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Geschlechter-F(r)iktionen – F(r)ictions des genres
Geschlechterphantasien im literarischen Diskurs – Fantasmes des genres dans le discours littéraire©2014 Monographs -
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Leseförderung durch Kriminalliteratur
Deutschdidaktische Annäherungen an ein verkanntes und vernachlässigtes Genre©2019 Thesis -
Wissensvermittlung in TV-Magazinen für Kinder
Genre – Moderationsrollen – Vermittlungsverfahren©2023 Thesis -
Aspekte der Kinder- und Jugendliteratur
Genres – Formen und Funktionen – Autoren©2003 Edited Collection -
Inscriptions/Transgressions
Kunstgeschichte und Gender Studies – Histoire de l’art et études genre – Art History and Gender Studies©2008 Edited Collection -
Bricolage
Ein kommunikatives Genre im Sprachgebrauch Jugendlicher aus der Deutschschweiz©2014 Thesis -
Eurosinica
ISSN: 2235-6258
"EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (19212005) and the Canadian comparatist Adrian Hsia (19382010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of cultural dialogue between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (contacts) between formerly allegedly separated cultural spheres. For Authors EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Editors Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) Irmy Schweiger (University of Stockholm/Sweden) Board Members He Chengzhou (Nanjing) Mark Gamsa (Tel Aviv / Riga) Shu-ching Ho (Düsseldorf) Lucie Berner (Macao) Tatsuo Takahashi (Tokyo) Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (19212005) and the Canadian comparatist Adrian Hsia (19382010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of cultural dialogue between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (contacts) between formerly allegedly separated cultural spheres. Pour les auteurs EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Éditeurs Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) Irmy Schweiger (University of Stockholm/Sweden) Les membres du conseil d'administration He Chengzhou (Nanjing) Mark Gamsa (Tel Aviv / Riga) Shu-ching Ho (Düsseldorf) Lucie Berner (Macao) Tatsuo Takahashi (Tokyo) Rossella Ferrari (London) " "EUROSINICA is a book series for monographs of various thematic focuses, sharing the goal of studying culture and literature in contemporary or historical contexts. The series, under the imprint of Peter Lang, was founded in 1984 by the German sinologist Günther Debon (19212005) and the Canadian comparatist Adrian Hsia (19382010); so far, thirteen books have been published. While the founding editors placed the emphasis on the transfer processes of classical literary works and motifs between cultures, the continuation of their work requires new approaches. Rather than operate within the conceptual framework of cultural dialogue between an East and a West viewed as distinct entities, the series editors tend to a view of cultures in contact. EUROSINICA is accordingly open for studies and interpretation of authors, personalities, genres and individual works committed to an understanding of humanity as a common source of values which, rather than be impeded by cultural, linguistic or ethnic disparity, are being reshaped and reinvented in different settings. From the basic concept the series founders have contributed, we will carry on the approach to literature, the arts and history as transnational narratives emerging out of distinct contextualization and relying on as well as contributing to both the European and the Sinic cultural spheres. We explicitly welcome well-argued innovative interpretations of classical works, as we do historical and translation studies. At a time of ongoing global changes of aesthetic and critical paradigms, EUROSINICA does not intend to propose the East-West-paradigm as a last refuge for intellectual cultural conservatism, but rather envisages new critical approaches to the sporadic process of aesthetic and historical interactions (contacts) between formerly allegedly separated cultural spheres. Für Autoren EUROSINICA expects to publish between one and two volumes annually and aims for a balance between studies of contemporary or ancient focus. It thereby seeks to counter the trend of separating research on classical and modern issues. EUROSINICA will consider manuscripts in European languages. The series editors and board members are scholars at universities in the Baltic and Nordic countries of Europe, as well as in mainland China, Japan, Taiwan, Hong Kong and Macao. They represent the disciplines of comparative literature, cultural studies and history in European and East Asian languages. As a series, EUROSINICA is directed and managed by AsiaRes, the Baltic Research Center for East Asian studies at the University of Latvia in Riga and the Department of Asian, Middle Eastern and Turkish Studies at Stockholm University. For further information, please write to eurosinica@asiares.lv or irmy.schweiger@orient.su.se. Herausgeber Frank Kraushaar (Tallinn University/Tallinn/Estonia; AsiaRes University of Latvia/Riga/Latvia) Irmy Schweiger (University of Stockholm/Sweden) Vorstandsmitglieder He Chengzhou (Nanjing) Mark Gamsa (Tel Aviv / Riga) Shu-ching Ho (Düsseldorf) Lucie Berner (Macao) Tatsuo Takahashi (Tokyo) Rossella Ferrari (London) "
12 publications
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North American Studies in Nineteenth-Century German Literature and Culture
ISSN: 2235-3496
"This series of scholarly works focuses on literature and other cultural artifacts produced during the long nineteenth century in German-speaking lands. The series includes studies in criticism and literary history, as well as analyses of the social and political dimensions of literature and culture. The aim of the series is to offer contributions by North American scholars who have rediscovered once significant authors, genres or modes of production and consumption; reevaluated canonical or other texts and their contexts; or explored other forms of expression, such as journalism, letters or diaries. This scholarship serves to renew our understanding and appreciation of a body of work that was acknowledged as internationally important in the nineteenth century and that still speaks to us today." "This series of scholarly works focuses on literature and other cultural artifacts produced during the long nineteenth century in German-speaking lands. The series includes studies in criticism and literary history, as well as analyses of the social and political dimensions of literature and culture. The aim of the series is to offer contributions by North American scholars who have rediscovered once significant authors, genres or modes of production and consumption; reevaluated canonical or other texts and their contexts; or explored other forms of expression, such as journalism, letters or diaries. This scholarship serves to renew our understanding and appreciation of a body of work that was acknowledged as internationally important in the nineteenth century and that still speaks to us today." "This series of scholarly works focuses on literature and other cultural artifacts produced during the long nineteenth century in German-speaking lands. The series includes studies in criticism and literary history, as well as analyses of the social and political dimensions of literature and culture. The aim of the series is to offer contributions by North American scholars who have rediscovered once significant authors, genres or modes of production and consumption; reevaluated canonical or other texts and their contexts; or explored other forms of expression, such as journalism, letters or diaries. This scholarship serves to renew our understanding and appreciation of a body of work that was acknowledged as internationally important in the nineteenth century and that still speaks to us today."
40 publications
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Studies in Modern German and Austrian Literature
ISSN: 2235-3488
Studies in Modern German and Austrian Literature is a broadly conceived series that aims to publish significant research and scholarship devoted to German and Austrian literature of all forms and genres from the eighteenth century to the present day. The series promotes the analysis of intersections of literature with thought, society and other art forms, such as film, theatre, autobiography, music, painting, sculpture and performance art. It includes monographs on single authors or works, focused historical periods, and studies of experimentation with form and genre. Wider ranging explorations of literary, cultural or socio-political phenomena in the German-speaking lands or among writers in exile and analyses of national, ethnic and cultural identities in literature are also welcome topics. Proposals are invited for monographs, high-quality doctoral dissertations revised for book publication, focused collections of essays (including selectively edited conference proceedings), annotated editions and bibliographies. Senior figures in the academic profession as well as early career or independent scholars are encouraged to submit proposals. All proposals and manuscripts will be peer reviewed. We publish in both German and English. This series is a successor to Studies in Modern German Literature, edited by Peter D.G. Brown.
16 publications
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Studien zur Geschichte europäischer Periodika / Studies in the History of European Periodicals
ISSN: 2570-0510
These "Studies" explore the periodical in its many forms, dating back to the beginning of printing. In addition to magazines and newspapers, we investigate broadsheets, folk calendars, almanacs, and other forms of the periodical. In this international and interdisciplinary series, local, regional, national and trans-European communication spaces and forms are also examined. The series considers historical developments (of a specific genre or an ensemble of several periodicals, etc.) and offers synchronous investigations into the media and communications of a given period. The "Studies" aim to contribute to the understanding of the emergence, establishment and diversification of the European print media reception and literary and media formats and techniques. Die „Studien" erforschen die vielfältigen Formen der periodisch publizierten Kommunikation seit Beginn des Buchdrucks. Neben Zeitschriften, Magazinen oder Zeitungen gehören hierzu auch ältere Formen wie Flugblätter, Volkskalender, Almanache etc. In der internationalen und interdisziplinären Reihe werden lokale, regionale, nationale oder transeuropäische Kommunikationsräume und -formen untersucht. Sie interessiert sich für historische Entwicklungen (einer spezifischen Gattung oder eines Ensembles mehrerer Periodika etc.) und bietet synchrone Untersuchungen zur medialen Kommunikation einer Epoche. Damit leisten die Studien einen Beitrag zur Erforschung der Entstehung, Etablierung und Diversifizierung der europäischen Printmedienrezeption sowie medialer und literarischer Formate und Techniken.
6 publications
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Nouveaux regards sur la classification nominale dans les langues africaines
©2016 Edited Collection -
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Prestige-Science Fiction – Neue deutschsprachige Romane zwischen Kunstanspruch und Unterhaltung
Unter Mitarbeit von Sina Röpke©2020 Conference proceedings -
Weit entfernte Wunder
Zur Konstruktion von Raum und Zeit in der englischen Fantasyliteratur am Beispiel von J.R.R. Tolkiens «The Hobbit»©2009 Thesis -
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Das mittellateinische Epyllion
Studien zur Kleinform der epischen Dichtung im Mittelalter©2021 Thesis