservatorio di Fermo), Oreste Sacchelli (Université de Nancy, em.), Pia Schwarz Lausten (Københavns Universitet), Luca Somigli (University of Toronto), Thomas Stauder (Universität Augsburg), Bart Van den Bossche (KU Leuven), Mary Wood (Birkbeck, University of London, em.), Walter Zidaric (Université de Nantes) Moving Texts/Testi mobili　indaga la memoria e l’identità italiana offrendo uno spazio aperto a ricerche su migrazione e mobilità, a studi culturali e sulla memoria culturale, nonché a saggi nei seguenti ambiti: letteratura, media, traduzioni, attitudini linguistiche e cambiamenti sociolinguistici. Moving Texts/Testi mobili promuove approcci multiprospettici, multidisciplinari e intermediali provenienti da aree disciplinari e metodologiche di consolidata tradizione così come di recente affermazione. La serie sottopone le pubblicazioni a procedure di peer review e si avvale di un comitato di redazione internazionale. Possono essere inoltrate proposte per la serie madre, che accoglie monografie e opere collettanee, o per la serie Moving Texts/Testi Mobili – Tandem, ciascun volume della quale ospita una coppia di saggi congiunti ma di due autori diversi. Proposte in italiano, francese o inglese possono essere inviate al comitato di direzione dagli autori o curatori interessati. Ogni proposta deve includere una sintesi del volume, un capitolo di esempio e il CV dell’autore o del curatore. Solo testi completi e adattati alle norme redazionali della collana verranno sottoposti a revisione. *** Moving Texts/Testi mobili interroge la mémoire et l’identité italiennes sous la perspective de la littérature et de l’étude des médias. La collection offre un espace de discussion sur les principaux sujets de recherche, proposant des études sur les migrations et la mobilité, la culture, la mémoire culturelle, les films, les traductions ainsi que les attitudes linguistiques et les changements sociolinguistiques. Moving Texts/Testi mobili accueille des travaux consacrés aussi bien à des champs traditionnels qu'émergents. Elle soutient particulièrement les perspectives multiples, la pluridisciplinarité et les approches croisées entre différents médias. La collection pratique un peer-review en double aveugle et est soutenue par un conseil scientifique international. Les propositions en italien, français et anglais sont les bienvenues aussi bien pour la collection principale (monographies et volumes collectifs) que pour Moving Texts/Testi Mobili – Tandem, la nouvelle sous-collection accueillant des essais conjoints de deux auteurs. Nous invitons les auteurs potentiels à soumettre leur proposition en envoyant une synthèse, un chapitre d’exemple ainsi qu’un CV aux directeurs de collection. Seuls les manuscrits complets qui respectent les normes de la collection seront acceptés pour la révision en double aveugle. *** Series editors / Membri del comitato di direzione / Membres du comité éditorial Natalie Dupré (KU Leuven, Natalie.Dupre@kuleuven.be), Monica Jansen (Universiteit Utrecht, m.m.jansen@uu.nl), Inge Lanslots (KU Leuven, Inge.Lanslots@kuleuven.be), Ugo Perolino (Università degli studi G.D’Annunzio Chieti-Pescara, ugo.perolino@unich.it), Mara Santi (Universiteit Gent, Mara.Santi@UGent.be), Dieter Vermandere (Universiteit Antwerpen, dieter.vermandere@uantwerpen.be). Editorial Board / Comitato scientifico / Comité scientifique Jennifer Burns (University of Warwick), Alberto Casadei (Università di Pisa), Andrea Catellani (Université catholique de Louvain), Claudia Crocco (Universiteit Gent), Pietro De Marchi (Universität Zürich), Nicola Dusi (Università degli Studi di Modena e Reggio Emilia), Margherita Ganeri (Università della Calabria), Gian Paolo Giudicetti (UCLouvain), Harald Hendrix (Universiteit Utrecht), William Hope (University of Salford), Isabelle Lavergne (Université Paris-Sorbonne), Christina Ljungberg (Universität Zürich), Stefania Marzo (KU Leuven), Bruno Moretti (Universität Bern), Raffaella Petrilli (Università della Tuscia), Viva Paci (Université du Québec), Alessandro Perissinotto (Università di Torino), Isabella Pezzini (La Sapienza Università di Roma), Massimo Privitera (Università di Palermo), Paolo Rosato (Conservatorio di Fermo), Oreste Sacchelli (Université de Nancy, em.), Pia Schwarz Lausten (Københavns Universitet), Luca Somigli (University of Toronto), Thomas Stauder (Universität Augsburg), Bart Van den Bossche (KU Leuven), Mary Wood (Birkbeck, University of London, em.), Walter Zidaric (Université de Nantes)

10 publications

Nouvelle poétique comparatiste / New Comparative Poetics

ISSN: 1376-3202

This series publishes contributions which explore new territory in the ever-evolving field of comparative literature. Its monographs, written in English or in French, typically deal with the interaction between various authors, literary genres and societies or cultures, if necessary drawing on literary theory. The term «comparative» is not restricted to the study of different national literatures. It also refers to comparative studies within a single linguistic culture, e.g. in a multicultural society or a postcolonial country. The series seeks to re-assess the complex relationship between margin and center, emphasizing, whenever possible, a non-Eurocentric perspective. Cette collection publie des travaux ouvrant de nouveaux horizons dans le domaine sans cesse en évolution de la littérature comparée. Ses monographies, rédigées en anglais ou en français, traitent de préférence de l’interaction entre différents auteurs, genres littéraires et sociétés ou cultures, en faisant appel, le cas échéant, à la théorie de la littérature. Le terme « comparatiste » n’est pas limité à l’étude de différentes littératures nationales. Il s’applique également aux études comparatistes effectuées dans les limites d’une seule culture linguistique, par exemple dans une société multiculturelle ou postcoloniale. La collection tente donc de redéfinir la relation complexe entre centre et périphérie, en adoptant, dans la mesure du possible, une perspective non-eurocentrique.

47 publications

Il secolo lungo

ISSN: 2034-564X

The series, directed by Claudio Gigante and Dirk Vanden Berghe, contains texts and essays on Italian literature of the nineteenth century, understood here in its widest chronological extension, from the first Napoleonic campaign until the end of the first World War; which represents as well the period in which the Risorgimento was fulfilled. The extent of the social and cultural changes that took place in the course of the nineteenth century was such as to influence the whole «Short Century» that would have immediately followed. For this reason, the Italian literary production of such a crucial phase in modern history deserves to be the subject of a specific series of studies, open to different methodological approaches but with a focus on research carried out directly on the texts. Contributions are welcome in Italian and in major European languages. All the volumes in the series «Il secolo lungo» are subject to a double blind peer review. La collana, diretta da Claudio Gigante e Dirk Vanden Berghe, ospita testi e saggi dedicati alla letteratura italiana del secolo XIX, inteso qui nella sua massima estensione cronologica, dalla prima campagna napoleonica alla fine della Grande Guerra: che rappresenta anche il periodo in cui si compì la parabola del Risorgimento. L'entità dei mutamenti sociali e culturali avveratisi nel corso dell'Ottocento fu tale da condizionare l'intero «secolo breve» che gli avrebbe immediatamente fatto seguito. Anche per questo, la produzione letteraria italiana di una fase così cruciale della storia moderna merita di essere l'oggetto di una collana di studi specifica, aperta ad approcci metodologici diversi ma con un'attenzione particolare alle ricerche eseguite direttamente sui testi. Verranno accolti contributi in italiano e nelle principali lingue europee. Ogni volume della collana «Il secolo lungo» è stato sottoposto a una doppia revisione paritaria anonima. La collection, dirigée par Claudio Gigante et Dirk Vanden Berghe, rassemble textes et études consacrés à la littérature italienne du XIXe siècle, période considérée ici dans sa plus ample extension chronologique, de la première campagne napoléonienne en Italie à la fin de la Grande Guerre ; ce qui en réalité coïncide avec l’ère du Risorgimento. Les profonds changements sociaux et culturels qui se sont produits au cours du XIXe siècle ont fortement influencé le « court XXe siècle ». Pour cette raison, la production littéraire italienne d’une période décisive de l’histoire moderne mérite d’être l’objet d’une série spécifique de travaux de recherche, ouverte aux approches méthodologiques différenciées mais axée principalement sur une lecture rapprochée du texte littéraire. La collection accueille des travaux en italien et dans les principales langues européennes. Tous les volumes de la collection « Il secolo lungo » sont soumis à une double expertise aveugle par les pairs. La collana, diretta da Claudio Gigante e Dirk Vanden Berghe, ospita testi e saggi dedicati alla letteratura italiana del secolo XIX, inteso qui nella sua massima estensione cronologica, dalla prima campagna napoleonica alla fine della Grande Guerra; che rappresenta anche il periodo in cui si compì la parabola del Risorgimento. L'entità dei mutamenti sociali e culturali avveratisi nel corso dell'Ottocento fu tale da condizionare l'intero «secolo breve» che gli avrebbe immediatamente fatto seguito. Anche per questo, la produzione letteraria italiana di una fase così cruciale della storia moderna merita di essere l'oggetto di una collana di studi specifica, aperta ad approcci metodologici diversi ma con un'attenzione particolare alle ricerche eseguite direttamente sui testi. Verranno accolti contributi in italiano e nelle principali lingue europee. Ogni volume della collana «Il secolo lungo» è stato sottoposto a una doppia revisione paritaria anonima. The series, directed by Claudio Gigante and Dirk Vanden Berghe, contains texts and essays on Italian literature of the nineteenth century, understood here in its widest chronological extension, from the first Napoleonic campaign until the end of the first World War; which represents as well the period in which the Risorgimento was fulfilled. The extent of the social and cultural changes that took place in the course of the nineteenth century was such as to influence the whole «Short Century» that would have immediately followed. For this reason, the Italian literary production of such a crucial phase in modern history deserves to be the subject of a specific series of studies, open to different methodological approaches but with a focus on research carried out directly on the texts. Contributions are welcome in Italian and in major European languages. All the volumes in the series «Il secolo lungo» are subject to a double blind peer review. La collana, diretta da Claudio Gigante e Dirk Vanden Berghe, ospita testi e saggi dedicati alla letteratura italiana del secolo XIX, inteso qui nella sua massima estensione cronologica, dalla prima campagna napoleonica alla fine della Grande Guerra: che rappresenta anche il periodo in cui si compì la parabola del Risorgimento. L'entità dei mutamenti sociali e culturali avveratisi nel corso dell'Ottocento fu tale da condizionare l'intero «secolo breve» che gli avrebbe immediatamente fatto seguito. Anche per questo, la produzione letteraria italiana di una fase così cruciale della storia moderna merita di essere l'oggetto di una collana di studi specifica, aperta ad approcci metodologici diversi ma con un'attenzione particolare alle ricerche eseguite direttamente sui testi. Verranno accolti contributi in italiano e nelle principali lingue europee. Ogni volume della collana «Il secolo lungo» è stato sottoposto a una doppia revisione paritaria anonima.

7 publications

Polish Studies – Transdisciplinary Perspectives

ISSN: 2191-3293

The Polish Studies – Transdisciplinary Perspectives series aims at providing a forum for studies on Slavonic Languages and Literatures as well as Ethnology and Cultural Studies. Editors seek the submission of monographs on modern Polish authors seen in a broader context of cultural and literary criticism.

54 publications

Studies in Franco-Irish Relations

The aim of this series is to foreground areas of interdisciplinary and multidisciplinary connection between France and Ireland, as well as stressing the European dimension of the Franco-Irish nexus. The series also provides a forum for French-language scholarship within the field of Irish studies. We welcome proposals from a variety of disciplinary backgrounds, including historical, cultural, literary, sociological, political and linguistic perspectives. The series publishes books in both English and French and all submissions will be peer-reviewed. L’objectif de cette collection est de valoriser les recherches multi-disciplinaires ou inter-disciplinaires relatives à la France et à l’Irlande, et de souligner la dimension européenne des relations franco-irlandaises. La collection offre également un espace d’échanges pour la recherche francophone en études irlandaises. Nous accueillons des projets de publication relevant de différents champs disciplinaires et s’inscrivant dans une perspective historique, culturelle, littéraire, sociologique, politique ou linguistique. Les ouvrages de la collection sont publiés en anglais et en français ; tous les projets sont soumis à une double révision par les pairs.

27 publications

Studies in Classical Literature and Culture

ISSN: 2196-9779

The series explores a wide range of topics within classical studies concentrating on Greek and Latin language, ancient literature and culture as well as its reception. It includes monographs, collections of articles and critical editions presented by scholars from around the world and aims to bring together modern approaches like literary theory and cultural studies with traditional philology represented by textual criticism. Encouraging an interdisciplinary point of view it aims at giving a comprehensive picture of new trends and recent achievements in classics.

21 publications

ALPH: Arbeiten zur Literarischen Phantastik / ALPH: Approaches to Literary Phantasy

This series has been terminated after vol. 9. ALPH: in Coleridge’s poem Kubla Khan, this is a subterranean river based on the Greek Alphaios, which connects different worlds and thus creates new spaces in secret and surprising ways. The title Alph thus stands for works of fantastic literature/phantasy to which this series devotes new and exciting studies, from all ranges of anglophone writing, but also from other languages. Interdisciplinary and comparative studies are particularly welcome. Band 9 schließt diese Reihe ab. ALPH: In Coleridges Gedicht Kubla Khan ist dies ein unterirdischer Fluss, dem griechischen Alphaios entlehnt, der verschiedene Welten verbindet und dabei auf phantastische Weise neue Räume aufdeckt. Darum geht es in den Büchern dieser Reihe, in der neue Studien zur phantastischen Literatur erscheinen, insbesondere, aber nicht nur, der englischsprachigen Welt. Interdisziplinäre und komparatistische Arbeiten sind besonders willkommen.

9 publications